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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86118C it is the complementary color #79EE73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86118C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86118C shade: #8B1187, #9C239A, #AD35AD, #BE47C0 and #CF59D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86118C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86118C shade: #86118C, #750079, #640066, #530053 and #420040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86118C shade: #86118C, #8C1171, #8C1150, #8C112E and #8C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86118C shade: #86118C, #65118C, #44118C, #22118C and #11118C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86118C shade matches the following richer shades: #86118C and #920499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86118C shade: #86118C, #7B1E7F, #6F2A73, #643766 and #584459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86118C shade: #44118C, #65118C, #86118C, #8C1171 and #8C1151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86118C shade: #400843, #630C67, #86118C, #A915B1 and #CC1AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86118C shade: #86118C, #8C2311 and #118C55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86118C shade: #86118C, #8C8611 and #118C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86118C shade: #86118C, #8C2311, #178C11 and #117A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86118C shade: #86118C, #8C4811, #178C11 and #11558C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

Complementary color

CMYK 49 / 0 / 52 / 7

HEX #79EE73

RGB 121 238 115

HSL 117.07, 0.78%, 0.69%

LAB 85.23, -56.83, 49.1

 

CMYK 0 / 88 / 3 / 45

HEX #8B1187

RGB 139 17 135

HSL 301.97, 0.78%, 0.31%

LAB 33.22, 59.37, -35.27

 

CMYK 0 / 78 / 1 / 39

HEX #9C239A

RGB 156 35 154

HSL 300.99, 0.63%, 0.37%

LAB 38.9, 61.45, -37.69

 

CMYK 0 / 69 / 0 / 32

HEX #AD35AD

RGB 173 53 173

HSL 300, 0.53%, 0.44%

LAB 44.87, 62.42, -39.42

 

CMYK 1 / 63 / 0 / 25

HEX #BE47C0

RGB 190 71 192

HSL 299.01, 0.49%, 0.52%

LAB 50.99, 62.68, -40.68

 

CMYK 2 / 58 / 0 / 17

HEX #CF59D3

RGB 207 89 211

HSL 298.03, 0.58%, 0.59%

LAB 57.19, 62.53, -41.62

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 3 / 100 / 0 / 53

HEX #750079

RGB 117 0 121

HSL 298.02, 1%, 0.24%

LAB 27.19, 55.91, -36.34

 

CMYK 2 / 100 / 0 / 60

HEX #640066

RGB 100 0 102

HSL 298.82, 1%, 0.2%

LAB 22.54, 49.78, -31.71

 

CMYK 0 / 100 / 0 / 67

HEX #530053

RGB 83 0 83

HSL 300, 1%, 0.16%

LAB 17.75, 43.45, -26.91

 

CMYK 0 / 100 / 3 / 74

HEX #420040

RGB 66 0 64

HSL 301.82, 1%, 0.13%

LAB 12.79, 36.9, -21.88

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 88 / 19 / 45

HEX #8C1171

RGB 140 17 113

HSL 313.17, 0.78%, 0.31%

LAB 32.19, 56.33, -23.05

 

CMYK 0 / 88 / 43 / 45

HEX #8C1150

RGB 140 17 80

HSL 329.27, 0.78%, 0.31%

LAB 30.77, 52.42, -3.81

 

CMYK 0 / 88 / 67 / 45

HEX #8C112E

RGB 140 17 46

HSL 345.85, 0.78%, 0.31%

LAB 29.85, 49.75, 17.52

 

CMYK 0 / 88 / 88 / 45

HEX #8C1111

RGB 140 17 17

HSL 0, 0.78%, 0.31%

LAB 29.45, 48.6, 35.06

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 28 / 88 / 0 / 45

HEX #65118C

RGB 101 17 140

HSL 280.98, 0.78%, 0.31%

LAB 26.91, 53.44, -48.89

 

CMYK 51 / 88 / 0 / 45

HEX #44118C

RGB 68 17 140

HSL 264.88, 0.78%, 0.31%

LAB 22.03, 48.79, -57.07

 

CMYK 76 / 88 / 0 / 45

HEX #22118C

RGB 34 17 140

HSL 248.29, 0.78%, 0.31%

LAB 18.52, 45.71, -63

 

CMYK 88 / 88 / 0 / 45

HEX #11118C

RGB 17 17 140

HSL 240, 0.78%, 0.31%

LAB 17.52, 44.89, -64.68

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 5 / 97 / 0 / 40

HEX #920499

RGB 146 4 153

HSL 297.18, 0.95%, 0.31%

LAB 35, 65.42, -43.43

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 3 / 76 / 0 / 50

HEX #7B1E7F

RGB 123 30 127

HSL 297.53, 0.62%, 0.31%

LAB 31.05, 51.23, -33.9

 

CMYK 3 / 63 / 0 / 55

HEX #6F2A73

RGB 111 42 115

HSL 296.71, 0.46%, 0.31%

LAB 30.09, 41.07, -27.97

 

CMYK 2 / 46 / 0 / 60

HEX #643766

RGB 100 55 102

HSL 297.45, 0.3%, 0.31%

LAB 30.4, 28.05, -19.31

 

CMYK 1 / 24 / 0 / 65

HEX #584459

RGB 88 68 89

HSL 297.14, 0.13%, 0.31%

LAB 31.65, 12.78, -9.19

 

CMYK 51 / 88 / 0 / 45

HEX #44118C

RGB 68 17 140

HSL 264.88, 0.78%, 0.31%

LAB 22.03, 48.79, -57.07

 

CMYK 28 / 88 / 0 / 45

HEX #65118C

RGB 101 17 140

HSL 280.98, 0.78%, 0.31%

LAB 26.91, 53.44, -48.89

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 88 / 19 / 45

HEX #8C1171

RGB 140 17 113

HSL 313.17, 0.78%, 0.31%

LAB 32.19, 56.33, -23.05

 

CMYK 0 / 88 / 42 / 45

HEX #8C1151

RGB 140 17 81

HSL 328.78, 0.78%, 0.31%

LAB 30.81, 52.52, -4.42

 

CMYK 4 / 88 / 0 / 74

HEX #400843

RGB 64 8 67

HSL 296.95, 0.79%, 0.15%

LAB 13.64, 33.92, -22.66

 

CMYK 4 / 88 / 0 / 60

HEX #630C67

RGB 99 12 103

HSL 297.36, 0.79%, 0.23%

LAB 23.32, 47.1, -31.13

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 5 / 88 / 0 / 31

HEX #A915B1

RGB 169 21 177

HSL 296.92, 0.79%, 0.39%

LAB 41.45, 70.88, -47.28

 

CMYK 5 / 88 / 0 / 16

HEX #CC1AD6

RGB 204 26 214

HSL 296.81, 0.78%, 0.47%

LAB 50.01, 81.87, -54.76

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 75 / 88 / 45

HEX #8C2311

RGB 140 35 17

HSL 8.78, 0.78%, 0.31%

LAB 31.39, 43.16, 36.72

 

CMYK 88 / 0 / 39 / 45

HEX #118C55

RGB 17 140 85

HSL 153.17, 0.78%, 0.31%

LAB 51.3, -44.61, 20.76

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 4 / 88 / 45

HEX #8C8611

RGB 140 134 17

HSL 57.07, 0.78%, 0.31%

LAB 54.73, -10.26, 56.12

 

CMYK 88 / 0 / 4 / 45

HEX #118C86

RGB 17 140 134

HSL 177.07, 0.78%, 0.31%

LAB 52.51, -31.77, -5.64

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 75 / 88 / 45

HEX #8C2311

RGB 140 35 17

HSL 8.78, 0.78%, 0.31%

LAB 31.39, 43.16, 36.72

 

CMYK 84 / 0 / 88 / 45

HEX #178C11

RGB 23 140 17

HSL 117.07, 0.78%, 0.31%

LAB 50.66, -52.62, 50.3

 

CMYK 88 / 13 / 0 / 45

HEX #117A8C

RGB 17 122 140

HSL 188.78, 0.78%, 0.31%

LAB 46.88, -20.75, -17.63

 

CMYK 4 / 88 / 0 / 45

HEX #86118C

RGB 134 17 140

HSL 297.07, 0.78%, 0.31%

LAB 32.62, 59.22, -39.38

 

CMYK 0 / 49 / 88 / 45

HEX #8C4811

RGB 140 72 17

HSL 26.83, 0.78%, 0.31%

LAB 38.29, 25.15, 42.54

 

CMYK 84 / 0 / 88 / 45

HEX #178C11

RGB 23 140 17

HSL 117.07, 0.78%, 0.31%

LAB 50.66, -52.62, 50.3

 

CMYK 88 / 39 / 0 / 45

HEX #11558C

RGB 17 85 140

HSL 206.83, 0.78%, 0.31%

LAB 35.02, 1.13, -36.14

 

Description

Color code: HEX #86118C | qconv.com Color code: HEX #86118C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 17 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 17 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 88 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 88% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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