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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #861C41 it is the complementary color #79E3BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #861C41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #861C41 shade: #8B1C3C, #9C2E4F, #AD4062, #BE5275 and #CF6488

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #861C41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #861C41 shade: #861C41, #750A2E, #64001B, #530008 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #861C41 shade: #861C41, #861C24 and #861C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #861C41 shade: #861C41, #861C5E, #861C7A, #751C86 and #591C86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #861C41 shade matches the following richer shades: #861C41, #930F3D and #A10239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #861C41 shade: #861C41, #792945, #6C3649, #5F444D and #515151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #861C41 shade: #861C7A, #861C5D, #861C41, #861C25 and #86301C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #861C41 shade: #420E20, #641531, #861C41, #A82352 and #CA2B62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #861C41 shade: #861C41, #86761C and #1C6C86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #861C41 shade: #861C41, #41861C and #1C4186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #861C41 shade: #861C41, #86761C, #1C8661 and #1C2C86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #861C41 shade: #861C41, #76861C, #1C8661 and #2C1C86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

Complementary color

CMYK 47 / 0 / 16 / 11

HEX #79E3BE

RGB 121 227 190

HSL 159.06, 0.65%, 0.68%

LAB 83.3, -39.32, 8.64

 

CMYK 0 / 80 / 57 / 45

HEX #8B1C3C

RGB 139 28 60

HSL 342.7, 0.66%, 0.33%

LAB 30.99, 47.45, 9.72

 

CMYK 0 / 71 / 49 / 39

HEX #9C2E4F

RGB 156 46 79

HSL 342, 0.54%, 0.4%

LAB 37.09, 47.81, 6.4

 

CMYK 0 / 63 / 43 / 32

HEX #AD4062

RGB 173 64 98

HSL 341.28, 0.46%, 0.46%

LAB 43.41, 47.5, 3.88

 

CMYK 0 / 57 / 38 / 25

HEX #BE5275

RGB 190 82 117

HSL 340.56, 0.45%, 0.53%

LAB 49.82, 46.86, 1.9

 

CMYK 0 / 52 / 34 / 19

HEX #CF6488

RGB 207 100 136

HSL 339.81, 0.53%, 0.6%

LAB 56.24, 46.07, 0.28

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 91 / 61 / 54

HEX #750A2E

RGB 117 10 46

HSL 339.81, 0.84%, 0.25%

LAB 24.31, 44.8, 9.25

 

CMYK 0 / 100 / 73 / 61

HEX #64001B

RGB 100 0 27

HSL 343.8, 1%, 0.2%

LAB 19.18, 41.23, 15.08

 

CMYK 0 / 100 / 90 / 67

HEX #530008

RGB 83 0 8

HSL 354.22, 1%, 0.16%

LAB 14.72, 35.69, 19.68

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 79 / 73 / 47

HEX #861C24

RGB 134 28 36

HSL 355.47, 0.65%, 0.32%

LAB 29.48, 44.38, 23.32

 

CMYK 0 / 79 / 79 / 47

HEX #861C1C

RGB 134 28 28

HSL 0, 0.65%, 0.32%

LAB 29.37, 44.03, 28.21

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 79 / 30 / 47

HEX #861C5E

RGB 134 28 94

HSL 322.64, 0.65%, 0.32%

LAB 31.13, 49.53, -12.56

 

CMYK 0 / 79 / 9 / 47

HEX #861C7A

RGB 134 28 122

HSL 306.79, 0.65%, 0.32%

LAB 32.49, 53.53, -28.35

 

CMYK 13 / 79 / 0 / 47

HEX #751C86

RGB 117 28 134

HSL 290.38, 0.65%, 0.32%

LAB 30.24, 51.91, -39.63

 

CMYK 34 / 79 / 0 / 47

HEX #591C86

RGB 89 28 134

HSL 274.53, 0.65%, 0.32%

LAB 25.79, 46.39, -47.04

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 90 / 59 / 42

HEX #930F3D

RGB 147 15 61

HSL 339.09, 0.81%, 0.32%

LAB 31.54, 53.02, 10.07

 

CMYK 0 / 99 / 65 / 37

HEX #A10239

RGB 161 2 57

HSL 339.25, 0.98%, 0.32%

LAB 33.81, 58.24, 16.3

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 66 / 43 / 53

HEX #792945

RGB 121 41 69

HSL 339, 0.49%, 0.32%

LAB 29.61, 37.46, 1.33

 

CMYK 0 / 50 / 32 / 58

HEX #6C3649

RGB 108 54 73

HSL 338.89, 0.33%, 0.32%

LAB 30.18, 26.36, -0.74

 

CMYK 0 / 28 / 19 / 63

HEX #5F444D

RGB 95 68 77

HSL 340, 0.17%, 0.32%

LAB 32.04, 13.2, -0.81

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 0 / 79 / 9 / 47

HEX #861C7A

RGB 134 28 122

HSL 306.79, 0.65%, 0.32%

LAB 32.49, 53.53, -28.35

 

CMYK 0 / 79 / 31 / 47

HEX #861C5D

RGB 134 28 93

HSL 323.21, 0.65%, 0.32%

LAB 31.09, 49.41, -11.97

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 79 / 72 / 47

HEX #861C25

RGB 134 28 37

HSL 354.91, 0.65%, 0.32%

LAB 29.49, 44.43, 22.7

 

CMYK 0 / 64 / 79 / 47

HEX #86301C

RGB 134 48 28

HSL 11.32, 0.65%, 0.32%

LAB 32.41, 35.74, 31.44

 

CMYK 0 / 79 / 52 / 74

HEX #420E20

RGB 66 14 32

HSL 339.23, 0.65%, 0.16%

LAB 13.09, 26.52, 1.88

 

CMYK 0 / 79 / 51 / 61

HEX #641531

RGB 100 21 49

HSL 338.73, 0.65%, 0.24%

LAB 21.83, 36.9, 3.15

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 79 / 51 / 34

HEX #A82352

RGB 168 35 82

HSL 338.8, 0.66%, 0.4%

LAB 38.09, 55.45, 6.21

 

CMYK 0 / 79 / 51 / 21

HEX #CA2B62

RGB 202 43 98

HSL 339.25, 0.65%, 0.48%

LAB 45.86, 63.76, 8.08

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 12 / 79 / 47

HEX #86761C

RGB 134 118 28

HSL 50.94, 0.65%, 0.32%

LAB 49.63, -3.85, 48.24

 

CMYK 79 / 19 / 0 / 47

HEX #1C6C86

RGB 28 108 134

HSL 194.72, 0.65%, 0.32%

LAB 42.3, -14.11, -21.08

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 51 / 0 / 79 / 47

HEX #41861C

RGB 65 134 28

HSL 99.06, 0.65%, 0.32%

LAB 49.81, -40.62, 46.71

 

CMYK 79 / 51 / 0 / 47

HEX #1C4186

RGB 28 65 134

HSL 219.06, 0.65%, 0.32%

LAB 28.77, 13.29, -42.46

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 0 / 12 / 79 / 47

HEX #86761C

RGB 134 118 28

HSL 50.94, 0.65%, 0.32%

LAB 49.63, -3.85, 48.24

 

CMYK 79 / 0 / 28 / 47

HEX #1C8661

RGB 28 134 97

HSL 159.06, 0.65%, 0.32%

LAB 49.69, -38.3, 11.77

 

CMYK 79 / 67 / 0 / 47

HEX #1C2C86

RGB 28 44 134

HSL 230.94, 0.65%, 0.32%

LAB 22.89, 27.86, -52.02

 

CMYK 0 / 79 / 51 / 47

HEX #861C41

RGB 134 28 65

HSL 339.06, 0.65%, 0.32%

LAB 30.11, 46.39, 5.02

 

CMYK 12 / 0 / 79 / 47

HEX #76861C

RGB 118 134 28

HSL 69.06, 0.65%, 0.32%

LAB 52.93, -19.87, 50.77

 

CMYK 79 / 0 / 28 / 47

HEX #1C8661

RGB 28 134 97

HSL 159.06, 0.65%, 0.32%

LAB 49.69, -38.3, 11.77

 

CMYK 67 / 79 / 0 / 47

HEX #2C1C86

RGB 44 28 134

HSL 249.06, 0.65%, 0.32%

LAB 20.39, 39.51, -56.1

 

Description

Color code: HEX #861C41 | qconv.com Color code: HEX #861C41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 28 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 28 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 51 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 51% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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