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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86216C it is the complementary color #79DE93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86216C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86216C shade: #8B2167, #9C337A, #AD458D, #BE57A0 and #CF69B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86216C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86216C shade: #86216C, #750F59, #640046, #530033 and #420020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86216C shade: #86216C, #862151, #862136 and #862121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86216C shade: #86216C, #852186, #6A2186, #4E2186 and #332186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86216C shade matches the following richer shades: #86216C, #941473 and #A10679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86216C shade: #86216C, #792F66, #6B3C5F, #5D4A58 and #505852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86216C shade: #6A2186, #842186, #86216D, #862152 and #862137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86216C shade: #441137, #651952, #86216C, #A72987 and #C832A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86216C shade: #86216C, #864F21 and #218677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86216C shade: #86216C, #6D8621 and #216D86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86216C shade: #86216C, #864F21, #21863A and #215986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86216C shade: #86216C, #866D21, #21863A and #213A86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

Complementary color

CMYK 45 / 0 / 34 / 13

HEX #79DE93

RGB 121 222 147

HSL 135.45, 0.6%, 0.67%

LAB 80.97, -45.56, 27.86

 

CMYK 0 / 76 / 26 / 45

HEX #8B2167

RGB 139 33 103

HSL 320.38, 0.62%, 0.34%

LAB 33.04, 50.39, -15.35

 

CMYK 0 / 67 / 22 / 39

HEX #9C337A

RGB 156 51 122

HSL 319.43, 0.51%, 0.41%

LAB 39.31, 50.87, -17.44

 

CMYK 0 / 60 / 18 / 32

HEX #AD458D

RGB 173 69 141

HSL 318.46, 0.43%, 0.47%

LAB 45.72, 50.73, -18.98

 

CMYK 0 / 54 / 16 / 25

HEX #BE57A0

RGB 190 87 160

HSL 317.48, 0.44%, 0.54%

LAB 52.18, 50.27, -20.16

 

CMYK 0 / 49 / 14 / 19

HEX #CF69B3

RGB 207 105 179

HSL 316.47, 0.52%, 0.61%

LAB 58.62, 49.64, -21.12

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 87 / 24 / 54

HEX #750F59

RGB 117 15 89

HSL 316.47, 0.77%, 0.26%

LAB 26.29, 48.21, -17.01

 

CMYK 0 / 100 / 30 / 61

HEX #640046

RGB 100 0 70

HSL 318, 1%, 0.2%

LAB 20.64, 45.07, -13.22

 

CMYK 0 / 100 / 39 / 67

HEX #530033

RGB 83 0 51

HSL 323.13, 1%, 0.16%

LAB 15.89, 38.81, -7.46

 

CMYK 0 / 100 / 52 / 74

HEX #420020

RGB 66 0 32

HSL 330.91, 1%, 0.13%

LAB 11.01, 32.42, -1.14

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 75 / 60 / 47

HEX #862136

RGB 134 33 54

HSL 347.52, 0.6%, 0.33%

LAB 30.45, 43.73, 12.8

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 1 / 75 / 0 / 47

HEX #852186

RGB 133 33 134

HSL 299.41, 0.6%, 0.33%

LAB 33.55, 53.69, -34.18

 

CMYK 21 / 75 / 0 / 47

HEX #6A2186

RGB 106 33 134

HSL 283.37, 0.6%, 0.33%

LAB 29.09, 47.75, -41.58

 

CMYK 42 / 75 / 0 / 47

HEX #4E2186

RGB 78 33 134

HSL 266.73, 0.6%, 0.33%

LAB 25.04, 42.12, -48.33

 

CMYK 62 / 75 / 0 / 47

HEX #332186

RGB 51 33 134

HSL 250.69, 0.6%, 0.33%

LAB 21.99, 37.65, -53.45

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 86 / 22 / 42

HEX #941473

RGB 148 20 115

HSL 315.47, 0.76%, 0.33%

LAB 34.05, 57.76, -21.29

 

CMYK 0 / 96 / 25 / 37

HEX #A10679

RGB 161 6 121

HSL 315.48, 0.93%, 0.33%

LAB 36.15, 63.47, -21.61

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 61 / 16 / 53

HEX #792F66

RGB 121 47 102

HSL 315.41, 0.44%, 0.33%

LAB 31.94, 39.23, -16.68

 

CMYK 0 / 44 / 11 / 58

HEX #6B3C5F

RGB 107 60 95

HSL 315.32, 0.28%, 0.33%

LAB 32.22, 26.17, -11.94

 

CMYK 0 / 20 / 5 / 64

HEX #5D4A58

RGB 93 74 88

HSL 315.79, 0.11%, 0.33%

LAB 33.84, 10.74, -5.22

 

CMYK 9 / 0 / 7 / 65

HEX #505852

RGB 80 88 82

HSL 135, 0.05%, 0.33%

LAB 36.54, -4.47, 2.4

 

CMYK 21 / 75 / 0 / 47

HEX #6A2186

RGB 106 33 134

HSL 283.37, 0.6%, 0.33%

LAB 29.09, 47.75, -41.58

 

CMYK 1 / 75 / 0 / 47

HEX #842186

RGB 132 33 134

HSL 298.81, 0.6%, 0.33%

LAB 33.38, 53.47, -34.46

 

CMYK 0 / 75 / 19 / 47

HEX #86216D

RGB 134 33 109

HSL 314.85, 0.6%, 0.33%

LAB 32.39, 49.92, -20.26

 

CMYK 0 / 75 / 39 / 47

HEX #862152

RGB 134 33 82

HSL 330.89, 0.6%, 0.33%

LAB 31.27, 46.39, -4.52

 

CMYK 0 / 75 / 59 / 47

HEX #862137

RGB 134 33 55

HSL 346.93, 0.6%, 0.33%

LAB 30.48, 43.81, 12.17

 

CMYK 0 / 75 / 19 / 73

HEX #441137

RGB 68 17 55

HSL 315.29, 0.6%, 0.17%

LAB 14.98, 29.13, -11.99

 

CMYK 0 / 75 / 19 / 60

HEX #651952

RGB 101 25 82

HSL 315, 0.6%, 0.25%

LAB 23.91, 39.92, -16.29

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 75 / 19 / 35

HEX #A72987

RGB 167 41 135

HSL 315.24, 0.61%, 0.41%

LAB 40.49, 59.26, -23.48

 

CMYK 0 / 75 / 20 / 22

HEX #C832A1

RGB 200 50 161

HSL 315.6, 0.6%, 0.49%

LAB 48.43, 67.91, -26.4

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 75 / 0 / 11 / 47

HEX #218677

RGB 33 134 119

HSL 171.09, 0.6%, 0.33%

LAB 50.34, -31.8, -0.07

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 19 / 0 / 75 / 47

HEX #6D8621

RGB 109 134 33

HSL 74.85, 0.6%, 0.33%

LAB 52.3, -23.55, 48.19

 

CMYK 75 / 19 / 0 / 47

HEX #216D86

RGB 33 109 134

HSL 194.85, 0.6%, 0.33%

LAB 42.74, -14.03, -20.4

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 75 / 0 / 57 / 47

HEX #21863A

RGB 33 134 58

HSL 134.85, 0.6%, 0.33%

LAB 49.1, -45.24, 32.54

 

CMYK 75 / 34 / 0 / 47

HEX #215986

RGB 33 89 134

HSL 206.73, 0.6%, 0.33%

LAB 36.35, -2.01, -30.36

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 0 / 19 / 75 / 47

HEX #866D21

RGB 134 109 33

HSL 45.15, 0.6%, 0.33%

LAB 47.13, 1.52, 43.89

 

CMYK 75 / 0 / 57 / 47

HEX #21863A

RGB 33 134 58

HSL 134.85, 0.6%, 0.33%

LAB 49.1, -45.24, 32.54

 

CMYK 75 / 57 / 0 / 47

HEX #213A86

RGB 33 58 134

HSL 225.15, 0.6%, 0.33%

LAB 26.94, 18.81, -45.42

 

Description

Color code: HEX #86216C | qconv.com Color code: HEX #86216C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 33 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 33 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 19 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 19% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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