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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8633B2 it is the complementary color #79CC4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8633B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8633B2 shade: #8B33AD, #9C45C0, #AD57D3, #BE69E6 and #CF7BF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8633B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8633B2 shade: #8633B2, #75219F, #640F8C, #530079 and #420066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8633B2 shade: #8633B1, #A833B1, #B13399, #B13377 and #B13355

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8633B2 shade: #8633B1, #6433B1, #4233B1 and #3333B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8633B2 shade matches the following richer shades: #8633B1, #8B21C4 and #910ED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8633B2 shade: #8633B1, #80469F, #7A588C, #756B7A and #6F7D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8633B2 shade: #4233B1, #6433B1, #8533B1, #A733B1 and #B1339A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8633B2 shade: #552171, #6E2A91, #8633B1, #9B45C9 and #AC65D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8633B2 shade: #8633B2, #B13346 and #33B153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8633B2 shade: #8633B2, #B18533 and #33B185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8633B2 shade: #8633B2, #B13346, #5FB133 and #33B19E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8633B2 shade: #8633B2, #B14633, #5FB133 and #339EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

Complementary color

CMYK 41 / 0 / 62 / 20

HEX #79CC4D

RGB 121 204 77

HSL 99.21, 0.55%, 0.55%

LAB 74.69, -47.41, 53.95

 

CMYK 20 / 71 / 0 / 32

HEX #8B33AD

RGB 139 51 173

HSL 283.28, 0.54%, 0.44%

LAB 39.37, 55.61, -48.51

 

CMYK 19 / 64 / 0 / 25

HEX #9C45C0

RGB 156 69 192

HSL 282.44, 0.49%, 0.51%

LAB 45.81, 55.43, -49.21

 

CMYK 18 / 59 / 0 / 17

HEX #AD57D3

RGB 173 87 211

HSL 281.61, 0.58%, 0.58%

LAB 52.29, 54.92, -49.67

 

CMYK 17 / 54 / 0 / 10

HEX #BE69E6

RGB 190 105 230

HSL 280.8, 0.71%, 0.66%

LAB 58.75, 54.25, -49.98

 

CMYK 17 / 51 / 0 / 2

HEX #CF7BF9

RGB 207 123 249

HSL 280, 0.91%, 0.73%

LAB 65.18, 53.49, -50.21

 

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

CMYK 26 / 79 / 0 / 38

HEX #75219F

RGB 117 33 159

HSL 280, 0.66%, 0.38%

LAB 32.64, 55.26, -51.13

 

CMYK 29 / 89 / 0 / 45

HEX #640F8C

RGB 100 15 140

HSL 280.8, 0.81%, 0.3%

LAB 26.58, 53.78, -49.44

 

CMYK 31 / 100 / 0 / 53

HEX #530079

RGB 83 0 121

HSL 281.16, 1%, 0.24%

LAB 20.9, 50.71, -46.83

 

CMYK 35 / 100 / 0 / 60

HEX #420066

RGB 66 0 102

HSL 278.82, 1%, 0.2%

LAB 16.09, 44.47, -42.47

 

CMYK 24 / 71 / 0 / 31

HEX #8633B1

RGB 134 51 177

HSL 279.52, 0.55%, 0.45%

LAB 38.92, 55.39, -51.65

 

CMYK 5 / 71 / 0 / 31

HEX #A833B1

RGB 168 51 177

HSL 295.71, 0.55%, 0.45%

LAB 44.04, 62.7, -43.15

 

CMYK 0 / 71 / 14 / 31

HEX #B13399

RGB 177 51 153

HSL 311.43, 0.55%, 0.45%

LAB 44.25, 60.92, -28.42

 

CMYK 0 / 71 / 33 / 31

HEX #B13377

RGB 177 51 119

HSL 327.62, 0.55%, 0.45%

LAB 42.83, 56.37, -9.89

 

CMYK 0 / 71 / 52 / 31

HEX #B13355

RGB 177 51 85

HSL 343.81, 0.55%, 0.45%

LAB 41.8, 52.92, 9.79

 

CMYK 24 / 71 / 0 / 31

HEX #8633B1

RGB 134 51 177

HSL 279.52, 0.55%, 0.45%

LAB 38.92, 55.39, -51.65

 

CMYK 44 / 71 / 0 / 31

HEX #6433B1

RGB 100 51 177

HSL 263.33, 0.55%, 0.45%

LAB 34.5, 48.72, -59.01

 

CMYK 63 / 71 / 0 / 31

HEX #4233B1

RGB 66 51 177

HSL 247.14, 0.55%, 0.45%

LAB 31.11, 43.26, -64.69

 

CMYK 71 / 71 / 0 / 31

HEX #3333B1

RGB 51 51 177

HSL 240, 0.55%, 0.45%

LAB 30.02, 41.42, -66.52

 

CMYK 24 / 71 / 0 / 31

HEX #8633B1

RGB 134 51 177

HSL 279.52, 0.55%, 0.45%

LAB 38.92, 55.39, -51.65

 

CMYK 29 / 83 / 0 / 23

HEX #8B21C4

RGB 139 33 196

HSL 279.02, 0.71%, 0.45%

LAB 38.83, 66.66, -62.93

 

CMYK 32 / 93 / 0 / 16

HEX #910ED6

RGB 145 14 214

HSL 279.3, 0.88%, 0.45%

LAB 39.9, 74.97, -71.61

 

CMYK 24 / 71 / 0 / 31

HEX #8633B1

RGB 134 51 177

HSL 279.52, 0.55%, 0.45%

LAB 38.92, 55.39, -51.65

 

CMYK 19 / 56 / 0 / 38

HEX #80469F

RGB 128 70 159

HSL 279.1, 0.39%, 0.45%

LAB 40.37, 40.68, -38.64

 

CMYK 13 / 37 / 0 / 45

HEX #7A588C

RGB 122 88 140

HSL 279.23, 0.23%, 0.45%

LAB 42.78, 24.15, -23.47

 

CMYK 4 / 12 / 0 / 52

HEX #756B7A

RGB 117 107 122

HSL 280, 0.07%, 0.45%

LAB 46.58, 6.94, -6.91

 

CMYK 11 / 0 / 18 / 51

HEX #6F7D67

RGB 111 125 103

HSL 98.18, 0.1%, 0.45%

LAB 50.72, -9.57, 10.28

 

CMYK 63 / 71 / 0 / 31

HEX #4233B1

RGB 66 51 177

HSL 247.14, 0.55%, 0.45%

LAB 31.11, 43.26, -64.69

 

CMYK 44 / 71 / 0 / 31

HEX #6433B1

RGB 100 51 177

HSL 263.33, 0.55%, 0.45%

LAB 34.5, 48.72, -59.01

 

CMYK 25 / 71 / 0 / 31

HEX #8533B1

RGB 133 51 177

HSL 279.05, 0.55%, 0.45%

LAB 38.77, 55.19, -51.88

 

CMYK 6 / 71 / 0 / 31

HEX #A733B1

RGB 167 51 177

HSL 295.24, 0.55%, 0.45%

LAB 43.88, 62.48, -43.41

 

CMYK 0 / 71 / 13 / 31

HEX #B1339A

RGB 177 51 154

HSL 310.95, 0.55%, 0.45%

LAB 44.3, 61.07, -28.95

 

CMYK 25 / 71 / 0 / 56

HEX #552171

RGB 85 33 113

HSL 279, 0.55%, 0.29%

LAB 24.36, 38.3, -36.07

 

CMYK 24 / 71 / 0 / 43

HEX #6E2A91

RGB 110 42 145

HSL 279.61, 0.55%, 0.37%

LAB 31.84, 47.17, -43.92

 

CMYK 24 / 71 / 0 / 31

HEX #8633B1

RGB 134 51 177

HSL 279.52, 0.55%, 0.45%

LAB 38.92, 55.39, -51.65

 

CMYK 23 / 66 / 0 / 21

HEX #9B45C9

RGB 155 69 201

HSL 279.09, 0.55%, 0.53%

LAB 46.23, 57.11, -53.76

 

CMYK 18 / 52 / 0 / 18

HEX #AC65D2

RGB 172 101 210

HSL 279.08, 0.55%, 0.61%

LAB 54.79, 47.33, -45.13

 

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

CMYK 0 / 71 / 60 / 31

HEX #B13346

RGB 177 51 70

HSL 350.95, 0.55%, 0.45%

LAB 41.46, 51.77, 18.71

 

CMYK 71 / 0 / 53 / 31

HEX #33B153

RGB 51 177 83

HSL 135.24, 0.55%, 0.45%

LAB 63.98, -54.19, 38.1

 

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

CMYK 0 / 25 / 71 / 31

HEX #B18533

RGB 177 133 51

HSL 39.05, 0.55%, 0.45%

LAB 58.38, 8.56, 48.92

 

CMYK 71 / 0 / 25 / 31

HEX #33B185

RGB 51 177 133

HSL 159.05, 0.55%, 0.45%

LAB 64.84, -44.63, 12.8

 

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

CMYK 0 / 71 / 60 / 31

HEX #B13346

RGB 177 51 70

HSL 350.95, 0.55%, 0.45%

LAB 41.46, 51.77, 18.71

 

CMYK 46 / 0 / 71 / 31

HEX #5FB133

RGB 95 177 51

HSL 99.05, 0.55%, 0.45%

LAB 65.05, -46.92, 53.91

 

CMYK 71 / 0 / 11 / 31

HEX #33B19E

RGB 51 177 158

HSL 170.95, 0.55%, 0.45%

LAB 65.45, -38.33, -0.14

 

CMYK 25 / 71 / 0 / 30

HEX #8633B2

RGB 134 51 178

HSL 279.21, 0.55%, 0.45%

LAB 38.99, 55.61, -52.13

 

CMYK 0 / 60 / 71 / 31

HEX #B14633

RGB 177 70 51

HSL 9.05, 0.55%, 0.45%

LAB 44.18, 42.47, 33.48

 

CMYK 46 / 0 / 71 / 31

HEX #5FB133

RGB 95 177 51

HSL 99.05, 0.55%, 0.45%

LAB 65.05, -46.92, 53.91

 

CMYK 71 / 11 / 0 / 31

HEX #339EB1

RGB 51 158 177

HSL 189.05, 0.55%, 0.45%

LAB 60.19, -23.61, -18.64

 

Description

Color code: HEX #8633B2 | qconv.com Color code: HEX #8633B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 51 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 51 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 71 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 71% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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