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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863E2C it is the complementary color #79C1D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863E2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863E2C shade: #8B3E27, #9C503A, #AD624D, #BE7460 and #CF8673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863E2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863E2C shade: #863E2C, #752C19, #641A06, #530800 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863E2C shade: #863D2B and #862B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863E2C shade: #863D2B, #86562B, #866F2B, #85862B and #6D862B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863E2C shade matches the following richer shades: #863D2B, #95351D, #A32C0E and #B22300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863E2C shade: #863D2B, #78463A, #694F48, #5B5757 and #4D6065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863E2C shade: #862B4A, #862B31, #863D2B, #86562B and #866E2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863E2C shade: #482117, #672F21, #863D2B, #A54C35 and #C15C43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863E2C shade: #863E2C, #62862B and #2B3D86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863E2C shade: #863E2C, #2B863D and #3D2B86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863E2C shade: #863E2C, #62862B, #2B7486 and #502B86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863E2C shade: #863E2C, #47862B, #2B7486 and #6B2B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

Complementary color

CMYK 43 / 9 / 0 / 17

HEX #79C1D3

RGB 121 193 211

HSL 192, 0.51%, 0.65%

LAB 74.13, -17.86, -16.09

 

CMYK 0 / 55 / 72 / 45

HEX #8B3E27

RGB 139 62 39

HSL 13.8, 0.56%, 0.35%

LAB 36.14, 31.12, 29.48

 

CMYK 0 / 49 / 63 / 39

HEX #9C503A

RGB 156 80 58

HSL 13.47, 0.46%, 0.42%

LAB 42.93, 29.59, 27.14

 

CMYK 0 / 43 / 55 / 32

HEX #AD624D

RGB 173 98 77

HSL 13.13, 0.38%, 0.49%

LAB 49.68, 28.19, 25.12

 

CMYK 0 / 39 / 49 / 25

HEX #BE7460

RGB 190 116 96

HSL 12.77, 0.42%, 0.56%

LAB 56.37, 26.94, 23.37

 

CMYK 0 / 35 / 44 / 19

HEX #CF8673

RGB 207 134 115

HSL 12.39, 0.49%, 0.63%

LAB 62.97, 25.84, 21.83

 

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

CMYK 0 / 62 / 79 / 54

HEX #752C19

RGB 117 44 25

HSL 12.39, 0.65%, 0.28%

LAB 28.52, 30.92, 28.11

 

CMYK 0 / 74 / 94 / 61

HEX #641A06

RGB 100 26 6

HSL 12.77, 0.89%, 0.21%

LAB 21.8, 32.28, 29.84

 

CMYK 0 / 90 / 100 / 67

HEX #530800

RGB 83 8 0

HSL 5.78, 1%, 0.16%

LAB 15.55, 32.75, 24.01

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 68 / 68 / 47

HEX #862B2B

RGB 134 43 43

HSL 0, 0.51%, 0.35%

LAB 31.74, 38.85, 21.61

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 36 / 68 / 47

HEX #86562B

RGB 134 86 43

HSL 28.35, 0.51%, 0.35%

LAB 41.05, 15.57, 32.64

 

CMYK 0 / 17 / 68 / 47

HEX #866F2B

RGB 134 111 43

HSL 44.84, 0.51%, 0.35%

LAB 47.77, 0.94, 40.03

 

CMYK 1 / 0 / 68 / 47

HEX #85862B

RGB 133 134 43

HSL 60.66, 0.51%, 0.35%

LAB 54.25, -12.34, 46.79

 

CMYK 19 / 0 / 68 / 47

HEX #6D862B

RGB 109 134 43

HSL 76.48, 0.51%, 0.35%

LAB 52.37, -22.9, 44.25

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 64 / 81 / 42

HEX #95351D

RGB 149 53 29

HSL 12, 0.67%, 0.35%

LAB 36.03, 39.09, 35.47

 

CMYK 0 / 73 / 91 / 36

HEX #A32C0E

RGB 163 44 14

HSL 12.08, 0.84%, 0.35%

LAB 37.15, 47.46, 44.51

 

CMYK 0 / 80 / 100 / 30

HEX #B22300

RGB 178 35 0

HSL 11.8, 1%, 0.35%

LAB 39.01, 55.03, 52.15

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 42 / 52 / 53

HEX #78463A

RGB 120 70 58

HSL 11.61, 0.35%, 0.35%

LAB 35.36, 20.05, 16.39

 

CMYK 0 / 25 / 31 / 59

HEX #694F48

RGB 105 79 72

HSL 12.73, 0.19%, 0.35%

LAB 36.11, 9.8, 8.35

 

CMYK 0 / 4 / 4 / 64

HEX #5B5757

RGB 91 87 87

HSL 0, 0.02%, 0.35%

LAB 37.35, 1.61, 0.57

 

CMYK 24 / 5 / 0 / 60

HEX #4D6065

RGB 77 96 101

HSL 192.5, 0.13%, 0.35%

LAB 39.38, -5.93, -5.23

 

CMYK 0 / 68 / 45 / 47

HEX #862B4A

RGB 134 43 74

HSL 339.56, 0.51%, 0.35%

LAB 32.46, 41.48, 2.46

 

CMYK 0 / 68 / 63 / 47

HEX #862B31

RGB 134 43 49

HSL 356.04, 0.51%, 0.35%

LAB 31.85, 39.25, 17.91

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 36 / 68 / 47

HEX #86562B

RGB 134 86 43

HSL 28.35, 0.51%, 0.35%

LAB 41.05, 15.57, 32.64

 

CMYK 0 / 18 / 68 / 47

HEX #866E2B

RGB 134 110 43

HSL 44.18, 0.51%, 0.35%

LAB 47.49, 1.52, 39.73

 

CMYK 0 / 54 / 68 / 72

HEX #482117

RGB 72 33 23

HSL 12.24, 0.52%, 0.19%

LAB 18.04, 17.55, 15.19

 

CMYK 0 / 54 / 68 / 60

HEX #672F21

RGB 103 47 33

HSL 12, 0.51%, 0.27%

LAB 26.81, 23.9, 20.64

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 54 / 68 / 35

HEX #A54C35

RGB 165 76 53

HSL 12.32, 0.51%, 0.43%

LAB 43.4, 35.01, 30.93

 

CMYK 0 / 52 / 65 / 24

HEX #C15C43

RGB 193 92 67

HSL 11.9, 0.5%, 0.51%

LAB 51.15, 38.57, 33.28

 

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

CMYK 27 / 0 / 68 / 47

HEX #62862B

RGB 98 134 43

HSL 83.74, 0.51%, 0.35%

LAB 51.63, -27.48, 43.25

 

CMYK 68 / 54 / 0 / 47

HEX #2B3D86

RGB 43 61 134

HSL 228.13, 0.51%, 0.35%

LAB 28.31, 18.29, -43.17

 

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

CMYK 68 / 0 / 54 / 47

HEX #2B863D

RGB 43 134 61

HSL 131.87, 0.51%, 0.35%

LAB 49.38, -42.92, 31.38

 

CMYK 54 / 68 / 0 / 47

HEX #3D2B86

RGB 61 43 134

HSL 251.87, 0.51%, 0.35%

LAB 25.08, 33.43, -48.35

 

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

CMYK 27 / 0 / 68 / 47

HEX #62862B

RGB 98 134 43

HSL 83.74, 0.51%, 0.35%

LAB 51.63, -27.48, 43.25

 

CMYK 68 / 13 / 0 / 47

HEX #2B7486

RGB 43 116 134

HSL 191.87, 0.51%, 0.35%

LAB 45.26, -16.42, -16.51

 

CMYK 40 / 68 / 0 / 47

HEX #502B86

RGB 80 43 134

HSL 264.4, 0.51%, 0.35%

LAB 27.17, 37.3, -44.86

 

CMYK 0 / 54 / 67 / 47

HEX #863E2C

RGB 134 62 44

HSL 12, 0.51%, 0.35%

LAB 35.39, 29.38, 25.45

 

CMYK 47 / 0 / 68 / 47

HEX #47862B

RGB 71 134 43

HSL 101.54, 0.51%, 0.35%

LAB 50.17, -37.5, 41.25

 

CMYK 68 / 13 / 0 / 47

HEX #2B7486

RGB 43 116 134

HSL 191.87, 0.51%, 0.35%

LAB 45.26, -16.42, -16.51

 

CMYK 20 / 68 / 0 / 47

HEX #6B2B86

RGB 107 43 134

HSL 282.2, 0.51%, 0.35%

LAB 30.82, 43.55, -38.79

 

Description

Color code: HEX #863E2C | qconv.com Color code: HEX #863E2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 62 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 62 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 67 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 67% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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