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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863F21 it is the complementary color #79C0DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863F21 shade: #8B3F1C, #9C512F, #AD6342, #BE7555 and #CF8768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863F21 shade: #863F21, #752D0E, #641B00, #530900 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863F21 shade: #863F21, #862421 and #862121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863F21 shade: #863F21, #865A21, #867621, #7B8621 and #608621

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863F21 shade matches the following richer shades: #863F21, #943A14 and #A13406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863F21 shade: #863F21, #79452F, #6B4A3C, #5D504A and #505558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863F21 shade: #86213A, #862321, #863E21, #865921 and #867421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863F21 shade: #442011, #653019, #863F21, #A74F29 and #C85E32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863F21 shade: #863F21, #558621 and #212D86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863F21 shade: #863F21, #21863E and #3E2186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863F21 shade: #863F21, #558621, #216A86 and #522186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863F21 shade: #863F21, #378621, #216A86 and #702186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

Complementary color

CMYK 45 / 14 / 0 / 13

HEX #79C0DE

RGB 121 192 222

HSL 197.82, 0.6%, 0.67%

LAB 74.21, -14.41, -21.93

 

CMYK 0 / 55 / 80 / 45

HEX #8B3F1C

RGB 139 63 28

HSL 18.92, 0.66%, 0.33%

LAB 36.23, 30.05, 35.62

 

CMYK 0 / 48 / 70 / 39

HEX #9C512F

RGB 156 81 47

HSL 18.72, 0.54%, 0.4%

LAB 43, 28.31, 33.49

 

CMYK 0 / 43 / 62 / 32

HEX #AD6342

RGB 173 99 66

HSL 18.5, 0.45%, 0.47%

LAB 49.74, 26.76, 31.46

 

CMYK 0 / 38 / 55 / 25

HEX #BE7555

RGB 190 117 85

HSL 18.29, 0.45%, 0.54%

LAB 56.41, 25.4, 29.63

 

CMYK 0 / 35 / 50 / 19

HEX #CF8768

RGB 207 135 104

HSL 18.06, 0.52%, 0.61%

LAB 63, 24.2, 28

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 62 / 88 / 54

HEX #752D0E

RGB 117 45 14

HSL 18.06, 0.79%, 0.26%

LAB 28.62, 29.99, 34.04

 

CMYK 0 / 73 / 100 / 61

HEX #641B00

RGB 100 27 0

HSL 16.2, 1%, 0.2%

LAB 21.92, 31.66, 32.41

 

CMYK 0 / 89 / 100 / 67

HEX #530900

RGB 83 9 0

HSL 6.51, 1%, 0.16%

LAB 15.67, 32.43, 24.16

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 73 / 75 / 47

HEX #862421

RGB 134 36 33

HSL 1.78, 0.6%, 0.33%

LAB 30.5, 41.29, 26.4

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 33 / 75 / 47

HEX #865A21

RGB 134 90 33

HSL 33.86, 0.6%, 0.33%

LAB 41.99, 12.62, 38.74

 

CMYK 0 / 12 / 75 / 47

HEX #867621

RGB 134 118 33

HSL 50.5, 0.6%, 0.33%

LAB 49.66, -3.62, 46.36

 

CMYK 8 / 0 / 75 / 47

HEX #7B8621

RGB 123 134 33

HSL 66.53, 0.6%, 0.33%

LAB 53.35, -17.4, 49.57

 

CMYK 28 / 0 / 75 / 47

HEX #608621

RGB 96 134 33

HSL 82.57, 0.6%, 0.33%

LAB 51.44, -29, 47.05

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 61 / 86 / 42

HEX #943A14

RGB 148 58 20

HSL 17.81, 0.76%, 0.33%

LAB 36.69, 36, 40.46

 

CMYK 0 / 68 / 96 / 37

HEX #A13406

RGB 161 52 6

HSL 17.81, 0.93%, 0.33%

LAB 37.93, 43.4, 47.61

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 43 / 61 / 53

HEX #79452F

RGB 121 69 47

HSL 17.84, 0.44%, 0.33%

LAB 35.06, 20.04, 22.78

 

CMYK 0 / 31 / 44 / 58

HEX #6B4A3C

RGB 107 74 60

HSL 17.87, 0.28%, 0.33%

LAB 34.7, 12.09, 13.96

 

CMYK 0 / 14 / 20 / 64

HEX #5D504A

RGB 93 80 74

HSL 18.95, 0.11%, 0.33%

LAB 35.12, 4.29, 5.52

 

CMYK 9 / 3 / 0 / 65

HEX #505558

RGB 80 85 88

HSL 202.5, 0.05%, 0.33%

LAB 35.8, -1.31, -2.44

 

CMYK 0 / 75 / 57 / 47

HEX #86213A

RGB 134 33 58

HSL 345.15, 0.6%, 0.33%

LAB 30.55, 44.05, 10.28

 

CMYK 0 / 74 / 75 / 47

HEX #862321

RGB 134 35 33

HSL 1.19, 0.6%, 0.33%

LAB 30.35, 41.69, 26.23

 

CMYK 0 / 54 / 75 / 47

HEX #863E21

RGB 134 62 33

HSL 17.23, 0.6%, 0.33%

LAB 35.25, 28.73, 31.67

 

CMYK 0 / 34 / 75 / 47

HEX #865921

RGB 134 89 33

HSL 33.27, 0.6%, 0.33%

LAB 41.72, 13.21, 38.48

 

CMYK 0 / 13 / 75 / 47

HEX #867421

RGB 134 116 33

HSL 49.31, 0.6%, 0.33%

LAB 49.09, -2.49, 45.81

 

CMYK 0 / 53 / 75 / 73

HEX #442011

RGB 68 32 17

HSL 17.65, 0.6%, 0.17%

LAB 17, 15.8, 17.63

 

CMYK 0 / 52 / 75 / 60

HEX #653019

RGB 101 48 25

HSL 18.16, 0.6%, 0.25%

LAB 26.59, 21.91, 25.2

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 0 / 53 / 75 / 35

HEX #A74F29

RGB 167 79 41

HSL 18.1, 0.61%, 0.41%

LAB 44.19, 33.61, 38.49

 

CMYK 0 / 53 / 75 / 22

HEX #C85E32

RGB 200 94 50

HSL 17.6, 0.6%, 0.49%

LAB 52.41, 39.37, 44.11

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 37 / 0 / 75 / 47

HEX #558621

RGB 85 134 33

HSL 89.11, 0.6%, 0.33%

LAB 50.79, -33.32, 46.21

 

CMYK 75 / 66 / 0 / 47

HEX #212D86

RGB 33 45 134

HSL 232.87, 0.6%, 0.33%

LAB 23.41, 27.75, -51.17

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 75 / 0 / 54 / 47

HEX #21863E

RGB 33 134 62

HSL 137.23, 0.6%, 0.33%

LAB 49.16, -44.63, 30.54

 

CMYK 54 / 75 / 0 / 47

HEX #3E2186

RGB 62 33 134

HSL 257.23, 0.6%, 0.33%

LAB 23.11, 39.32, -51.56

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 37 / 0 / 75 / 47

HEX #558621

RGB 85 134 33

HSL 89.11, 0.6%, 0.33%

LAB 50.79, -33.32, 46.21

 

CMYK 75 / 21 / 0 / 47

HEX #216A86

RGB 33 106 134

HSL 196.63, 0.6%, 0.33%

LAB 41.77, -12.31, -21.89

 

CMYK 39 / 75 / 0 / 47

HEX #522186

RGB 82 33 134

HSL 269.11, 0.6%, 0.33%

LAB 25.57, 42.88, -47.44

 

CMYK 0 / 53 / 75 / 47

HEX #863F21

RGB 134 63 33

HSL 17.82, 0.6%, 0.33%

LAB 35.47, 28.19, 31.9

 

CMYK 59 / 0 / 75 / 47

HEX #378621

RGB 55 134 33

HSL 106.93, 0.6%, 0.33%

LAB 49.46, -43.21, 44.44

 

CMYK 75 / 21 / 0 / 47

HEX #216A86

RGB 33 106 134

HSL 196.63, 0.6%, 0.33%

LAB 41.77, -12.31, -21.89

 

CMYK 16 / 75 / 0 / 47

HEX #702186

RGB 112 33 134

HSL 286.93, 0.6%, 0.33%

LAB 30.04, 49.04, -39.99

 

Description

Color code: HEX #863F21 | qconv.com Color code: HEX #863F21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 63 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 63 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 75 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 75% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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