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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #864F69 it is the complementary color #79B096. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #864F69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #864F69 shade: #8B4F64, #9C6177, #AD738A, #BE859D and #CF97B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #864F69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #864F69 shade: #864F69, #753D56, #642B43, #531930 and #42071D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #864F69 shade: #864F69, #864F5A and #864F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #864F69 shade: #864F69, #864F78, #864F86, #774F86 and #684F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #864F69 shade matches the following richer shades: #864F69, #983D68, #A92C67, #BA1B66 and #CC0965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #864F69 shade: #864F69, #75606A, #64716B, #52836C and #41946D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #864F69 shade: #864F86, #864F79, #864F6A, #864F5B and #86524F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #864F69 shade: #523040, #6C3F55, #864F69, #A05E7D and #B07892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #864F69 shade: #864F69, #86774F and #4F8086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #864F69 shade: #864F69, #6A864F and #4F6A86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #864F69 shade: #864F69, #86774F, #4F866C and #4F5F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #864F69 shade: #864F69, #86864F, #4F866C and #504F86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

Complementary color

CMYK 31 / 0 / 15 / 31

HEX #79B096

RGB 121 176 150

HSL 151.64, 0.26%, 0.58%

LAB 67.51, -23.7, 7.6

 

CMYK 0 / 43 / 28 / 45

HEX #8B4F64

RGB 139 79 100

HSL 339, 0.28%, 0.43%

LAB 41.22, 27.97, -1.18

 

CMYK 0 / 38 / 24 / 39

HEX #9C6177

RGB 156 97 119

HSL 337.63, 0.23%, 0.5%

LAB 48.2, 27.07, -2.25

 

CMYK 0 / 34 / 20 / 32

HEX #AD738A

RGB 173 115 138

HSL 336.21, 0.26%, 0.56%

LAB 55.05, 26.24, -3.16

 

CMYK 0 / 30 / 17 / 25

HEX #BE859D

RGB 190 133 157

HSL 334.74, 0.3%, 0.63%

LAB 61.79, 25.49, -3.97

 

CMYK 0 / 27 / 15 / 19

HEX #CF97B0

RGB 207 151 176

HSL 333.21, 0.37%, 0.7%

LAB 68.41, 24.8, -4.71

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 48 / 26 / 54

HEX #753D56

RGB 117 61 86

HSL 333.21, 0.31%, 0.35%

LAB 33.54, 27.76, -4.04

 

CMYK 0 / 57 / 33 / 61

HEX #642B43

RGB 100 43 67

HSL 334.74, 0.4%, 0.28%

LAB 26.28, 28.65, -2.65

 

CMYK 0 / 70 / 42 / 67

HEX #531930

RGB 83 25 48

HSL 336.21, 0.54%, 0.21%

LAB 19, 29.31, -0.67

 

CMYK 0 / 89 / 56 / 74

HEX #42071D

RGB 66 7 29

HSL 337.63, 0.81%, 0.14%

LAB 11.95, 29.1, 2.5

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 41 / 33 / 47

HEX #864F5A

RGB 134 79 90

HSL 348, 0.26%, 0.42%

LAB 40.24, 24.57, 3.51

 

CMYK 0 / 41 / 41 / 47

HEX #864F4F

RGB 134 79 79

HSL 0, 0.26%, 0.42%

LAB 39.96, 23.11, 9.93

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 41 / 10 / 47

HEX #864F78

RGB 134 79 120

HSL 315.27, 0.26%, 0.42%

LAB 41.24, 29.45, -13.55

 

CMYK 0 / 41 / 0 / 47

HEX #864F86

RGB 134 79 134

HSL 300, 0.26%, 0.42%

LAB 41.82, 32.12, -21.22

 

CMYK 11 / 41 / 0 / 47

HEX #774F86

RGB 119 79 134

HSL 283.64, 0.26%, 0.42%

LAB 39.97, 27.16, -24.22

 

CMYK 22 / 41 / 0 / 47

HEX #684F86

RGB 104 79 134

HSL 267.27, 0.26%, 0.42%

LAB 38.3, 22.3, -26.96

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 60 / 32 / 40

HEX #983D68

RGB 152 61 104

HSL 331.65, 0.43%, 0.42%

LAB 39.6, 42.69, -5.84

 

CMYK 0 / 74 / 39 / 34

HEX #A92C67

RGB 169 44 103

HSL 331.68, 0.59%, 0.42%

LAB 39.94, 54.83, -4.39

 

CMYK 0 / 85 / 45 / 27

HEX #BA1B66

RGB 186 27 102

HSL 331.7, 0.75%, 0.42%

LAB 41.5, 63.89, -1.09

 

CMYK 0 / 96 / 50 / 20

HEX #CC0965

RGB 204 9 101

HSL 331.69, 0.92%, 0.42%

LAB 44.19, 70.64, 3.89

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 18 / 9 / 54

HEX #75606A

RGB 117 96 106

HSL 331.43, 0.1%, 0.42%

LAB 43.05, 10.31, -2.48

 

CMYK 12 / 0 / 5 / 56

HEX #64716B

RGB 100 113 107

HSL 152.31, 0.06%, 0.42%

LAB 46.42, -6.17, 1.67

 

CMYK 37 / 0 / 18 / 49

HEX #52836C

RGB 82 131 108

HSL 151.84, 0.23%, 0.42%

LAB 50.81, -22.05, 7.25

 

CMYK 56 / 0 / 26 / 42

HEX #41946D

RGB 65 148 109

HSL 151.81, 0.39%, 0.42%

LAB 55.49, -34.8, 13.15

 

CMYK 0 / 41 / 0 / 47

HEX #864F86

RGB 134 79 134

HSL 300, 0.26%, 0.42%

LAB 41.82, 32.12, -21.22

 

CMYK 0 / 41 / 10 / 47

HEX #864F79

RGB 134 79 121

HSL 314.18, 0.26%, 0.42%

LAB 41.28, 29.63, -14.1

 

CMYK 0 / 41 / 21 / 47

HEX #864F6A

RGB 134 79 106

HSL 330.55, 0.26%, 0.42%

LAB 40.74, 27.01, -5.68

 

CMYK 0 / 41 / 32 / 47

HEX #864F5B

RGB 134 79 91

HSL 346.91, 0.26%, 0.42%

LAB 40.27, 24.71, 2.93

 

CMYK 0 / 39 / 41 / 47

HEX #86524F

RGB 134 82 79

HSL 3.27, 0.26%, 0.42%

LAB 40.68, 21.36, 10.94

 

CMYK 0 / 41 / 22 / 68

HEX #523040

RGB 82 48 64

HSL 331.76, 0.26%, 0.25%

LAB 24.57, 18.08, -3.48

 

CMYK 0 / 42 / 21 / 58

HEX #6C3F55

RGB 108 63 85

HSL 330.67, 0.26%, 0.34%

LAB 32.7, 22.96, -4.79

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 41 / 22 / 37

HEX #A05E7D

RGB 160 94 125

HSL 331.82, 0.26%, 0.5%

LAB 48.21, 31.17, -5.77

 

CMYK 0 / 32 / 17 / 31

HEX #B07892

RGB 176 120 146

HSL 332.14, 0.26%, 0.58%

LAB 56.82, 25.83, -5.16

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 11 / 41 / 47

HEX #86774F

RGB 134 119 79

HSL 43.64, 0.26%, 0.42%

LAB 50.48, -0.29, 24.12

 

CMYK 41 / 4 / 0 / 47

HEX #4F8086

RGB 79 128 134

HSL 186.55, 0.26%, 0.42%

LAB 50.48, -14.87, -8.47

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 21 / 0 / 41 / 47

HEX #6A864F

RGB 106 134 79

HSL 90.55, 0.26%, 0.42%

LAB 52.6, -20.29, 26.4

 

CMYK 41 / 21 / 0 / 47

HEX #4F6A86

RGB 79 106 134

HSL 210.55, 0.26%, 0.42%

LAB 43.79, -2.21, -18.61

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 11 / 41 / 47

HEX #86774F

RGB 134 119 79

HSL 43.64, 0.26%, 0.42%

LAB 50.48, -0.29, 24.12

 

CMYK 41 / 0 / 19 / 47

HEX #4F866C

RGB 79 134 108

HSL 151.64, 0.26%, 0.42%

LAB 51.6, -24.5, 8.35

 

CMYK 41 / 29 / 0 / 47

HEX #4F5F86

RGB 79 95 134

HSL 222.55, 0.26%, 0.42%

LAB 40.52, 4.53, -23.66

 

CMYK 0 / 41 / 22 / 47

HEX #864F69

RGB 134 79 105

HSL 331.64, 0.26%, 0.42%

LAB 40.7, 26.85, -5.11

 

CMYK 0 / 0 / 41 / 47

HEX #86864F

RGB 134 134 79

HSL 60, 0.26%, 0.42%

LAB 54.74, -8.69, 29.58

 

CMYK 41 / 0 / 19 / 47

HEX #4F866C

RGB 79 134 108

HSL 151.64, 0.26%, 0.42%

LAB 51.6, -24.5, 8.35

 

CMYK 40 / 41 / 0 / 47

HEX #504F86

RGB 80 79 134

HSL 241.09, 0.26%, 0.42%

LAB 36.02, 14.98, -30.7

 

Description

Color code: HEX #864F69 | qconv.com Color code: HEX #864F69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 79 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 79 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 22 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 22% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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