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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86506D it is the complementary color #79AF92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86506D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86506D shade: #8B5068, #9C627B, #AD748E, #BE86A1 and #CF98B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86506D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86506D shade: #86506D, #753E5A, #642C47, #531A34 and #420821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86506D shade: #85506D, #85505E and #855050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86506D shade: #85506D, #85507B, #815085, #735085 and #645085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86506D shade matches the following richer shades: #85506D, #973E6E, #A82D6F, #B91C70 and #CB0B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86506D shade: #85506D, #74616B, #63726A, #518469 and #409567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86506D shade: #815085, #85507C, #85506D, #85505F and #855051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86506D shade: #523143, #6C4058, #85506D, #9F5F82 and #AF7996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86506D shade: #86506D, #857350 and #508385

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86506D shade: #86506D, #6D8550 and #506D85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86506D shade: #86506D, #857350, #508568 and #506385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86506D shade: #86506D, #858350, #508568 and #505385

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

Complementary color

CMYK 31 / 0 / 17 / 31

HEX #79AF92

RGB 121 175 146

HSL 147.78, 0.25%, 0.58%

LAB 67.13, -24.02, 9.25

 

CMYK 0 / 42 / 25 / 45

HEX #8B5068

RGB 139 80 104

HSL 335.59, 0.27%, 0.43%

LAB 41.57, 28, -3.13

 

CMYK 0 / 37 / 21 / 39

HEX #9C627B

RGB 156 98 123

HSL 334.14, 0.23%, 0.5%

LAB 48.55, 27.13, -4.12

 

CMYK 0 / 33 / 18 / 32

HEX #AD748E

RGB 173 116 142

HSL 332.63, 0.26%, 0.57%

LAB 55.41, 26.32, -4.97

 

CMYK 0 / 29 / 15 / 25

HEX #BE86A1

RGB 190 134 161

HSL 331.07, 0.3%, 0.64%

LAB 62.14, 25.58, -5.72

 

CMYK 0 / 27 / 13 / 19

HEX #CF98B4

RGB 207 152 180

HSL 329.45, 0.36%, 0.7%

LAB 68.76, 24.91, -6.42

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 47 / 23 / 54

HEX #753E5A

RGB 117 62 90

HSL 329.45, 0.31%, 0.35%

LAB 33.91, 27.82, -6.06

 

CMYK 0 / 56 / 29 / 61

HEX #642C47

RGB 100 44 71

HSL 331.07, 0.39%, 0.28%

LAB 26.64, 28.69, -4.8

 

CMYK 0 / 69 / 37 / 67

HEX #531A34

RGB 83 26 52

HSL 332.63, 0.52%, 0.21%

LAB 19.33, 29.34, -3

 

CMYK 0 / 88 / 50 / 74

HEX #420821

RGB 66 8 33

HSL 334.14, 0.78%, 0.15%

LAB 12.23, 29.12, -0.1

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 40 / 29 / 48

HEX #85505E

RGB 133 80 94

HSL 344.15, 0.25%, 0.42%

LAB 40.46, 24.17, 1.33

 

CMYK 0 / 40 / 40 / 48

HEX #855050

RGB 133 80 80

HSL 0, 0.25%, 0.42%

LAB 40.09, 22.24, 9.47

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 40 / 8 / 48

HEX #85507B

RGB 133 80 123

HSL 311.32, 0.25%, 0.42%

LAB 41.46, 29.08, -15.07

 

CMYK 3 / 40 / 0 / 48

HEX #815085

RGB 129 80 133

HSL 295.47, 0.25%, 0.42%

LAB 41.37, 29.68, -21.35

 

CMYK 14 / 40 / 0 / 48

HEX #735085

RGB 115 80 133

HSL 279.62, 0.25%, 0.42%

LAB 39.71, 25.02, -24.06

 

CMYK 25 / 40 / 0 / 48

HEX #645085

RGB 100 80 133

HSL 262.64, 0.25%, 0.42%

LAB 38.09, 20.14, -26.7

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 59 / 27 / 41

HEX #973E6E

RGB 151 62 110

HSL 327.64, 0.42%, 0.42%

LAB 39.83, 42.7, -9.26

 

CMYK 0 / 73 / 34 / 34

HEX #A82D6F

RGB 168 45 111

HSL 327.8, 0.58%, 0.42%

LAB 40.16, 55.1, -9.1

 

CMYK 0 / 85 / 39 / 27

HEX #B91C70

RGB 185 28 112

HSL 327.9, 0.74%, 0.42%

LAB 41.71, 64.38, -7.07

 

CMYK 0 / 95 / 44 / 20

HEX #CB0B72

RGB 203 11 114

HSL 327.81, 0.9%, 0.42%

LAB 44.45, 71.29, -3.87

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 16 / 8 / 55

HEX #74616B

RGB 116 97 107

HSL 328.42, 0.09%, 0.42%

LAB 43.25, 9.5, -2.81

 

CMYK 13 / 0 / 7 / 55

HEX #63726A

RGB 99 114 106

HSL 148, 0.07%, 0.42%

LAB 46.62, -7.33, 2.54

 

CMYK 39 / 0 / 20 / 48

HEX #518469

RGB 81 132 105

HSL 148.24, 0.24%, 0.42%

LAB 51, -23.53, 9.25

 

CMYK 57 / 0 / 31 / 42

HEX #409567

RGB 64 149 103

HSL 147.53, 0.4%, 0.42%

LAB 55.65, -36.78, 16.75

 

CMYK 3 / 40 / 0 / 48

HEX #815085

RGB 129 80 133

HSL 295.47, 0.25%, 0.42%

LAB 41.37, 29.68, -21.35

 

CMYK 0 / 40 / 7 / 48

HEX #85507C

RGB 133 80 124

HSL 310.19, 0.25%, 0.42%

LAB 41.5, 29.26, -15.62

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 40 / 29 / 48

HEX #85505F

RGB 133 80 95

HSL 343.02, 0.25%, 0.42%

LAB 40.49, 24.32, 0.75

 

CMYK 0 / 40 / 39 / 48

HEX #855051

RGB 133 80 81

HSL 358.87, 0.25%, 0.42%

LAB 40.11, 22.37, 8.89

 

CMYK 0 / 40 / 18 / 68

HEX #523143

RGB 82 49 67

HSL 327.27, 0.25%, 0.26%

LAB 24.94, 18, -4.94

 

CMYK 0 / 41 / 19 / 58

HEX #6C4058

RGB 108 64 88

HSL 327.27, 0.26%, 0.34%

LAB 33.05, 22.88, -6.2

 

CMYK 0 / 40 / 18 / 48

HEX #85506D

RGB 133 80 109

HSL 327.17, 0.25%, 0.42%

LAB 40.94, 26.56, -7.24

 

CMYK 0 / 40 / 18 / 38

HEX #9F5F82

RGB 159 95 130

HSL 327.19, 0.25%, 0.5%

LAB 48.47, 31.05, -8.39

 

CMYK 0 / 31 / 14 / 31

HEX #AF7996

RGB 175 121 150

HSL 327.78, 0.25%, 0.58%

LAB 57.07, 25.57, -7.13

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 14 / 40 / 48

HEX #857350

RGB 133 115 80

HSL 39.62, 0.25%, 0.42%

LAB 49.29, 1.69, 21.96

 

CMYK 40 / 2 / 0 / 48

HEX #508385

RGB 80 131 133

HSL 182.26, 0.25%, 0.42%

LAB 51.42, -16.5, -6.48

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 18 / 0 / 40 / 48

HEX #6D8550

RGB 109 133 80

HSL 87.17, 0.25%, 0.42%

LAB 52.51, -18.43, 25.79

 

CMYK 40 / 18 / 0 / 48

HEX #506D85

RGB 80 109 133

HSL 207.17, 0.25%, 0.42%

LAB 44.71, -4, -16.59

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 14 / 40 / 48

HEX #857350

RGB 133 115 80

HSL 39.62, 0.25%, 0.42%

LAB 49.29, 1.69, 21.96

 

CMYK 40 / 0 / 22 / 48

HEX #508568

RGB 80 133 104

HSL 147.17, 0.25%, 0.42%

LAB 51.24, -24.57, 10.16

 

CMYK 40 / 26 / 0 / 48

HEX #506385

RGB 80 99 133

HSL 218.49, 0.25%, 0.42%

LAB 41.72, 2.05, -21.18

 

CMYK 0 / 40 / 19 / 47

HEX #86506D

RGB 134 80 109

HSL 327.78, 0.25%, 0.42%

LAB 41.07, 26.94, -7.03

 

CMYK 0 / 2 / 40 / 48

HEX #858350

RGB 133 131 80

HSL 57.74, 0.25%, 0.42%

LAB 53.81, -7.35, 27.83

 

CMYK 40 / 0 / 22 / 48

HEX #508568

RGB 80 133 104

HSL 147.17, 0.25%, 0.42%

LAB 51.24, -24.57, 10.16

 

CMYK 40 / 38 / 0 / 48

HEX #505385

RGB 80 83 133

HSL 236.6, 0.25%, 0.42%

LAB 37.09, 12.11, -28.4

 

Description

Color code: HEX #86506D | qconv.com Color code: HEX #86506D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 80 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 80 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 19 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 19% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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