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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865210 it is the complementary color #79ADEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #865210 shade: #8B520B, #9C641E, #AD7631, #BE8844 and #CF9A57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #865210 shade: #865210, #754000, #642E00, #531C00 and #420A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #865210 shade: #84500F, #84310F, #84110F and #840F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #865210 shade: #84500F, #84700F, #78840F, #59840F and #39840F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #865210 shade matches the following richer shades: #84500F and #905203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #865210 shade: #84500F, #784F1B, #6C4E27, #604C33 and #544B3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #865210 shade: #84110F, #84300F, #844F0F, #846E0F and #7A840F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #865210 shade: #3A2306, #5F3A0B, #84500F, #A96713 and #CE7E18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #865210 shade: #865210, #2C840F and #210F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #865210 shade: #865210, #0F844F and #4F0F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #865210 shade: #865210, #2C840F, #0F4484 and #670F84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #865210 shade: #865210, #0F8415, #0F4484 and #840F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

Complementary color

CMYK 49 / 28 / 0 / 6

HEX #79ADEF

RGB 121 173 239

HSL 213.56, 0.79%, 0.71%

LAB 69.6, 0.69, -38.28

 

CMYK 0 / 41 / 92 / 45

HEX #8B520B

RGB 139 82 11

HSL 33.28, 0.85%, 0.29%

LAB 40.49, 18.84, 46.24

 

CMYK 0 / 36 / 81 / 39

HEX #9C641E

RGB 156 100 30

HSL 33.33, 0.68%, 0.36%

LAB 47.33, 16.78, 46.25

 

CMYK 0 / 32 / 72 / 32

HEX #AD7631

RGB 173 118 49

HSL 33.39, 0.56%, 0.44%

LAB 54.09, 15.07, 45.23

 

CMYK 0 / 28 / 64 / 25

HEX #BE8844

RGB 190 136 68

HSL 33.44, 0.48%, 0.51%

LAB 60.76, 13.63, 43.88

 

CMYK 0 / 26 / 58 / 19

HEX #CF9A57

RGB 207 154 87

HSL 33.5, 0.56%, 0.58%

LAB 67.33, 12.41, 42.44

 

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

CMYK 0 / 45 / 100 / 54

HEX #754000

RGB 117 64 0

HSL 32.82, 1%, 0.23%

LAB 32.81, 18.94, 42.91

 

CMYK 0 / 54 / 100 / 61

HEX #642E00

RGB 100 46 0

HSL 27.6, 1%, 0.2%

LAB 25.75, 21.65, 36.23

 

CMYK 0 / 66 / 100 / 67

HEX #531C00

RGB 83 28 0

HSL 20.24, 1%, 0.16%

LAB 18.67, 24.23, 27.82

 

CMYK 0 / 85 / 100 / 74

HEX #420A00

RGB 66 10 0

HSL 9.09, 1%, 0.13%

LAB 11.79, 25.98, 18.31

 

CMYK 0 / 39 / 89 / 48

HEX #84500F

RGB 132 80 15

HSL 33.33, 0.8%, 0.29%

LAB 39.03, 16.86, 43.41

 

CMYK 0 / 63 / 89 / 48

HEX #84310F

RGB 132 49 15

HSL 17.44, 0.8%, 0.29%

LAB 32.12, 34.03, 37.66

 

CMYK 0 / 87 / 89 / 48

HEX #84110F

RGB 132 17 15

HSL 1.03, 0.8%, 0.29%

LAB 27.68, 46.18, 33.91

 

CMYK 0 / 89 / 89 / 48

HEX #840F0F

RGB 132 15 15

HSL 0, 0.8%, 0.29%

LAB 27.52, 46.64, 33.77

 

CMYK 0 / 39 / 89 / 48

HEX #84500F

RGB 132 80 15

HSL 33.33, 0.8%, 0.29%

LAB 39.03, 16.86, 43.41

 

CMYK 0 / 15 / 89 / 48

HEX #84700F

RGB 132 112 15

HSL 49.74, 0.8%, 0.29%

LAB 47.66, -1.84, 50.51

 

CMYK 9 / 0 / 89 / 48

HEX #78840F

RGB 120 132 15

HSL 66.15, 0.8%, 0.29%

LAB 52.43, -18.41, 53.99

 

CMYK 33 / 0 / 89 / 48

HEX #59840F

RGB 89 132 15

HSL 82.05, 0.8%, 0.29%

LAB 50.29, -31.74, 51.33

 

CMYK 57 / 0 / 89 / 48

HEX #39840F

RGB 57 132 15

HSL 98.46, 0.8%, 0.29%

LAB 48.77, -42.94, 49.42

 

CMYK 0 / 39 / 89 / 48

HEX #84500F

RGB 132 80 15

HSL 33.33, 0.8%, 0.29%

LAB 39.03, 16.86, 43.41

 

CMYK 0 / 43 / 98 / 44

HEX #905203

RGB 144 82 3

HSL 33.62, 0.96%, 0.29%

LAB 41.17, 20.96, 49.27

 

CMYK 0 / 39 / 89 / 48

HEX #84500F

RGB 132 80 15

HSL 33.33, 0.8%, 0.29%

LAB 39.03, 16.86, 43.41

 

CMYK 0 / 34 / 78 / 53

HEX #784F1B

RGB 120 79 27

HSL 33.55, 0.63%, 0.29%

LAB 37.23, 12.27, 36.21

 

CMYK 0 / 28 / 64 / 58

HEX #6C4E27

RGB 108 78 39

HSL 33.91, 0.47%, 0.29%

LAB 35.56, 7.94, 27.66

 

CMYK 0 / 21 / 47 / 62

HEX #604C33

RGB 96 76 51

HSL 33.33, 0.31%, 0.29%

LAB 33.76, 4.68, 18.04

 

CMYK 0 / 11 / 25 / 67

HEX #544B3F

RGB 84 75 63

HSL 34.29, 0.14%, 0.29%

LAB 32.43, 1.54, 8.53

 

CMYK 0 / 87 / 89 / 48

HEX #84110F

RGB 132 17 15

HSL 1.03, 0.8%, 0.29%

LAB 27.68, 46.18, 33.91

 

CMYK 0 / 64 / 89 / 48

HEX #84300F

RGB 132 48 15

HSL 16.92, 0.8%, 0.29%

LAB 31.93, 34.52, 37.5

 

CMYK 0 / 40 / 89 / 48

HEX #844F0F

RGB 132 79 15

HSL 32.82, 0.8%, 0.29%

LAB 38.78, 17.45, 43.21

 

CMYK 0 / 17 / 89 / 48

HEX #846E0F

RGB 132 110 15

HSL 48.72, 0.8%, 0.29%

LAB 47.09, -0.7, 50.05

 

CMYK 8 / 0 / 89 / 48

HEX #7A840F

RGB 122 132 15

HSL 65.13, 0.8%, 0.29%

LAB 52.59, -17.5, 54.19

 

CMYK 0 / 40 / 90 / 77

HEX #3A2306

RGB 58 35 6

HSL 33.46, 0.81%, 0.13%

LAB 16.08, 7.99, 21.21

 

CMYK 0 / 39 / 88 / 63

HEX #5F3A0B

RGB 95 58 11

HSL 33.57, 0.79%, 0.21%

LAB 28.07, 12.32, 33.5

 

CMYK 0 / 39 / 89 / 48

HEX #84500F

RGB 132 80 15

HSL 33.33, 0.8%, 0.29%

LAB 39.03, 16.86, 43.41

 

CMYK 0 / 39 / 89 / 34

HEX #A96713

RGB 169 103 19

HSL 33.6, 0.8%, 0.37%

LAB 49.72, 20.58, 52.89

 

CMYK 0 / 39 / 88 / 19

HEX #CE7E18

RGB 206 126 24

HSL 33.63, 0.79%, 0.45%

LAB 59.99, 24.17, 61.63

 

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

CMYK 67 / 0 / 89 / 48

HEX #2C840F

RGB 44 132 15

HSL 105.13, 0.8%, 0.29%

LAB 48.35, -46.35, 48.89

 

CMYK 75 / 89 / 0 / 48

HEX #210F84

RGB 33 15 132

HSL 249.23, 0.8%, 0.29%

LAB 17.14, 44.05, -60.26

 

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

CMYK 89 / 0 / 40 / 48

HEX #0F844F

RGB 15 132 79

HSL 152.82, 0.8%, 0.29%

LAB 48.47, -42.96, 20.35

 

CMYK 40 / 89 / 0 / 48

HEX #4F0F84

RGB 79 15 132

HSL 272.82, 0.8%, 0.29%

LAB 22.55, 48.87, -51.14

 

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

CMYK 67 / 0 / 89 / 48

HEX #2C840F

RGB 44 132 15

HSL 105.13, 0.8%, 0.29%

LAB 48.35, -46.35, 48.89

 

CMYK 89 / 48 / 0 / 48

HEX #0F4484

RGB 15 68 132

HSL 212.82, 0.8%, 0.29%

LAB 29.16, 9.05, -40.6

 

CMYK 22 / 89 / 0 / 48

HEX #670F84

RGB 103 15 132

HSL 285.13, 0.8%, 0.29%

LAB 26.42, 52.63, -44.66

 

CMYK 0 / 39 / 88 / 47

HEX #865210

RGB 134 82 16

HSL 33.56, 0.79%, 0.29%

LAB 39.82, 16.65, 43.83

 

CMYK 89 / 0 / 84 / 48

HEX #0F8415

RGB 15 132 21

HSL 123.08, 0.8%, 0.29%

LAB 47.83, -50.79, 46.62

 

CMYK 89 / 48 / 0 / 48

HEX #0F4484

RGB 15 68 132

HSL 212.82, 0.8%, 0.29%

LAB 29.16, 9.05, -40.6

 

CMYK 0 / 89 / 5 / 48

HEX #840F7E

RGB 132 15 126

HSL 303.08, 0.8%, 0.29%

LAB 31.24, 56.95, -32.87

 

Description

Color code: HEX #865210 | qconv.com Color code: HEX #865210 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 82 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 82 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 88 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 88% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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