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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865352 it is the complementary color #79ACAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #865352 shade: #8B534D, #9C6560, #AD7773, #BE8986 and #CF9B99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #865352 shade: #865352, #75413F, #642F2C, #531D19 and #420B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #865352 shade: #845251 and #845151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #865352 shade: #845251, #846051, #846E51, #847B51 and #7F8451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #865352 shade matches the following richer shades: #845251, #964140, #A7312E, #B8201D and #CA0F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #865352 shade: #845251, #736362, #627374, #508485 and #3F9596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #865352 shade: #84516B, #84515E, #845251, #845F51 and #846D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #865352 shade: #513232, #6B4241, #845251, #9E6261 and #AD7B7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #865352 shade: #865352, #798451 and #516584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #865352 shade: #865352, #518452 and #525184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #865352 shade: #865352, #798451, #518384 and #5C5184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #865352 shade: #865352, #6A8451, #518384 and #6B5184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

Complementary color

CMYK 30 / 1 / 0 / 32

HEX #79ACAD

RGB 121 172 173

HSL 181.15, 0.24%, 0.58%

LAB 66.97, -16.5, -5.94

 

CMYK 0 / 40 / 45 / 45

HEX #8B534D

RGB 139 83 77

HSL 5.81, 0.29%, 0.42%

LAB 41.55, 22.62, 13.47

 

CMYK 0 / 35 / 38 / 39

HEX #9C6560

RGB 156 101 96

HSL 5, 0.24%, 0.49%

LAB 48.54, 21.56, 12.01

 

CMYK 0 / 31 / 34 / 32

HEX #AD7773

RGB 173 119 115

HSL 4.14, 0.26%, 0.56%

LAB 55.4, 20.64, 10.75

 

CMYK 0 / 28 / 29 / 25

HEX #BE8986

RGB 190 137 134

HSL 3.21, 0.3%, 0.64%

LAB 62.13, 19.83, 9.63

 

CMYK 0 / 25 / 26 / 19

HEX #CF9B99

RGB 207 155 153

HSL 2.22, 0.36%, 0.71%

LAB 68.76, 19.11, 8.62

 

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

CMYK 0 / 44 / 46 / 54

HEX #75413F

RGB 117 65 63

HSL 2.22, 0.3%, 0.35%

LAB 33.82, 22.28, 11.09

 

CMYK 0 / 53 / 56 / 61

HEX #642F2C

RGB 100 47 44

HSL 3.21, 0.39%, 0.28%

LAB 26.52, 23.55, 13.04

 

CMYK 0 / 65 / 70 / 67

HEX #531D19

RGB 83 29 25

HSL 4.14, 0.54%, 0.21%

LAB 19.17, 24.91, 15.68

 

CMYK 0 / 83 / 91 / 74

HEX #420B06

RGB 66 11 6

HSL 5, 0.83%, 0.14%

LAB 12.03, 25.86, 16.19

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 39 / 39 / 48

HEX #845151

RGB 132 81 81

HSL 0, 0.24%, 0.42%

LAB 40.22, 21.37, 9.02

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 27 / 39 / 48

HEX #846051

RGB 132 96 81

HSL 17.65, 0.24%, 0.42%

LAB 44.04, 12.51, 14.31

 

CMYK 0 / 17 / 39 / 48

HEX #846E51

RGB 132 110 81

HSL 34.12, 0.24%, 0.42%

LAB 47.82, 4.28, 19.42

 

CMYK 0 / 7 / 39 / 48

HEX #847B51

RGB 132 123 81

HSL 49.41, 0.24%, 0.42%

LAB 51.46, -3.19, 24.22

 

CMYK 4 / 0 / 39 / 48

HEX #7F8451

RGB 127 132 81

HSL 65.88, 0.24%, 0.42%

LAB 53.61, -10.33, 26.92

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 57 / 57 / 41

HEX #964140

RGB 150 65 64

HSL 0.7, 0.4%, 0.42%

LAB 38.96, 35.65, 18.26

 

CMYK 0 / 71 / 72 / 35

HEX #A7312E

RGB 167 49 46

HSL 1.49, 0.57%, 0.42%

LAB 38.91, 47.9, 29.85

 

CMYK 0 / 83 / 84 / 28

HEX #B8201D

RGB 184 32 29

HSL 1.16, 0.73%, 0.42%

LAB 40.1, 58.06, 41.72

 

CMYK 0 / 93 / 94 / 21

HEX #CA0F0C

RGB 202 15 12

HSL 0.95, 0.89%, 0.42%

LAB 42.65, 65.82, 52.69

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 14 / 15 / 55

HEX #736362

RGB 115 99 98

HSL 3.53, 0.08%, 0.42%

LAB 43.43, 6.21, 2.92

 

CMYK 16 / 1 / 0 / 55

HEX #627374

RGB 98 115 116

HSL 183.33, 0.08%, 0.42%

LAB 47.13, -6.06, -2.68

 

CMYK 40 / 1 / 0 / 48

HEX #508485

RGB 80 132 133

HSL 181.13, 0.25%, 0.42%

LAB 51.73, -17.04, -6.02

 

CMYK 58 / 1 / 0 / 41

HEX #3F9596

RGB 63 149 150

HSL 180.69, 0.41%, 0.42%

LAB 56.83, -25.21, -8.31

 

CMYK 0 / 39 / 19 / 48

HEX #84516B

RGB 132 81 107

HSL 329.41, 0.24%, 0.42%

LAB 40.98, 25.27, -5.97

 

CMYK 0 / 39 / 29 / 48

HEX #84515E

RGB 132 81 94

HSL 344.71, 0.24%, 0.42%

LAB 40.57, 23.19, 1.47

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 28 / 39 / 48

HEX #845F51

RGB 132 95 81

HSL 16.47, 0.24%, 0.42%

LAB 43.78, 13.1, 13.95

 

CMYK 0 / 17 / 39 / 48

HEX #846D51

RGB 132 109 81

HSL 32.94, 0.24%, 0.42%

LAB 47.54, 4.86, 19.05

 

CMYK 0 / 38 / 38 / 68

HEX #513232

RGB 81 50 50

HSL 0, 0.24%, 0.26%

LAB 24.52, 14.07, 5.84

 

CMYK 0 / 38 / 39 / 58

HEX #6B4241

RGB 107 66 65

HSL 1.43, 0.24%, 0.34%

LAB 32.71, 17.65, 8.05

 

CMYK 0 / 38 / 39 / 48

HEX #845251

RGB 132 82 81

HSL 1.18, 0.24%, 0.42%

LAB 40.47, 20.78, 9.36

 

CMYK 0 / 38 / 39 / 38

HEX #9E6261

RGB 158 98 97

HSL 0.98, 0.24%, 0.5%

LAB 48.09, 24.2, 10.83

 

CMYK 0 / 29 / 29 / 32

HEX #AD7B7A

RGB 173 123 122

HSL 1.18, 0.24%, 0.58%

LAB 56.54, 19.34, 8.31

 

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

CMYK 8 / 0 / 39 / 48

HEX #798451

RGB 121 132 81

HSL 72.94, 0.24%, 0.42%

LAB 53.13, -12.85, 26.2

 

CMYK 39 / 23 / 0 / 48

HEX #516584

RGB 81 101 132

HSL 216.47, 0.24%, 0.42%

LAB 42.34, 0.82, -19.62

 

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

CMYK 39 / 0 / 38 / 48

HEX #518452

RGB 81 132 82

HSL 121.18, 0.24%, 0.42%

LAB 50.52, -28.02, 21.75

 

CMYK 38 / 39 / 0 / 48

HEX #525184

RGB 82 81 132

HSL 241.18, 0.24%, 0.42%

LAB 36.64, 13.68, -28.48

 

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

CMYK 8 / 0 / 39 / 48

HEX #798451

RGB 121 132 81

HSL 72.94, 0.24%, 0.42%

LAB 53.13, -12.85, 26.2

 

CMYK 39 / 1 / 0 / 48

HEX #518384

RGB 81 131 132

HSL 181.18, 0.24%, 0.42%

LAB 51.44, -16.48, -5.86

 

CMYK 30 / 39 / 0 / 48

HEX #5C5184

RGB 92 81 132

HSL 252.94, 0.24%, 0.42%

LAB 37.53, 16.72, -27.03

 

CMYK 0 / 38 / 39 / 47

HEX #865352

RGB 134 83 82

HSL 1.15, 0.24%, 0.42%

LAB 41, 21.16, 9.53

 

CMYK 20 / 0 / 39 / 48

HEX #6A8451

RGB 106 132 81

HSL 90.59, 0.24%, 0.42%

LAB 52.02, -18.96, 24.55

 

CMYK 39 / 1 / 0 / 48

HEX #518384

RGB 81 131 132

HSL 181.18, 0.24%, 0.42%

LAB 51.44, -16.48, -5.86

 

CMYK 19 / 39 / 0 / 48

HEX #6B5184

RGB 107 81 132

HSL 270.59, 0.24%, 0.42%

LAB 39.03, 21.54, -24.57

 

Description

Color code: HEX #865352 | qconv.com Color code: HEX #865352 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 83 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 83 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 39 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 39% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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