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Color name
HEX #865AD2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865AD2 it is the complementary color #79A52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #865AD2 shade: #8B5ACD, #9C6CE0, #AD7EF3, #BE90FF and #CFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #865AD2 shade: #865AD2, #7548BF, #6436AC, #532499 and #421286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #865AD2 shade: #865AD2, #A65AD2, #C65AD2, #D25ABD and #D25A9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #865AD2 shade: #865AD2, #665AD2 and #5A5AD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #865AD2 shade matches the following richer shades: #865AD2, #8249E2 and #7D39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #865AD2 shade: #865AD2, #8B6BC1, #8F7CB0, #948D9F and #989E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #865AD2 shade: #5A6ED2, #665AD2, #865AD2, #A65AD2 and #C65AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #865AD2 shade: #5C2EAB, #6E3AC9, #865AD2, #9E7BDA and #B69BE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #865AD2 shade: #865AD2, #D25A8E and #5ED25A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #865AD2 shade: #865AD2, #D2865A and #5AD286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #865AD2 shade: #865AD2, #D25A8E, #A6D25A and #5AD29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #865AD2 shade: #865AD2, #D25A6A, #A6D25A and #5AD2C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

Complementary color

CMYK 27 / 0 / 73 / 35

HEX #79A52D

RGB 121 165 45

HSL 82, 0.57%, 0.41%

LAB 62.65, -32.87, 54.17

 

CMYK 32 / 56 / 0 / 20

HEX #8B5ACD

RGB 139 90 205

HSL 265.57, 0.53%, 0.58%

LAB 48.52, 43.62, -52.49

 

CMYK 30 / 52 / 0 / 12

HEX #9C6CE0

RGB 156 108 224

HSL 264.83, 0.65%, 0.65%

LAB 55.25, 42.62, -52.42

 

CMYK 29 / 48 / 0 / 5

HEX #AD7EF3

RGB 173 126 243

HSL 264.1, 0.83%, 0.72%

LAB 61.89, 41.65, -52.34

 

CMYK 25 / 44 / 0 / 0

HEX #BE90FF

RGB 190 144 255

HSL 264.86, 1%, 0.78%

LAB 68.1, 39.1, -48.99

 

CMYK 19 / 36 / 0 / 0

HEX #CFA2FF

RGB 207 162 255

HSL 269.03, 1%, 0.82%

LAB 73.76, 34.03, -40.02

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 39 / 62 / 0 / 25

HEX #7548BF

RGB 117 72 191

HSL 262.69, 0.48%, 0.52%

LAB 41.5, 44.81, -55.82

 

CMYK 42 / 69 / 0 / 33

HEX #6436AC

RGB 100 54 172

HSL 263.39, 0.52%, 0.44%

LAB 34.65, 45.86, -55.78

 

CMYK 46 / 76 / 0 / 40

HEX #532499

RGB 83 36 153

HSL 264.1, 0.62%, 0.37%

LAB 27.85, 46.64, -55.48

 

CMYK 51 / 87 / 0 / 47

HEX #421286

RGB 66 18 134

HSL 264.83, 0.76%, 0.3%

LAB 21.25, 46.65, -54.6

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 21 / 57 / 0 / 18

HEX #A65AD2

RGB 166 90 210

HSL 278, 0.57%, 0.59%

LAB 51.92, 51.47, -49.74

 

CMYK 6 / 57 / 0 / 18

HEX #C65AD2

RGB 198 90 210

HSL 294, 0.57%, 0.59%

LAB 56.06, 59.6, -42.92

 

CMYK 0 / 57 / 10 / 18

HEX #D25ABD

RGB 210 90 189

HSL 310.5, 0.57%, 0.59%

LAB 56.77, 59.21, -29.69

 

CMYK 0 / 57 / 26 / 18

HEX #D25A9C

RGB 210 90 156

HSL 327, 0.57%, 0.59%

LAB 55.5, 54.38, -12.5

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 51 / 57 / 0 / 18

HEX #665AD2

RGB 102 90 210

HSL 246, 0.57%, 0.59%

LAB 45.35, 36.74, -60.65

 

CMYK 57 / 57 / 0 / 18

HEX #5A5AD2

RGB 90 90 210

HSL 240, 0.57%, 0.59%

LAB 44.43, 34.44, -62.18

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 42 / 68 / 0 / 11

HEX #8249E2

RGB 130 73 226

HSL 262.35, 0.73%, 0.59%

LAB 45.64, 56.03, -69.18

 

CMYK 49 / 77 / 0 / 5

HEX #7D39F3

RGB 125 57 243

HSL 261.94, 0.89%, 0.59%

LAB 43.88, 66.87, -81.68

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 28 / 45 / 0 / 24

HEX #8B6BC1

RGB 139 107 193

HSL 262.33, 0.41%, 0.59%

LAB 51.67, 30.92, -40.59

 

CMYK 19 / 30 / 0 / 31

HEX #8F7CB0

RGB 143 124 176

HSL 261.92, 0.25%, 0.59%

LAB 55.47, 18.05, -24.86

 

CMYK 7 / 11 / 0 / 38

HEX #948D9F

RGB 148 141 159

HSL 263.33, 0.09%, 0.59%

LAB 59.75, 6.16, -8.58

 

CMYK 4 / 0 / 10 / 38

HEX #989E8E

RGB 152 158 142

HSL 82.5, 0.08%, 0.59%

LAB 64.23, -5.15, 7.62

 

CMYK 57 / 48 / 0 / 18

HEX #5A6ED2

RGB 90 110 210

HSL 230, 0.57%, 0.59%

LAB 49.47, 22.1, -54.05

 

CMYK 51 / 57 / 0 / 18

HEX #665AD2

RGB 102 90 210

HSL 246, 0.57%, 0.59%

LAB 45.35, 36.74, -60.65

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 21 / 57 / 0 / 18

HEX #A65AD2

RGB 166 90 210

HSL 278, 0.57%, 0.59%

LAB 51.92, 51.47, -49.74

 

CMYK 6 / 57 / 0 / 18

HEX #C65AD2

RGB 198 90 210

HSL 294, 0.57%, 0.59%

LAB 56.06, 59.6, -42.92

 

CMYK 46 / 73 / 0 / 33

HEX #5C2EAB

RGB 92 46 171

HSL 262.08, 0.58%, 0.43%

LAB 32.19, 48.18, -59.24

 

CMYK 45 / 71 / 0 / 21

HEX #6E3AC9

RGB 110 58 201

HSL 261.82, 0.57%, 0.51%

LAB 38.83, 53.37, -66.02

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 28 / 44 / 0 / 15

HEX #9E7BDA

RGB 158 123 218

HSL 262.11, 0.56%, 0.67%

LAB 58.51, 33.23, -43.88

 

CMYK 20 / 32 / 0 / 11

HEX #B69BE3

RGB 182 155 227

HSL 262.5, 0.56%, 0.75%

LAB 68.7, 24.24, -32.78

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 0 / 57 / 32 / 18

HEX #D25A8E

RGB 210 90 142

HSL 334, 0.57%, 0.59%

LAB 55.04, 52.58, -4.97

 

CMYK 55 / 0 / 57 / 18

HEX #5ED25A

RGB 94 210 90

HSL 118, 0.57%, 0.59%

LAB 75.58, -56.19, 48.92

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 0 / 36 / 57 / 18

HEX #D2865A

RGB 210 134 90

HSL 22, 0.57%, 0.59%

LAB 62.92, 24.75, 35.6

 

CMYK 57 / 0 / 36 / 18

HEX #5AD286

RGB 90 210 134

HSL 142, 0.57%, 0.59%

LAB 76.06, -50.56, 27.81

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 0 / 57 / 32 / 18

HEX #D25A8E

RGB 210 90 142

HSL 334, 0.57%, 0.59%

LAB 55.04, 52.58, -4.97

 

CMYK 21 / 0 / 57 / 18

HEX #A6D25A

RGB 166 210 90

HSL 82, 0.57%, 0.59%

LAB 79.01, -32.89, 53.76

 

CMYK 57 / 0 / 25 / 18

HEX #5AD29E

RGB 90 210 158

HSL 154, 0.57%, 0.59%

LAB 76.52, -45.83, 15.82

 

CMYK 36 / 57 / 0 / 18

HEX #865AD2

RGB 134 90 210

HSL 262, 0.57%, 0.59%

LAB 48.3, 43.71, -55.73

 

CMYK 0 / 57 / 50 / 18

HEX #D25A6A

RGB 210 90 106

HSL 352, 0.57%, 0.59%

LAB 54.08, 48.75, 14.94

 

CMYK 21 / 0 / 57 / 18

HEX #A6D25A

RGB 166 210 90

HSL 82, 0.57%, 0.59%

LAB 79.01, -32.89, 53.76

 

CMYK 57 / 0 / 8 / 18

HEX #5AD2C2

RGB 90 210 194

HSL 172, 0.57%, 0.59%

LAB 77.38, -37.4, -2.2

 

Description

Color code: HEX #865AD2 | qconv.com Color code: HEX #865AD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 90 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 90 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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