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Color name
HEX #865D12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865D12 it is the complementary color #79A2ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865D12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #865D12 shade: #8B5D0D, #9C6F20, #AD8133, #BE9346 and #CFA559

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865D12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #865D12 shade: #865D12, #754B00, #643900, #532700 and #421500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #865D12 shade: #865D12, #863E12, #861E12 and #861212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #865D12 shade: #865D12, #867C12, #718612, #518612 and #328612

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #865D12 shade matches the following richer shades: #865D12 and #936105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #865D12 shade: #865D12, #7A591E, #6D562B, #615237 and #554F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #865D12 shade: #861D12, #863C12, #865C12, #867B12 and #738612

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #865D12 shade: #3E2B08, #62440D, #865D12, #AA7617 and #CF8F1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #865D12 shade: #865D12, #258612 and #2D1286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #865D12 shade: #865D12, #12865C and #5C1286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #865D12 shade: #865D12, #258612, #123C86 and #731286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #865D12 shade: #865D12, #128621, #123C86 and #861277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

Complementary color

CMYK 49 / 32 / 0 / 7

HEX #79A2ED

RGB 121 162 237

HSL 218.79, 0.76%, 0.7%

LAB 66.54, 6.31, -41.98

 

CMYK 0 / 33 / 91 / 45

HEX #8B5D0D

RGB 139 93 13

HSL 38.1, 0.83%, 0.3%

LAB 43.28, 12.47, 47.85

 

CMYK 0 / 29 / 79 / 39

HEX #9C6F20

RGB 156 111 32

HSL 38.23, 0.66%, 0.37%

LAB 50.15, 10.57, 48.06

 

CMYK 0 / 25 / 71 / 32

HEX #AD8133

RGB 173 129 51

HSL 38.36, 0.54%, 0.44%

LAB 56.9, 9.01, 47.25

 

CMYK 0 / 23 / 63 / 25

HEX #BE9346

RGB 190 147 70

HSL 38.5, 0.48%, 0.51%

LAB 63.55, 7.71, 46.05

 

CMYK 0 / 20 / 57 / 19

HEX #CFA559

RGB 207 165 89

HSL 38.64, 0.55%, 0.58%

LAB 70.1, 6.63, 44.74

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 36 / 100 / 54

HEX #754B00

RGB 117 75 0

HSL 38.46, 1%, 0.23%

LAB 35.62, 12.36, 44.72

 

CMYK 0 / 43 / 100 / 61

HEX #643900

RGB 100 57 0

HSL 34.2, 1%, 0.2%

LAB 28.47, 15.04, 38.6

 

CMYK 0 / 53 / 100 / 67

HEX #532700

RGB 83 39 0

HSL 28.19, 1%, 0.16%

LAB 21.17, 17.85, 30.65

 

CMYK 0 / 68 / 100 / 74

HEX #421500

RGB 66 21 0

HSL 19.09, 1%, 0.13%

LAB 13.8, 20.57, 21

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 54 / 87 / 47

HEX #863E12

RGB 134 62 18

HSL 22.76, 0.76%, 0.3%

LAB 35.12, 28.13, 39.05

 

CMYK 0 / 78 / 87 / 47

HEX #861E12

RGB 134 30 18

HSL 6.21, 0.76%, 0.3%

LAB 29.51, 43, 34.09

 

CMYK 0 / 87 / 87 / 47

HEX #861212

RGB 134 18 18

HSL 0, 0.76%, 0.3%

LAB 28.23, 46.61, 32.94

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 7 / 87 / 47

HEX #867C12

RGB 134 124 18

HSL 54.83, 0.76%, 0.3%

LAB 51.3, -7.55, 52.82

 

CMYK 16 / 0 / 87 / 47

HEX #718612

RGB 113 134 18

HSL 70.86, 0.76%, 0.3%

LAB 52.51, -22.48, 53.14

 

CMYK 40 / 0 / 87 / 47

HEX #518612

RGB 81 134 18

HSL 87.41, 0.76%, 0.3%

LAB 50.5, -35.63, 50.62

 

CMYK 63 / 0 / 87 / 47

HEX #328612

RGB 50 134 18

HSL 103.45, 0.76%, 0.3%

LAB 49.22, -45.47, 48.99

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 34 / 97 / 42

HEX #936105

RGB 147 97 5

HSL 38.87, 0.93%, 0.3%

LAB 45.31, 13.73, 51.8

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 27 / 75 / 52

HEX #7A591E

RGB 122 89 30

HSL 38.48, 0.61%, 0.3%

LAB 40.21, 7.39, 37.87

 

CMYK 0 / 21 / 61 / 57

HEX #6D562B

RGB 109 86 43

HSL 39.09, 0.43%, 0.3%

LAB 37.99, 3.89, 28.3

 

CMYK 0 / 15 / 43 / 62

HEX #615237

RGB 97 82 55

HSL 38.57, 0.28%, 0.3%

LAB 35.7, 1.95, 18.15

 

CMYK 0 / 7 / 21 / 67

HEX #554F43

RGB 85 79 67

HSL 40, 0.12%, 0.3%

LAB 33.83, 0.19, 7.99

 

CMYK 0 / 78 / 87 / 47

HEX #861D12

RGB 134 29 18

HSL 5.69, 0.76%, 0.3%

LAB 29.39, 43.35, 33.98

 

CMYK 0 / 55 / 87 / 47

HEX #863C12

RGB 134 60 18

HSL 21.72, 0.76%, 0.3%

LAB 34.69, 29.22, 38.68

 

CMYK 0 / 31 / 87 / 47

HEX #865C12

RGB 134 92 18

HSL 38.28, 0.76%, 0.3%

LAB 42.41, 10.83, 45.33

 

CMYK 0 / 8 / 87 / 47

HEX #867B12

RGB 134 123 18

HSL 54.31, 0.76%, 0.3%

LAB 51.01, -7, 52.58

 

CMYK 14 / 0 / 87 / 47

HEX #738612

RGB 115 134 18

HSL 69.83, 0.76%, 0.3%

LAB 52.66, -21.59, 53.33

 

CMYK 0 / 31 / 87 / 76

HEX #3E2B08

RGB 62 43 8

HSL 38.89, 0.77%, 0.14%

LAB 19.1, 4.86, 24.17

 

CMYK 0 / 31 / 87 / 62

HEX #62440D

RGB 98 68 13

HSL 38.82, 0.77%, 0.22%

LAB 31.25, 7.65, 35.68

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 0 / 31 / 86 / 33

HEX #AA7617

RGB 170 118 23

HSL 38.78, 0.76%, 0.38%

LAB 53.56, 12.69, 54.87

 

CMYK 0 / 31 / 86 / 19

HEX #CF8F1C

RGB 207 143 28

HSL 38.55, 0.76%, 0.46%

LAB 64.16, 15.47, 63.9

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 72 / 0 / 87 / 47

HEX #258612

RGB 37 134 18

HSL 110.17, 0.76%, 0.3%

LAB 48.87, -48.4, 48.54

 

CMYK 66 / 87 / 0 / 47

HEX #2D1286

RGB 45 18 134

HSL 253.97, 0.76%, 0.3%

LAB 18.85, 44.36, -58.65

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 87 / 0 / 31 / 47

HEX #12865C

RGB 18 134 92

HSL 158.28, 0.76%, 0.3%

LAB 49.44, -40.58, 14.28

 

CMYK 31 / 87 / 0 / 47

HEX #5C1286

RGB 92 18 134

HSL 278.28, 0.76%, 0.3%

LAB 25.04, 50.42, -48.24

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 72 / 0 / 87 / 47

HEX #258612

RGB 37 134 18

HSL 110.17, 0.76%, 0.3%

LAB 48.87, -48.4, 48.54

 

CMYK 87 / 55 / 0 / 47

HEX #123C86

RGB 18 60 134

HSL 218.28, 0.76%, 0.3%

LAB 26.97, 15.73, -45.39

 

CMYK 14 / 87 / 0 / 47

HEX #731286

RGB 115 18 134

HSL 290.17, 0.76%, 0.3%

LAB 28.9, 54.41, -41.81

 

CMYK 0 / 31 / 87 / 47

HEX #865D12

RGB 134 93 18

HSL 38.79, 0.76%, 0.3%

LAB 42.67, 10.24, 45.56

 

CMYK 87 / 0 / 75 / 47

HEX #128621

RGB 18 134 33

HSL 127.76, 0.76%, 0.3%

LAB 48.62, -50.23, 43.31

 

CMYK 87 / 55 / 0 / 47

HEX #123C86

RGB 18 60 134

HSL 218.28, 0.76%, 0.3%

LAB 26.97, 15.73, -45.39

 

CMYK 0 / 87 / 11 / 47

HEX #861277

RGB 134 18 119

HSL 307.76, 0.76%, 0.3%

LAB 31.42, 55.67, -28.14

 

Description

Color code: HEX #865D12 | qconv.com Color code: HEX #865D12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 93 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 93 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 87% 47% C M Y K

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Provide designers and agencies with accurate color values.

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