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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8663D4 it is the complementary color #799C2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8663D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8663D4 shade: #8B63CF, #9C75E2, #AD87F5, #BE99FF and #CFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8663D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8663D4 shade: #8663D4, #7551C1, #643FAE, #532D9B and #421B88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8663D4 shade: #8562D4, #A462D4, #C362D4, #D462C6 and #D462A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8663D4 shade: #8562D4, #6762D4 and #6262D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8663D4 shade matches the following richer shades: #8562D4, #7F52E4 and #7942F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8663D4 shade: #8562D4, #8C72C4, #9283B4, #9893A3 and #9EA393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8663D4 shade: #627DD4, #6662D4, #8462D4, #A362D4 and #C162D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8663D4 shade: #5931B3, #6C42CB, #8562D4, #9F83DD and #B8A3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8663D4 shade: #8663D4, #D4629B and #6ED462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8663D4 shade: #8663D4, #D48462 and #62D484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8663D4 shade: #8663D4, #D4629B, #B2D462 and #62D49B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8663D4 shade: #8663D4, #D46279, #B2D462 and #62D4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

Complementary color

CMYK 22 / 0 / 72 / 39

HEX #799C2B

RGB 121 156 43

HSL 78.58, 0.57%, 0.39%

LAB 59.9, -28.74, 52.19

 

CMYK 33 / 52 / 0 / 19

HEX #8B63CF

RGB 139 99 207

HSL 262.22, 0.53%, 0.6%

LAB 50.59, 39.09, -50.33

 

CMYK 31 / 48 / 0 / 11

HEX #9C75E2

RGB 156 117 226

HSL 261.47, 0.65%, 0.67%

LAB 57.35, 38.08, -50.21

 

CMYK 29 / 45 / 0 / 4

HEX #AD87F5

RGB 173 135 245

HSL 260.73, 0.85%, 0.75%

LAB 64, 37.14, -50.1

 

CMYK 25 / 40 / 0 / 0

HEX #BE99FF

RGB 190 153 255

HSL 261.76, 1%, 0.8%

LAB 70.14, 34.14, -45.78

 

CMYK 19 / 33 / 0 / 0

HEX #CFABFF

RGB 207 171 255

HSL 265.71, 1%, 0.84%

LAB 75.83, 29.12, -36.79

 

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

CMYK 39 / 58 / 0 / 24

HEX #7551C1

RGB 117 81 193

HSL 259.29, 0.47%, 0.54%

LAB 43.53, 40.32, -53.7

 

CMYK 43 / 64 / 0 / 32

HEX #643FAE

RGB 100 63 174

HSL 260, 0.47%, 0.46%

LAB 36.59, 41.53, -53.83

 

CMYK 46 / 71 / 0 / 39

HEX #532D9B

RGB 83 45 155

HSL 260.73, 0.55%, 0.39%

LAB 29.62, 42.68, -53.81

 

CMYK 51 / 80 / 0 / 47

HEX #421B88

RGB 66 27 136

HSL 261.47, 0.67%, 0.32%

LAB 22.72, 43.5, -53.44

 

CMYK 37 / 54 / 0 / 17

HEX #8562D4

RGB 133 98 212

HSL 258.42, 0.57%, 0.61%

LAB 50.07, 39.48, -54.05

 

CMYK 23 / 54 / 0 / 17

HEX #A462D4

RGB 164 98 212

HSL 274.74, 0.57%, 0.61%

LAB 53.36, 47.25, -48.59

 

CMYK 8 / 54 / 0 / 17

HEX #C362D4

RGB 195 98 212

HSL 291.05, 0.57%, 0.61%

LAB 57.16, 55.41, -42.33

 

CMYK 0 / 54 / 7 / 17

HEX #D462C6

RGB 212 98 198

HSL 307.37, 0.57%, 0.61%

LAB 58.8, 57.56, -31.66

 

CMYK 0 / 54 / 21 / 17

HEX #D462A8

RGB 212 98 168

HSL 323.16, 0.57%, 0.61%

LAB 57.62, 52.92, -16.25

 

CMYK 37 / 54 / 0 / 17

HEX #8562D4

RGB 133 98 212

HSL 258.42, 0.57%, 0.61%

LAB 50.07, 39.48, -54.05

 

CMYK 51 / 54 / 0 / 17

HEX #6762D4

RGB 103 98 212

HSL 242.63, 0.57%, 0.61%

LAB 47.46, 32.74, -58.38

 

CMYK 54 / 54 / 0 / 17

HEX #6262D4

RGB 98 98 212

HSL 240, 0.57%, 0.61%

LAB 47.09, 31.72, -59

 

CMYK 37 / 54 / 0 / 17

HEX #8562D4

RGB 133 98 212

HSL 258.42, 0.57%, 0.61%

LAB 50.07, 39.48, -54.05

 

CMYK 44 / 64 / 0 / 11

HEX #7F52E4

RGB 127 82 228

HSL 258.49, 0.73%, 0.61%

LAB 47.17, 51.35, -67.84

 

CMYK 50 / 73 / 0 / 4

HEX #7942F4

RGB 121 66 244

HSL 258.54, 0.89%, 0.61%

LAB 44.93, 62.61, -80.54

 

CMYK 37 / 54 / 0 / 17

HEX #8562D4

RGB 133 98 212

HSL 258.42, 0.57%, 0.61%

LAB 50.07, 39.48, -54.05

 

CMYK 29 / 42 / 0 / 23

HEX #8C72C4

RGB 140 114 196

HSL 259.02, 0.41%, 0.61%

LAB 53.6, 27.88, -39.27

 

CMYK 19 / 27 / 0 / 29

HEX #9283B4

RGB 146 131 180

HSL 258.37, 0.25%, 0.61%

LAB 57.69, 15.88, -23.71

 

CMYK 7 / 10 / 0 / 36

HEX #9893A3

RGB 152 147 163

HSL 258.75, 0.08%, 0.61%

LAB 61.82, 5, -7.75

 

CMYK 3 / 0 / 10 / 36

HEX #9EA393

RGB 158 163 147

HSL 78.75, 0.08%, 0.61%

LAB 66.19, -4.76, 7.69

 

CMYK 54 / 41 / 0 / 17

HEX #627DD4

RGB 98 125 212

HSL 225.79, 0.57%, 0.61%

LAB 54.05, 15.22, -47.86

 

CMYK 52 / 54 / 0 / 17

HEX #6662D4

RGB 102 98 212

HSL 242.11, 0.57%, 0.61%

LAB 47.38, 32.53, -58.51

 

CMYK 38 / 54 / 0 / 17

HEX #8462D4

RGB 132 98 212

HSL 257.89, 0.57%, 0.61%

LAB 49.97, 39.25, -54.21

 

CMYK 23 / 54 / 0 / 17

HEX #A362D4

RGB 163 98 212

HSL 274.21, 0.57%, 0.61%

LAB 53.25, 47, -48.78

 

CMYK 9 / 54 / 0 / 17

HEX #C162D4

RGB 193 98 212

HSL 290, 0.57%, 0.61%

LAB 56.91, 54.88, -42.76

 

CMYK 50 / 73 / 0 / 30

HEX #5931B3

RGB 89 49 179

HSL 258.46, 0.57%, 0.45%

LAB 33.08, 48.38, -62.57

 

CMYK 47 / 67 / 0 / 20

HEX #6C42CB

RGB 108 66 203

HSL 258.39, 0.57%, 0.53%

LAB 40.24, 49.49, -64.88

 

CMYK 37 / 54 / 0 / 17

HEX #8562D4

RGB 133 98 212

HSL 258.42, 0.57%, 0.61%

LAB 50.07, 39.48, -54.05

 

CMYK 28 / 41 / 0 / 13

HEX #9F83DD

RGB 159 131 221

HSL 258.67, 0.57%, 0.69%

LAB 60.63, 29.68, -42.21

 

CMYK 20 / 29 / 0 / 10

HEX #B8A3E5

RGB 184 163 229

HSL 259.09, 0.56%, 0.77%

LAB 70.9, 20.84, -30.47

 

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

CMYK 0 / 54 / 27 / 17

HEX #D4629B

RGB 212 98 155

HSL 330, 0.57%, 0.61%

LAB 57.17, 51.11, -9.37

 

CMYK 48 / 0 / 54 / 17

HEX #6ED462

RGB 110 212 98

HSL 113.68, 0.57%, 0.61%

LAB 76.85, -51.74, 46.86

 

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

CMYK 0 / 38 / 54 / 17

HEX #D48462

RGB 212 132 98

HSL 17.89, 0.57%, 0.61%

LAB 62.83, 27.29, 31.19

 

CMYK 54 / 0 / 38 / 17

HEX #62D484

RGB 98 212 132

HSL 137.89, 0.57%, 0.61%

LAB 76.89, -49.87, 29.99

 

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

CMYK 0 / 54 / 27 / 17

HEX #D4629B

RGB 212 98 155

HSL 330, 0.57%, 0.61%

LAB 57.17, 51.11, -9.37

 

CMYK 16 / 0 / 54 / 17

HEX #B2D462

RGB 178 212 98

HSL 77.89, 0.57%, 0.61%

LAB 80.42, -28.51, 51.96

 

CMYK 54 / 0 / 27 / 17

HEX #62D49B

RGB 98 212 155

HSL 150, 0.57%, 0.61%

LAB 77.31, -45.55, 18.56

 

CMYK 37 / 53 / 0 / 17

HEX #8663D4

RGB 134 99 212

HSL 258.58, 0.57%, 0.61%

LAB 50.39, 39.15, -53.53

 

CMYK 0 / 54 / 43 / 17

HEX #D46279

RGB 212 98 121

HSL 347.89, 0.57%, 0.61%

LAB 56.2, 47.07, 9.11

 

CMYK 16 / 0 / 54 / 17

HEX #B2D462

RGB 178 212 98

HSL 77.89, 0.57%, 0.61%

LAB 80.42, -28.51, 51.96

 

CMYK 54 / 0 / 11 / 17

HEX #62D4BD

RGB 98 212 189

HSL 167.89, 0.57%, 0.61%

LAB 78.09, -37.96, 1.55

 

Description

Color code: HEX #8663D4 | qconv.com Color code: HEX #8663D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 99 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 99 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 53 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 53% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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