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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868A32 it is the complementary color #7975CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868A32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #868A32 shade: #8B8A2D, #9C9C40, #ADAE53, #BEC066 and #CFD279

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868A32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #868A32 shade: #868A32, #75781F, #64660C, #535400 and #424200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #868A32 shade: #868A32, #8A7632, #8A5E32, #8A4632 and #8A3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #868A32 shade: #868A32, #6E8A32, #568A32, #3E8A32 and #328A3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #868A32 shade matches the following richer shades: #868A32, #949922, #A2A913 and #B0B804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #868A32 shade: #868A32, #787B41, #6A6C50, #5D5C5F and #4F4D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #868A32 shade: #8A5E32, #8A7632, #878A32, #708A32 and #588A32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #868A32 shade: #4B4E1C, #696C27, #868A32, #A4A93C and #BABF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #868A32 shade: #868A32, #328A46 and #6A328A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #868A32 shade: #868A32, #32878A and #8A3287

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #868A32 shade: #868A32, #328A46, #34328A and #8A3276

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #868A32 shade: #868A32, #328A61, #34328A and #8A325B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

Complementary color

CMYK 41 / 43 / 0 / 20

HEX #7975CD

RGB 121 117 205

HSL 242.73, 0.47%, 0.63%

LAB 53.16, 23.38, -45.19

 

CMYK 0 / 1 / 68 / 45

HEX #8B8A2D

RGB 139 138 45

HSL 59.36, 0.51%, 0.36%

LAB 55.94, -11.67, 47.84

 

CMYK 0 / 0 / 59 / 39

HEX #9C9C40

RGB 156 156 64

HSL 60, 0.42%, 0.43%

LAB 62.69, -12.43, 47.03

 

CMYK 1 / 0 / 52 / 32

HEX #ADAE53

RGB 173 174 83

HSL 60.66, 0.36%, 0.5%

LAB 69.31, -13.03, 45.97

 

CMYK 1 / 0 / 47 / 25

HEX #BEC066

RGB 190 192 102

HSL 61.33, 0.42%, 0.58%

LAB 75.83, -13.51, 44.81

 

CMYK 1 / 0 / 42 / 18

HEX #CFD279

RGB 207 210 121

HSL 62.02, 0.5%, 0.65%

LAB 82.24, -13.9, 43.63

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 3 / 0 / 74 / 53

HEX #75781F

RGB 117 120 31

HSL 62.02, 0.59%, 0.3%

LAB 48.65, -12.75, 45.63

 

CMYK 2 / 0 / 88 / 60

HEX #64660C

RGB 100 102 12

HSL 61.33, 0.79%, 0.22%

LAB 41.59, -11.63, 45

 

CMYK 1 / 0 / 100 / 67

HEX #535400

RGB 83 84 0

HSL 60.71, 1%, 0.16%

LAB 34.35, -10.11, 42.02

 

CMYK 0 / 0 / 100 / 74

HEX #424200

RGB 66 66 0

HSL 60, 1%, 0.13%

LAB 26.89, -8.17, 35.57

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 0 / 14 / 64 / 46

HEX #8A7632

RGB 138 118 50

HSL 46.36, 0.47%, 0.37%

LAB 50.2, -0.72, 39.41

 

CMYK 0 / 32 / 64 / 46

HEX #8A5E32

RGB 138 94 50

HSL 30, 0.47%, 0.37%

LAB 43.71, 13.19, 32.02

 

CMYK 0 / 49 / 64 / 46

HEX #8A4632

RGB 138 70 50

HSL 13.64, 0.47%, 0.37%

LAB 37.87, 27.05, 25.02

 

CMYK 0 / 64 / 64 / 46

HEX #8A3232

RGB 138 50 50

HSL 0, 0.47%, 0.37%

LAB 33.8, 37.53, 19.93

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 20 / 0 / 64 / 46

HEX #6E8A32

RGB 110 138 50

HSL 79.09, 0.47%, 0.37%

LAB 53.73, -23.94, 42.62

 

CMYK 38 / 0 / 64 / 46

HEX #568A32

RGB 86 138 50

HSL 95.45, 0.47%, 0.37%

LAB 52.27, -33.38, 40.6

 

CMYK 55 / 0 / 64 / 46

HEX #3E8A32

RGB 62 138 50

HSL 111.82, 0.47%, 0.37%

LAB 51.19, -41.23, 39.09

 

CMYK 64 / 0 / 56 / 46

HEX #328A3D

RGB 50 138 61

HSL 127.5, 0.47%, 0.37%

LAB 50.91, -42.94, 33.28

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 3 / 0 / 78 / 40

HEX #949922

RGB 148 153 34

HSL 62.52, 0.64%, 0.37%

LAB 60.95, -16.13, 57.04

 

CMYK 4 / 0 / 89 / 34

HEX #A2A913

RGB 162 169 19

HSL 62.8, 0.8%, 0.37%

LAB 66.6, -18.63, 66.11

 

CMYK 4 / 0 / 98 / 28

HEX #B0B804

RGB 176 184 4

HSL 62.67, 0.96%, 0.37%

LAB 71.91, -20.3, 72.73

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 2 / 0 / 47 / 52

HEX #787B41

RGB 120 123 65

HSL 63.1, 0.31%, 0.37%

LAB 50.15, -10.29, 31.17

 

CMYK 2 / 0 / 26 / 58

HEX #6A6C50

RGB 106 108 80

HSL 64.29, 0.15%, 0.37%

LAB 44.76, -5.9, 15.46

 

CMYK 2 / 3 / 0 / 63

HEX #5D5C5F

RGB 93 92 95

HSL 260, 0.02%, 0.37%

LAB 39.25, 1.04, -1.58

 

CMYK 29 / 31 / 0 / 56

HEX #4F4D6F

RGB 79 77 111

HSL 243.53, 0.18%, 0.37%

LAB 34.23, 9.25, -19.26

 

CMYK 0 / 32 / 64 / 46

HEX #8A5E32

RGB 138 94 50

HSL 30, 0.47%, 0.37%

LAB 43.71, 13.19, 32.02

 

CMYK 0 / 14 / 64 / 46

HEX #8A7632

RGB 138 118 50

HSL 46.36, 0.47%, 0.37%

LAB 50.2, -0.72, 39.41

 

CMYK 2 / 0 / 64 / 46

HEX #878A32

RGB 135 138 50

HSL 62.05, 0.47%, 0.37%

LAB 55.64, -13.12, 45.24

 

CMYK 19 / 0 / 64 / 46

HEX #708A32

RGB 112 138 50

HSL 77.73, 0.47%, 0.37%

LAB 53.87, -23.11, 42.81

 

CMYK 36 / 0 / 64 / 46

HEX #588A32

RGB 88 138 50

HSL 94.09, 0.47%, 0.37%

LAB 52.38, -32.65, 40.74

 

CMYK 4 / 0 / 64 / 69

HEX #4B4E1C

RGB 75 78 28

HSL 63.6, 0.47%, 0.21%

LAB 31.87, -9.09, 28.5

 

CMYK 3 / 0 / 64 / 58

HEX #696C27

RGB 105 108 39

HSL 62.61, 0.47%, 0.29%

LAB 44.05, -11.16, 37.12

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 3 / 0 / 64 / 34

HEX #A4A93C

RGB 164 169 60

HSL 62.75, 0.48%, 0.45%

LAB 66.97, -16.02, 53.61

 

CMYK 3 / 0 / 59 / 25

HEX #BABF4F

RGB 186 191 79

HSL 62.68, 0.47%, 0.53%

LAB 74.99, -16.6, 54.54

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 64 / 0 / 49 / 46

HEX #328A46

RGB 50 138 70

HSL 133.64, 0.47%, 0.37%

LAB 51.03, -41.57, 28.74

 

CMYK 23 / 64 / 0 / 46

HEX #6A328A

RGB 106 50 138

HSL 278.18, 0.47%, 0.37%

LAB 32.21, 40.71, -39.04

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 64 / 2 / 0 / 46

HEX #32878A

RGB 50 135 138

HSL 182.05, 0.47%, 0.37%

LAB 51.66, -24.05, -9.17

 

CMYK 0 / 64 / 2 / 46

HEX #8A3287

RGB 138 50 135

HSL 302.05, 0.47%, 0.37%

LAB 36.81, 48.43, -29.6

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 64 / 0 / 49 / 46

HEX #328A46

RGB 50 138 70

HSL 133.64, 0.47%, 0.37%

LAB 51.03, -41.57, 28.74

 

CMYK 62 / 64 / 0 / 46

HEX #34328A

RGB 52 50 138

HSL 241.36, 0.47%, 0.37%

LAB 26.29, 28.72, -48.9

 

CMYK 0 / 64 / 14 / 46

HEX #8A3276

RGB 138 50 118

HSL 313.64, 0.47%, 0.37%

LAB 35.97, 45.54, -20.35

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 64 / 0 / 30 / 46

HEX #328A61

RGB 50 138 97

HSL 152.05, 0.47%, 0.37%

LAB 51.52, -36.34, 14.39

 

CMYK 62 / 64 / 0 / 46

HEX #34328A

RGB 52 50 138

HSL 241.36, 0.47%, 0.37%

LAB 26.29, 28.72, -48.9

 

CMYK 0 / 64 / 34 / 46

HEX #8A325B

RGB 138 50 91

HSL 332.05, 0.47%, 0.37%

LAB 34.88, 41.62, -4.89

 

Description

Color code: HEX #868A32 | qconv.com Color code: HEX #868A32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 138 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 138 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 64 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 64% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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