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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868FA6 it is the complementary color #797059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868FA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #868FA6 shade: #8B8FA1, #9CA1B4, #ADB3C7, #BEC5DA and #CFD7ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868FA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #868FA6 shade: #868FA6, #757D93, #646B80, #53596D and #42475A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #868FA6 shade: #868FA6, #8687A6, #8E86A6, #9786A6 and #9F86A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #868FA6 shade: #868FA6, #8687A6 and #8686A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #868FA6 shade matches the following richer shades: #868FA6, #7588B7, #6480C7, #5479D8 and #4371E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #868FA6 shade: #868FA6, #979695, #A89E84, #B9A573 and #CAAD62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #868FA6 shade: #86A0A6, #8698A6, #868FA6, #8687A6 and #8E86A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #868FA6 shade: #5C667D, #6F7994, #868FA6, #9EA5B7 and #B6BBC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #868FA6 shade: #868FA6, #A386A6 and #9CA686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #868FA6 shade: #868FA6, #A6868F and #8FA686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #868FA6 shade: #868FA6, #A386A6, #A69D86 and #89A686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #868FA6 shade: #868FA6, #A6869F, #A69D86 and #86A68D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

Complementary color

CMYK 0 / 7 / 26 / 53

HEX #797059

RGB 121 112 89

HSL 43.13, 0.15%, 0.41%

LAB 47.46, -0.48, 14.08

 

CMYK 14 / 11 / 0 / 37

HEX #8B8FA1

RGB 139 143 161

HSL 229.09, 0.1%, 0.59%

LAB 59.62, 2.33, -9.99

 

CMYK 13 / 11 / 0 / 29

HEX #9CA1B4

RGB 156 161 180

HSL 227.5, 0.14%, 0.66%

LAB 66.41, 2.13, -10.42

 

CMYK 13 / 10 / 0 / 22

HEX #ADB3C7

RGB 173 179 199

HSL 226.15, 0.19%, 0.73%

LAB 73.05, 1.94, -10.85

 

CMYK 13 / 10 / 0 / 15

HEX #BEC5DA

RGB 190 197 218

HSL 225, 0.27%, 0.8%

LAB 79.58, 1.76, -11.28

 

CMYK 13 / 9 / 0 / 7

HEX #CFD7ED

RGB 207 215 237

HSL 224, 0.45%, 0.87%

LAB 86, 1.59, -11.7

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 20 / 15 / 0 / 42

HEX #757D93

RGB 117 125 147

HSL 224, 0.12%, 0.52%

LAB 52.46, 1.99, -12.86

 

CMYK 22 / 16 / 0 / 50

HEX #646B80

RGB 100 107 128

HSL 225, 0.12%, 0.45%

LAB 45.34, 2.23, -12.52

 

CMYK 24 / 18 / 0 / 57

HEX #53596D

RGB 83 89 109

HSL 226.15, 0.14%, 0.38%

LAB 38, 2.5, -12.2

 

CMYK 27 / 21 / 0 / 65

HEX #42475A

RGB 66 71 90

HSL 227.5, 0.15%, 0.31%

LAB 30.41, 2.81, -11.92

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 19 / 19 / 0 / 35

HEX #8687A6

RGB 134 135 166

HSL 238.13, 0.15%, 0.59%

LAB 57.22, 6.36, -16.51

 

CMYK 14 / 19 / 0 / 35

HEX #8E86A6

RGB 142 134 166

HSL 255, 0.15%, 0.59%

LAB 57.61, 9.61, -15.85

 

CMYK 9 / 19 / 0 / 35

HEX #9786A6

RGB 151 134 166

HSL 271.88, 0.15%, 0.59%

LAB 58.4, 12.68, -14.59

 

CMYK 4 / 19 / 0 / 35

HEX #9F86A6

RGB 159 134 166

HSL 286.88, 0.15%, 0.59%

LAB 59.14, 15.46, -13.4

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 19 / 19 / 0 / 35

HEX #8687A6

RGB 134 135 166

HSL 238.13, 0.15%, 0.59%

LAB 57.22, 6.36, -16.51

 

CMYK 19 / 19 / 0 / 35

HEX #8686A6

RGB 134 134 166

HSL 240, 0.15%, 0.59%

LAB 56.95, 6.94, -16.92

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 36 / 26 / 0 / 28

HEX #7588B7

RGB 117 136 183

HSL 222.73, 0.31%, 0.59%

LAB 56.89, 4.84, -26.85

 

CMYK 50 / 36 / 0 / 22

HEX #6480C7

RGB 100 128 199

HSL 223.03, 0.47%, 0.59%

LAB 54.31, 9.78, -40.06

 

CMYK 61 / 44 / 0 / 15

HEX #5479D8

RGB 84 121 216

HSL 223.18, 0.63%, 0.59%

LAB 52.42, 16.17, -52.76

 

CMYK 71 / 52 / 0 / 9

HEX #4371E9

RGB 67 113 233

HSL 223.37, 0.79%, 0.59%

LAB 50.55, 24.38, -65.37

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 0 / 1 / 1 / 41

HEX #979695

RGB 151 150 149

HSL 30, 0.01%, 0.59%

LAB 62.14, 0.18, 0.65

 

CMYK 0 / 6 / 21 / 34

HEX #A89E84

RGB 168 158 132

HSL 43.33, 0.17%, 0.59%

LAB 65.31, -0.71, 14.91

 

CMYK 0 / 11 / 38 / 27

HEX #B9A573

RGB 185 165 115

HSL 42.86, 0.33%, 0.59%

LAB 68.36, -0, 28.59

 

CMYK 0 / 14 / 51 / 21

HEX #CAAD62

RGB 202 173 98

HSL 43.27, 0.5%, 0.59%

LAB 71.78, 0.99, 42.12

 

CMYK 19 / 4 / 0 / 35

HEX #86A0A6

RGB 134 160 166

HSL 191.25, 0.15%, 0.59%

LAB 64.13, -7.69, -6.14

 

CMYK 19 / 8 / 0 / 35

HEX #8698A6

RGB 134 152 166

HSL 206.25, 0.15%, 0.59%

LAB 61.89, -3.28, -9.47

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 19 / 19 / 0 / 35

HEX #8687A6

RGB 134 135 166

HSL 238.13, 0.15%, 0.59%

LAB 57.22, 6.36, -16.51

 

CMYK 14 / 19 / 0 / 35

HEX #8E86A6

RGB 142 134 166

HSL 255, 0.15%, 0.59%

LAB 57.61, 9.61, -15.85

 

CMYK 26 / 18 / 0 / 51

HEX #5C667D

RGB 92 102 125

HSL 221.82, 0.15%, 0.43%

LAB 43.15, 1.77, -14.09

 

CMYK 25 / 18 / 0 / 42

HEX #6F7994

RGB 111 121 148

HSL 223.78, 0.15%, 0.51%

LAB 50.91, 2.59, -15.83

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 9 / 7 / 0 / 21

HEX #B6BBC9

RGB 182 187 201

HSL 224.21, 0.15%, 0.75%

LAB 75.89, 1.01, -7.65

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 2 / 19 / 0 / 35

HEX #A386A6

RGB 163 134 166

HSL 294.38, 0.15%, 0.59%

LAB 59.52, 16.86, -12.79

 

CMYK 6 / 0 / 19 / 35

HEX #9CA686

RGB 156 166 134

HSL 78.75, 0.15%, 0.59%

LAB 66.57, -9.33, 15.41

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 0 / 19 / 14 / 35

HEX #A6868F

RGB 166 134 143

HSL 343.13, 0.15%, 0.59%

LAB 59.1, 13.69, -0.2

 

CMYK 14 / 0 / 19 / 35

HEX #8FA686

RGB 143 166 134

HSL 103.13, 0.15%, 0.59%

LAB 65.62, -14.17, 13.94

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 2 / 19 / 0 / 35

HEX #A386A6

RGB 163 134 166

HSL 294.38, 0.15%, 0.59%

LAB 59.52, 16.86, -12.79

 

CMYK 0 / 5 / 19 / 35

HEX #A69D86

RGB 166 157 134

HSL 43.13, 0.15%, 0.59%

LAB 64.92, -0.63, 13.22

 

CMYK 17 / 0 / 19 / 35

HEX #89A686

RGB 137 166 134

HSL 114.38, 0.15%, 0.59%

LAB 65.21, -16.34, 13.31

 

CMYK 19 / 14 / 0 / 35

HEX #868FA6

RGB 134 143 166

HSL 223.13, 0.15%, 0.59%

LAB 59.4, 1.78, -13.21

 

CMYK 0 / 19 / 4 / 35

HEX #A6869F

RGB 166 134 159

HSL 313.13, 0.15%, 0.59%

LAB 59.58, 16.57, -8.66

 

CMYK 0 / 5 / 19 / 35

HEX #A69D86

RGB 166 157 134

HSL 43.13, 0.15%, 0.59%

LAB 64.92, -0.63, 13.22

 

CMYK 19 / 0 / 15 / 35

HEX #86A68D

RGB 134 166 141

HSL 133.13, 0.15%, 0.59%

LAB 65.17, -16.1, 9.34

 

Description

Color code: HEX #868FA6 | qconv.com Color code: HEX #868FA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 143 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 143 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 14 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 14% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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