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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #869419 it is the complementary color #796BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #869419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #869419 shade: #8B9414, #9CA627, #ADB83A, #BECA4D and #CFDC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #869419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #869419 shade: #869419, #758206, #647000, #535E00 and #424C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #869419 shade: #869419, #948119, #945F19, #943E19 and #941D19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #869419 shade: #869419, #659419, #439419, #229419 and #199430

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #869419 shade matches the following richer shades: #869419 and #91A20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #869419 shade: #869419, #7B8627, #707835, #656A43 and #5A5C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #869419 shade: #945E19, #947F19, #879419, #679419 and #469419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #869419 shade: #464D0D, #667013, #869419, #A6B71F and #C5DA25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #869419 shade: #869419, #19943E and #6F1994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #869419 shade: #869419, #198794 and #941987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #869419 shade: #869419, #19943E, #251994 and #94196F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #869419 shade: #869419, #199463, #251994 and #94194A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

Complementary color

CMYK 47 / 53 / 0 / 10

HEX #796BE6

RGB 121 107 230

HSL 246.83, 0.71%, 0.66%

LAB 52.17, 36.58, -60.91

 

CMYK 6 / 0 / 86 / 42

HEX #8B9414

RGB 139 148 20

HSL 64.22, 0.76%, 0.33%

LAB 58.71, -18.04, 58.69

 

CMYK 6 / 0 / 77 / 35

HEX #9CA627

RGB 156 166 39

HSL 64.72, 0.62%, 0.4%

LAB 65.35, -19.08, 59.7

 

CMYK 6 / 0 / 68 / 28

HEX #ADB83A

RGB 173 184 58

HSL 65.24, 0.52%, 0.47%

LAB 71.87, -19.91, 59.67

 

CMYK 6 / 0 / 62 / 21

HEX #BECA4D

RGB 190 202 77

HSL 65.76, 0.54%, 0.55%

LAB 78.3, -20.57, 59.09

 

CMYK 6 / 0 / 56 / 14

HEX #CFDC60

RGB 207 220 96

HSL 66.29, 0.64%, 0.62%

LAB 84.64, -21.11, 58.23

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 10 / 0 / 95 / 49

HEX #758206

RGB 117 130 6

HSL 66.29, 0.91%, 0.27%

LAB 51.57, -18.93, 54.92

 

CMYK 11 / 0 / 100 / 56

HEX #647000

RGB 100 112 0

HSL 66.43, 1%, 0.22%

LAB 44.66, -17.42, 50.3

 

CMYK 12 / 0 / 100 / 63

HEX #535E00

RGB 83 94 0

HSL 67.02, 1%, 0.18%

LAB 37.56, -15.75, 44.39

 

CMYK 13 / 0 / 100 / 70

HEX #424C00

RGB 66 76 0

HSL 67.89, 1%, 0.15%

LAB 30.22, -14.02, 38.28

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 0 / 13 / 83 / 42

HEX #948119

RGB 148 129 25

HSL 50.73, 0.71%, 0.34%

LAB 54.1, -3.57, 53.76

 

CMYK 0 / 36 / 83 / 42

HEX #945F19

RGB 148 95 25

HSL 34.15, 0.71%, 0.34%

LAB 45.01, 15.83, 45.74

 

CMYK 0 / 58 / 83 / 42

HEX #943E19

RGB 148 62 25

HSL 18.05, 0.71%, 0.34%

LAB 37.5, 34.14, 38.87

 

CMYK 0 / 80 / 83 / 42

HEX #941D19

RGB 148 29 25

HSL 1.95, 0.71%, 0.34%

LAB 32.36, 48.03, 33.96

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 32 / 0 / 83 / 42

HEX #659419

RGB 101 148 25

HSL 82.93, 0.71%, 0.34%

LAB 56.1, -33.96, 54.13

 

CMYK 55 / 0 / 83 / 42

HEX #439419

RGB 67 148 25

HSL 99.51, 0.71%, 0.34%

LAB 54.49, -45.71, 52.08

 

CMYK 77 / 0 / 83 / 42

HEX #229419

RGB 34 148 25

HSL 115.61, 0.71%, 0.34%

LAB 53.59, -53.19, 50.91

 

CMYK 83 / 0 / 68 / 42

HEX #199430

RGB 25 148 48

HSL 131.22, 0.71%, 0.34%

LAB 53.6, -52.53, 42.41

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 10 / 0 / 93 / 36

HEX #91A20B

RGB 145 162 11

HSL 66.75, 0.87%, 0.34%

LAB 63.25, -22.69, 64.2

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 8 / 0 / 71 / 47

HEX #7B8627

RGB 123 134 39

HSL 66.95, 0.55%, 0.34%

LAB 53.39, -17.06, 47.3

 

CMYK 7 / 0 / 56 / 53

HEX #707835

RGB 112 120 53

HSL 67.16, 0.39%, 0.34%

LAB 48.43, -13.4, 35.25

 

CMYK 5 / 0 / 37 / 58

HEX #656A43

RGB 101 106 67

HSL 67.69, 0.23%, 0.34%

LAB 43.48, -8.83, 21.28

 

CMYK 2 / 0 / 12 / 64

HEX #5A5C51

RGB 90 92 81

HSL 70.91, 0.06%, 0.34%

LAB 38.59, -3.02, 6.06

 

CMYK 0 / 36 / 83 / 42

HEX #945E19

RGB 148 94 25

HSL 33.66, 0.71%, 0.34%

LAB 44.76, 16.41, 45.52

 

CMYK 0 / 14 / 83 / 42

HEX #947F19

RGB 148 127 25

HSL 49.76, 0.71%, 0.34%

LAB 53.54, -2.46, 53.27

 

CMYK 9 / 0 / 83 / 42

HEX #879419

RGB 135 148 25

HSL 66.34, 0.71%, 0.34%

LAB 58.42, -19.66, 57.06

 

CMYK 30 / 0 / 83 / 42

HEX #679419

RGB 103 148 25

HSL 81.95, 0.71%, 0.34%

LAB 56.22, -33.17, 54.28

 

CMYK 53 / 0 / 83 / 42

HEX #469419

RGB 70 148 25

HSL 98.05, 0.71%, 0.34%

LAB 54.61, -44.82, 52.22

 

CMYK 9 / 0 / 83 / 70

HEX #464D0D

RGB 70 77 13

HSL 66.56, 0.71%, 0.18%

LAB 30.97, -12.01, 34.29

 

CMYK 9 / 0 / 83 / 56

HEX #667013

RGB 102 112 19

HSL 66.45, 0.71%, 0.26%

LAB 44.89, -15.92, 45.89

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 9 / 0 / 83 / 28

HEX #A6B71F

RGB 166 183 31

HSL 66.71, 0.71%, 0.42%

LAB 70.92, -23.57, 67.22

 

CMYK 10 / 0 / 83 / 15

HEX #C5DA25

RGB 197 218 37

HSL 66.96, 0.71%, 0.5%

LAB 82.99, -27.33, 76.98

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 83 / 0 / 58 / 42

HEX #19943E

RGB 25 148 62

HSL 138.05, 0.71%, 0.34%

LAB 53.74, -50.76, 36.04

 

CMYK 25 / 83 / 0 / 42

HEX #6F1994

RGB 111 25 148

HSL 281.95, 0.71%, 0.34%

LAB 29.94, 54.52, -48.83

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 83 / 9 / 0 / 42

HEX #198794

RGB 25 135 148

HSL 186.34, 0.71%, 0.34%

LAB 51.47, -24.19, -15.33

 

CMYK 0 / 83 / 9 / 42

HEX #941987

RGB 148 25 135

HSL 306.34, 0.71%, 0.34%

LAB 35.48, 59.45, -31.58

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 83 / 0 / 58 / 42

HEX #19943E

RGB 25 148 62

HSL 138.05, 0.71%, 0.34%

LAB 53.74, -50.76, 36.04

 

CMYK 75 / 83 / 0 / 42

HEX #251994

RGB 37 25 148

HSL 245.85, 0.71%, 0.34%

LAB 20.93, 44.83, -63.96

 

CMYK 0 / 83 / 25 / 42

HEX #94196F

RGB 148 25 111

HSL 318.05, 0.71%, 0.34%

LAB 34.27, 56.07, -18.42

 

CMYK 9 / 0 / 83 / 42

HEX #869419

RGB 134 148 25

HSL 66.83, 0.71%, 0.34%

LAB 58.34, -20.1, 56.96

 

CMYK 83 / 0 / 33 / 42

HEX #199463

RGB 25 148 99

HSL 156.1, 0.71%, 0.34%

LAB 54.33, -43.94, 17.04

 

CMYK 75 / 83 / 0 / 42

HEX #251994

RGB 37 25 148

HSL 245.85, 0.71%, 0.34%

LAB 20.93, 44.83, -63.96

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

Description

Color code: HEX #869419 | qconv.com Color code: HEX #869419 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 148 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 148 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 83 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 83% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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