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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8694B0 it is the complementary color #796B4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8694B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8694B0 shade: #8B94AB, #9CA6BE, #ADB8D1, #BECAE4 and #CFDCF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8694B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8694B0 shade: #8694B0, #75829D, #64708A, #535E77 and #424C64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8694B0 shade: #8694B0, #8689B0, #8F86B0, #9A86B0 and #A586B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8694B0 shade: #8694B0, #8689B0 and #8686B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8694B0 shade matches the following richer shades: #8694B0, #768FC0, #6689D0, #5684E0 and #467FF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8694B0 shade: #8694B0, #9699A0, #A69F90, #B6A480 and #C7AA70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8694B0 shade: #86AAB0, #869FB0, #8694B0, #8689B0 and #8F86B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8694B0 shade: #5A6A8A, #6D7EA0, #8694B0, #9FAAC0 and #B8C0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8694B0 shade: #8694B0, #AA86B0 and #A5B086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8694B0 shade: #8694B0, #B08694 and #94B086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8694B0 shade: #8694B0, #AA86B0, #B0A286 and #8CB086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8694B0 shade: #8694B0, #B086A9, #B0A286 and #86B08D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

Complementary color

CMYK 0 / 12 / 35 / 53

HEX #796B4F

RGB 121 107 79

HSL 40, 0.21%, 0.39%

LAB 45.83, 0.98, 17.74

 

CMYK 19 / 13 / 0 / 33

HEX #8B94AB

RGB 139 148 171

HSL 223.13, 0.16%, 0.61%

LAB 61.32, 1.75, -13.13

 

CMYK 18 / 13 / 0 / 25

HEX #9CA6BE

RGB 156 166 190

HSL 222.35, 0.21%, 0.68%

LAB 68.06, 1.56, -13.5

 

CMYK 17 / 12 / 0 / 18

HEX #ADB8D1

RGB 173 184 209

HSL 221.67, 0.28%, 0.75%

LAB 74.68, 1.37, -13.87

 

CMYK 17 / 11 / 0 / 11

HEX #BECAE4

RGB 190 202 228

HSL 221.05, 0.41%, 0.82%

LAB 81.18, 1.2, -14.25

 

CMYK 16 / 11 / 0 / 3

HEX #CFDCF7

RGB 207 220 247

HSL 220.5, 0.71%, 0.89%

LAB 87.57, 1.03, -14.63

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 25 / 17 / 0 / 38

HEX #75829D

RGB 117 130 157

HSL 220.5, 0.17%, 0.54%

LAB 54.22, 1.53, -16

 

CMYK 28 / 19 / 0 / 46

HEX #64708A

RGB 100 112 138

HSL 221.05, 0.16%, 0.47%

LAB 47.15, 1.78, -15.73

 

CMYK 30 / 21 / 0 / 53

HEX #535E77

RGB 83 94 119

HSL 221.67, 0.18%, 0.4%

LAB 39.88, 2.08, -15.49

 

CMYK 34 / 24 / 0 / 61

HEX #424C64

RGB 66 76 100

HSL 222.35, 0.2%, 0.33%

LAB 32.36, 2.42, -15.3

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 24 / 22 / 0 / 31

HEX #8689B0

RGB 134 137 176

HSL 235.71, 0.21%, 0.61%

LAB 58.13, 7.6, -20.85

 

CMYK 19 / 24 / 0 / 31

HEX #8F86B0

RGB 143 134 176

HSL 252.86, 0.21%, 0.61%

LAB 58.06, 12.23, -20.88

 

CMYK 13 / 24 / 0 / 31

HEX #9A86B0

RGB 154 134 176

HSL 268.57, 0.21%, 0.61%

LAB 59.03, 15.86, -19.33

 

CMYK 6 / 24 / 0 / 31

HEX #A586B0

RGB 165 134 176

HSL 284.29, 0.21%, 0.61%

LAB 60.05, 19.57, -17.66

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 24 / 22 / 0 / 31

HEX #8689B0

RGB 134 137 176

HSL 235.71, 0.21%, 0.61%

LAB 58.13, 7.6, -20.85

 

CMYK 24 / 24 / 0 / 31

HEX #8686B0

RGB 134 134 176

HSL 240, 0.21%, 0.61%

LAB 57.32, 9.34, -22.08

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 39 / 26 / 0 / 25

HEX #768FC0

RGB 118 143 192

HSL 219.73, 0.37%, 0.61%

LAB 59.25, 3.54, -28.3

 

CMYK 51 / 34 / 0 / 18

HEX #6689D0

RGB 102 137 208

HSL 220.19, 0.53%, 0.61%

LAB 57.34, 7.67, -40.38

 

CMYK 62 / 41 / 0 / 12

HEX #5684E0

RGB 86 132 224

HSL 220, 0.69%, 0.61%

LAB 55.95, 12.53, -51.62

 

CMYK 71 / 47 / 0 / 6

HEX #467FF0

RGB 70 127 240

HSL 219.88, 0.85%, 0.61%

LAB 54.84, 18.59, -62.36

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 6 / 4 / 0 / 37

HEX #9699A0

RGB 150 153 160

HSL 222, 0.05%, 0.61%

LAB 63.18, 0.32, -4.04

 

CMYK 0 / 4 / 13 / 35

HEX #A69F90

RGB 166 159 144

HSL 40.91, 0.11%, 0.61%

LAB 65.68, -0.1, 8.73

 

CMYK 0 / 10 / 30 / 29

HEX #B6A480

RGB 182 164 128

HSL 40, 0.27%, 0.61%

LAB 68.06, 0.98, 21.1

 

CMYK 0 / 15 / 44 / 22

HEX #C7AA70

RGB 199 170 112

HSL 40, 0.44%, 0.61%

LAB 70.91, 2.71, 33.76

 

CMYK 24 / 3 / 0 / 31

HEX #86AAB0

RGB 134 170 176

HSL 188.57, 0.21%, 0.61%

LAB 67.24, -10.81, -7.11

 

CMYK 24 / 10 / 0 / 31

HEX #869FB0

RGB 134 159 176

HSL 204.29, 0.21%, 0.61%

LAB 64.16, -4.84, -11.71

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 24 / 22 / 0 / 31

HEX #8689B0

RGB 134 137 176

HSL 235.71, 0.21%, 0.61%

LAB 58.13, 7.6, -20.85

 

CMYK 19 / 24 / 0 / 31

HEX #8F86B0

RGB 143 134 176

HSL 252.86, 0.21%, 0.61%

LAB 58.06, 12.23, -20.88

 

CMYK 35 / 23 / 0 / 46

HEX #5A6A8A

RGB 90 106 138

HSL 220, 0.21%, 0.45%

LAB 44.68, 2.23, -19.57

 

CMYK 32 / 21 / 0 / 37

HEX #6D7EA0

RGB 109 126 160

HSL 220, 0.21%, 0.53%

LAB 52.63, 2.13, -20.22

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 17 / 11 / 0 / 25

HEX #9FAAC0

RGB 159 170 192

HSL 220, 0.21%, 0.69%

LAB 69.42, 0.77, -12.55

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D1

RGB 184 192 209

HSL 220.8, 0.21%, 0.77%

LAB 77.57, 0.63, -9.46

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 3 / 24 / 0 / 31

HEX #AA86B0

RGB 170 134 176

HSL 291.43, 0.21%, 0.61%

LAB 60.54, 21.28, -16.88

 

CMYK 6 / 0 / 24 / 31

HEX #A5B086

RGB 165 176 134

HSL 75.71, 0.21%, 0.61%

LAB 70.02, -11.2, 20.28

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 0 / 24 / 16 / 31

HEX #B08694

RGB 176 134 148

HSL 340, 0.21%, 0.61%

LAB 60.26, 18.29, -1.24

 

CMYK 16 / 0 / 24 / 31

HEX #94B086

RGB 148 176 134

HSL 100, 0.21%, 0.61%

LAB 68.8, -17.53, 18.41

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 3 / 24 / 0 / 31

HEX #AA86B0

RGB 170 134 176

HSL 291.43, 0.21%, 0.61%

LAB 60.54, 21.28, -16.88

 

CMYK 0 / 8 / 24 / 31

HEX #B0A286

RGB 176 162 134

HSL 40, 0.21%, 0.61%

LAB 67.12, 0.54, 16.43

 

CMYK 20 / 0 / 24 / 31

HEX #8CB086

RGB 140 176 134

HSL 111.43, 0.21%, 0.61%

LAB 68.28, -20.41, 17.61

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 0 / 24 / 4 / 31

HEX #B086A9

RGB 176 134 169

HSL 310, 0.21%, 0.61%

LAB 60.91, 22, -12.28

 

CMYK 0 / 8 / 24 / 31

HEX #B0A286

RGB 176 162 134

HSL 40, 0.21%, 0.61%

LAB 67.12, 0.54, 16.43

 

CMYK 24 / 0 / 20 / 31

HEX #86B08D

RGB 134 176 141

HSL 130, 0.21%, 0.61%

LAB 68.05, -21.24, 13.41

 

Description

Color code: HEX #8694B0 | qconv.com Color code: HEX #8694B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 148 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 148 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 16 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 16% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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