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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #869EC0 it is the complementary color #79613F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #869EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #869EC0 shade: #8B9EBB, #9CB0CE, #ADC2E1, #BED4F4 and #CFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #869EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #869EC0 shade: #869EC0, #758CAD, #647A9A, #536887 and #425674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #869EC0 shade: #859EC0, #858EC0, #8D85C0, #9D85C0 and #AC85C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #869EC0 shade: #859EC0, #858EC0 and #8585C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #869EC0 shade matches the following richer shades: #859EC0, #769BCF, #6899DE, #5996ED and #4A93FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #869EC0 shade: #859EC0, #94A0B1, #A3A3A2, #B2A594 and #C1A885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #869EC0 shade: #85BDC0, #85ADC0, #859EC0, #858EC0 and #8C85C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #869EC0 shade: #5273A0, #6A88B2, #859EC0, #A1B3CE and #BCC9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #869EC0 shade: #869EC0, #B385C0 and #B5C085

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #869EC0 shade: #869EC0, #C0859E and #9EC085

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #869EC0 shade: #869EC0, #B385C0, #C0A885 and #92C085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #869EC0 shade: #869EC0, #C085BB, #C0A885 and #85C08A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

Complementary color

CMYK 0 / 20 / 48 / 53

HEX #79613F

RGB 121 97 63

HSL 35.17, 0.32%, 0.36%

LAB 42.72, 4.88, 23.01

 

CMYK 26 / 16 / 0 / 27

HEX #8B9EBB

RGB 139 158 187

HSL 216.25, 0.26%, 0.64%

LAB 64.59, -0.09, -17.19

 

CMYK 24 / 15 / 0 / 19

HEX #9CB0CE

RGB 156 176 206

HSL 216, 0.34%, 0.71%

LAB 71.27, -0.28, -17.5

 

CMYK 23 / 14 / 0 / 12

HEX #ADC2E1

RGB 173 194 225

HSL 215.77, 0.46%, 0.78%

LAB 77.82, -0.45, -17.81

 

CMYK 22 / 13 / 0 / 4

HEX #BED4F4

RGB 190 212 244

HSL 215.56, 0.71%, 0.85%

LAB 84.26, -0.61, -18.14

 

CMYK 19 / 10 / 0 / 0

HEX #CFE6FF

RGB 207 230 255

HSL 211.25, 1%, 0.91%

LAB 90.36, -2.48, -14.65

 

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

CMYK 32 / 19 / 0 / 32

HEX #758CAD

RGB 117 140 173

HSL 215.36, 0.25%, 0.57%

LAB 57.61, -0.14, -20.03

 

CMYK 35 / 21 / 0 / 40

HEX #647A9A

RGB 100 122 154

HSL 215.56, 0.21%, 0.5%

LAB 50.64, 0.14, -19.82

 

CMYK 39 / 23 / 0 / 47

HEX #536887

RGB 83 104 135

HSL 215.77, 0.24%, 0.43%

LAB 43.49, 0.47, -19.65

 

CMYK 43 / 26 / 0 / 55

HEX #425674

RGB 66 86 116

HSL 216, 0.27%, 0.36%

LAB 36.13, 0.88, -19.51

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 31 / 26 / 0 / 25

HEX #858EC0

RGB 133 142 192

HSL 230.85, 0.32%, 0.64%

LAB 60.01, 8.42, -27.04

 

CMYK 27 / 31 / 0 / 25

HEX #8D85C0

RGB 141 133 192

HSL 248.14, 0.32%, 0.64%

LAB 58.27, 16.05, -29.69

 

CMYK 18 / 31 / 0 / 25

HEX #9D85C0

RGB 157 133 192

HSL 264.41, 0.32%, 0.64%

LAB 59.66, 21.01, -27.42

 

CMYK 10 / 31 / 0 / 25

HEX #AC85C0

RGB 172 133 192

HSL 279.66, 0.32%, 0.64%

LAB 61.09, 25.81, -25.1

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 31 / 26 / 0 / 25

HEX #858EC0

RGB 133 142 192

HSL 230.85, 0.32%, 0.64%

LAB 60.01, 8.42, -27.04

 

CMYK 31 / 31 / 0 / 25

HEX #8585C0

RGB 133 133 192

HSL 240, 0.32%, 0.64%

LAB 57.62, 13.65, -30.73

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 43 / 25 / 0 / 19

HEX #769BCF

RGB 118 155 207

HSL 215.06, 0.48%, 0.64%

LAB 63.18, 0.87, -30.64

 

CMYK 53 / 31 / 0 / 13

HEX #6899DE

RGB 104 153 222

HSL 215.08, 0.64%, 0.64%

LAB 62.51, 3.11, -40.08

 

CMYK 62 / 37 / 0 / 7

HEX #5996ED

RGB 89 150 237

HSL 215.27, 0.8%, 0.64%

LAB 61.7, 6.7, -49.7

 

CMYK 71 / 41 / 0 / 2

HEX #4A93FB

RGB 74 147 251

HSL 215.25, 0.96%, 0.64%

LAB 61.04, 10.9, -58.49

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 16 / 10 / 0 / 31

HEX #94A0B1

RGB 148 160 177

HSL 215.17, 0.16%, 0.64%

LAB 65.45, -0.63, -10.24

 

CMYK 0 / 0 / 1 / 36

HEX #A3A3A2

RGB 163 163 162

HSL 60, 0.01%, 0.64%

LAB 66.97, -0.19, 0.51

 

CMYK 0 / 7 / 17 / 30

HEX #B2A594

RGB 178 165 148

HSL 34, 0.16%, 0.64%

LAB 68.4, 1.83, 10.51

 

CMYK 0 / 13 / 31 / 24

HEX #C1A885

RGB 193 168 133

HSL 35, 0.33%, 0.64%

LAB 70.2, 3.85, 21.45

 

CMYK 31 / 2 / 0 / 25

HEX #85BDC0

RGB 133 189 192

HSL 183.05, 0.32%, 0.64%

LAB 73.02, -17.34, -7.36

 

CMYK 31 / 10 / 0 / 25

HEX #85ADC0

RGB 133 173 192

HSL 199.32, 0.32%, 0.64%

LAB 68.52, -8.91, -14.08

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 31 / 26 / 0 / 25

HEX #858EC0

RGB 133 142 192

HSL 230.85, 0.32%, 0.64%

LAB 60.01, 8.42, -27.04

 

CMYK 27 / 31 / 0 / 25

HEX #8C85C0

RGB 140 133 192

HSL 247.12, 0.32%, 0.64%

LAB 58.19, 15.75, -29.82

 

CMYK 49 / 28 / 0 / 37

HEX #5273A0

RGB 82 115 160

HSL 214.62, 0.32%, 0.47%

LAB 47.74, 1.06, -27.9

 

CMYK 40 / 24 / 0 / 30

HEX #6A88B2

RGB 106 136 178

HSL 215, 0.32%, 0.56%

LAB 55.97, 0.36, -25.46

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 22 / 13 / 0 / 19

HEX #A1B3CE

RGB 161 179 206

HSL 216, 0.31%, 0.72%

LAB 72.41, -0.37, -15.73

 

CMYK 15 / 9 / 0 / 14

HEX #BCC9DC

RGB 188 201 220

HSL 215.63, 0.31%, 0.8%

LAB 80.53, -0.59, -10.94

 

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

CMYK 7 / 31 / 0 / 25

HEX #B385C0

RGB 179 133 192

HSL 286.78, 0.32%, 0.64%

LAB 61.8, 28.08, -23.95

 

CMYK 6 / 0 / 31 / 25

HEX #B5C085

RGB 181 192 133

HSL 71.19, 0.32%, 0.64%

LAB 75.59, -13.51, 28.54

 

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

CMYK 0 / 31 / 18 / 25

HEX #C0859E

RGB 192 133 158

HSL 334.58, 0.32%, 0.64%

LAB 62.04, 26.37, -4.14

 

CMYK 18 / 0 / 31 / 25

HEX #9EC085

RGB 158 192 133

HSL 94.58, 0.32%, 0.64%

LAB 73.97, -22.13, 26.1

 

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

CMYK 7 / 31 / 0 / 25

HEX #B385C0

RGB 179 133 192

HSL 286.78, 0.32%, 0.64%

LAB 61.8, 28.08, -23.95

 

CMYK 0 / 13 / 31 / 25

HEX #C0A885

RGB 192 168 133

HSL 35.59, 0.32%, 0.64%

LAB 70.11, 3.45, 21.31

 

CMYK 24 / 0 / 31 / 25

HEX #92C085

RGB 146 192 133

HSL 106.78, 0.32%, 0.64%

LAB 73.22, -26.41, 24.96

 

CMYK 30 / 18 / 0 / 25

HEX #869EC0

RGB 134 158 192

HSL 215.17, 0.32%, 0.64%

LAB 64.43, -0.38, -20.27

 

CMYK 0 / 31 / 3 / 25

HEX #C085BB

RGB 192 133 187

HSL 305.08, 0.32%, 0.64%

LAB 62.99, 31.39, -19.19

 

CMYK 0 / 13 / 31 / 25

HEX #C0A885

RGB 192 168 133

HSL 35.59, 0.32%, 0.64%

LAB 70.11, 3.45, 21.31

 

CMYK 31 / 0 / 28 / 25

HEX #85C08A

RGB 133 192 138

HSL 125.08, 0.32%, 0.64%

LAB 72.58, -29.98, 21.3

 

Description

Color code: HEX #869EC0 | qconv.com Color code: HEX #869EC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 158 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 158 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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