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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86A2D9 it is the complementary color #795D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86A2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86A2D9 shade: #8BA2D4, #9CB4E7, #ADC6FA, #BED8FF and #CFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86A2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86A2D9 shade: #86A2D9, #7590C6, #647EB3, #536CA0 and #425A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86A2D9 shade: #86A2D9, #868CD9, #9786D9, #AD86D9 and #C386D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86A2D9 shade: #86A2D9, #868CD9 and #8686D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86A2D9 shade matches the following richer shades: #86A2D9, #7A9EE5 and #6D9AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86A2D9 shade: #86A2D9, #93A6CC, #A0AABF, #ADAFB2 and #BAB3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86A2D9 shade: #86CFD9, #86B9D9, #86A3D9, #868DD9 and #9586D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86A2D9 shade: #4872C5, #678ACF, #86A2D9, #A6BAE2 and #C5D2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86A2D9 shade: #86A2D9, #CC86D9 and #C4D986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86A2D9 shade: #86A2D9, #D986A3 and #A3D986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86A2D9 shade: #86A2D9, #CC86D9, #D9BC86 and #93D986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86A2D9 shade: #86A2D9, #D986CC, #D9BC86 and #86D993

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

Complementary color

CMYK 0 / 23 / 69 / 53

HEX #795D26

RGB 121 93 38

HSL 39.76, 0.52%, 0.31%

LAB 41.27, 5.02, 35.05

 

CMYK 34 / 24 / 0 / 17

HEX #8BA2D4

RGB 139 162 212

HSL 221.1, 0.46%, 0.69%

LAB 66.58, 3.95, -28.05

 

CMYK 32 / 22 / 0 / 9

HEX #9CB4E7

RGB 156 180 231

HSL 220.8, 0.61%, 0.76%

LAB 73.21, 3.61, -28.18

 

CMYK 31 / 21 / 0 / 2

HEX #ADC6FA

RGB 173 198 250

HSL 220.52, 0.89%, 0.83%

LAB 79.71, 3.3, -28.34

 

CMYK 25 / 15 / 0 / 0

HEX #BED8FF

RGB 190 216 255

HSL 216, 1%, 0.87%

LAB 85.64, -0.24, -21.86

 

CMYK 19 / 8 / 0 / 0

HEX #CFEAFF

RGB 207 234 255

HSL 206.25, 1%, 0.91%

LAB 91.38, -4.54, -13.11

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 41 / 27 / 0 / 22

HEX #7590C6

RGB 117 144 198

HSL 220, 0.42%, 0.62%

LAB 59.71, 4.36, -30.97

 

CMYK 44 / 30 / 0 / 30

HEX #647EB3

RGB 100 126 179

HSL 220.25, 0.34%, 0.55%

LAB 52.82, 4.91, -30.95

 

CMYK 48 / 33 / 0 / 37

HEX #536CA0

RGB 83 108 160

HSL 220.52, 0.32%, 0.48%

LAB 45.77, 5.58, -30.98

 

CMYK 53 / 36 / 0 / 45

HEX #425A8D

RGB 66 90 141

HSL 220.8, 0.36%, 0.41%

LAB 38.54, 6.42, -31.06

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 38 / 35 / 0 / 15

HEX #868CD9

RGB 134 140 217

HSL 235.66, 0.52%, 0.69%

LAB 60.64, 16.55, -40.1

 

CMYK 30 / 38 / 0 / 15

HEX #9786D9

RGB 151 134 217

HSL 252.29, 0.52%, 0.69%

LAB 60.46, 24.7, -40.28

 

CMYK 20 / 38 / 0 / 15

HEX #AD86D9

RGB 173 134 217

HSL 268.19, 0.52%, 0.69%

LAB 62.46, 31.06, -37.01

 

CMYK 10 / 38 / 0 / 15

HEX #C386D9

RGB 195 134 217

HSL 284.1, 0.52%, 0.69%

LAB 64.69, 37.67, -33.36

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 38 / 35 / 0 / 15

HEX #868CD9

RGB 134 140 217

HSL 235.66, 0.52%, 0.69%

LAB 60.64, 16.55, -40.1

 

CMYK 38 / 38 / 0 / 15

HEX #8686D9

RGB 134 134 217

HSL 240, 0.52%, 0.69%

LAB 59.09, 20.06, -42.53

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 47 / 31 / 0 / 10

HEX #7A9EE5

RGB 122 158 229

HSL 219.81, 0.67%, 0.69%

LAB 65.16, 6.48, -39.73

 

CMYK 55 / 36 / 0 / 5

HEX #6D9AF2

RGB 109 154 242

HSL 219.7, 0.84%, 0.69%

LAB 63.98, 9.82, -48.79

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 28 / 19 / 0 / 20

HEX #93A6CC

RGB 147 166 204

HSL 220, 0.36%, 0.69%

LAB 67.9, 2.02, -21.56

 

CMYK 16 / 11 / 0 / 25

HEX #A0AABF

RGB 160 170 191

HSL 220.65, 0.19%, 0.69%

LAB 69.46, 0.88, -11.93

 

CMYK 3 / 2 / 0 / 30

HEX #ADAFB2

RGB 173 175 178

HSL 216, 0.03%, 0.69%

LAB 71.39, -0.13, -1.79

 

CMYK 0 / 4 / 11 / 27

HEX #BAB3A5

RGB 186 179 165

HSL 40, 0.13%, 0.69%

LAB 73.15, 0.04, 8.02

 

CMYK 38 / 5 / 0 / 15

HEX #86CFD9

RGB 134 207 217

HSL 187.23, 0.52%, 0.69%

LAB 78.87, -20.18, -12.15

 

CMYK 38 / 15 / 0 / 15

HEX #86B9D9

RGB 134 185 217

HSL 203.13, 0.52%, 0.69%

LAB 72.74, -8.75, -21.39

 

CMYK 38 / 25 / 0 / 15

HEX #86A3D9

RGB 134 163 217

HSL 219.04, 0.52%, 0.69%

LAB 66.73, 3.34, -30.62

 

CMYK 38 / 35 / 0 / 15

HEX #868DD9

RGB 134 141 217

HSL 234.94, 0.52%, 0.69%

LAB 60.89, 15.96, -39.7

 

CMYK 31 / 38 / 0 / 15

HEX #9586D9

RGB 149 134 217

HSL 250.84, 0.52%, 0.69%

LAB 60.29, 24.14, -40.56

 

CMYK 63 / 42 / 0 / 23

HEX #4872C5

RGB 72 114 197

HSL 219.84, 0.52%, 0.53%

LAB 48.81, 11.79, -47.73

 

CMYK 50 / 33 / 0 / 19

HEX #678ACF

RGB 103 138 207

HSL 219.81, 0.52%, 0.61%

LAB 57.62, 7.01, -39.37

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 27 / 18 / 0 / 11

HEX #A6BAE2

RGB 166 186 226

HSL 220, 0.51%, 0.77%

LAB 75.27, 2, -22.25

 

CMYK 17 / 11 / 0 / 7

HEX #C5D2EC

RGB 197 210 236

HSL 220, 0.51%, 0.85%

LAB 83.98, 0.86, -14.27

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 6 / 38 / 0 / 15

HEX #CC86D9

RGB 204 134 217

HSL 290.6, 0.52%, 0.69%

LAB 65.67, 40.4, -31.77

 

CMYK 10 / 0 / 38 / 15

HEX #C4D986

RGB 196 217 134

HSL 75.18, 0.52%, 0.69%

LAB 83.49, -20.19, 38.56

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 0 / 38 / 25 / 15

HEX #D986A3

RGB 217 134 163

HSL 339.04, 0.52%, 0.69%

LAB 65.32, 35.56, -1.83

 

CMYK 25 / 0 / 38 / 15

HEX #A3D986

RGB 163 217 134

HSL 99.04, 0.52%, 0.69%

LAB 81.36, -32.24, 35.4

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 6 / 38 / 0 / 15

HEX #CC86D9

RGB 204 134 217

HSL 290.6, 0.52%, 0.69%

LAB 65.67, 40.4, -31.77

 

CMYK 0 / 13 / 38 / 15

HEX #D9BC86

RGB 217 188 134

HSL 39.04, 0.52%, 0.69%

LAB 77.54, 2.84, 31.15

 

CMYK 32 / 0 / 38 / 15

HEX #93D986

RGB 147 217 134

HSL 110.6, 0.52%, 0.69%

LAB 80.49, -37.65, 34.09

 

CMYK 38 / 25 / 0 / 15

HEX #86A2D9

RGB 134 162 217

HSL 219.76, 0.52%, 0.69%

LAB 66.46, 3.9, -31.03

 

CMYK 0 / 38 / 6 / 15

HEX #D986CC

RGB 217 134 204

HSL 309.4, 0.52%, 0.69%

LAB 66.64, 42.06, -22.9

 

CMYK 0 / 13 / 38 / 15

HEX #D9BC86

RGB 217 188 134

HSL 39.04, 0.52%, 0.69%

LAB 77.54, 2.84, 31.15

 

CMYK 38 / 0 / 32 / 15

HEX #86D993

RGB 134 217 147

HSL 129.4, 0.52%, 0.69%

LAB 80.07, -39.67, 26.75

 

Description

Color code: HEX #86A2D9 | qconv.com Color code: HEX #86A2D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 162 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 162 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 25% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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