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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86D80C it is the complementary color #7927F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86D80C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86D80C shade: #8BD807, #9CEA1A, #ADFC2D, #BEFF40 and #CFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86D80C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86D80C shade: #86D80C, #75C600, #64B400, #53A200 and #429000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86D80C shade: #86D80C, #BDD80C, #D8BC0C, #D8850C and #D84E0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86D80C shade: #86D80C, #4FD80C, #18D80C, #0CD837 and #0CD86E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86D80C shade matches the following richer shades: #86D80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86D80C shade: #86D80C, #83C61F, #7FB331, #7BA144 and #788E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86D80C shade: #D8BD0C, #BDD80C, #87D80C, #50D80C and #1AD80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86D80C shade: #568A08, #6EB10A, #86D80C, #9CF11C and #ADF443

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86D80C shade: #86D80C, #0CD887 and #D80CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86D80C shade: #86D80C, #0C87D8 and #D80C87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86D80C shade: #86D80C, #0CD887, #5E0CD8 and #D80C5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86D80C shade: #86D80C, #0CD8C4, #5E0CD8 and #D80C21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

Complementary color

CMYK 50 / 84 / 0 / 5

HEX #7927F3

RGB 121 39 243

HSL 264.12, 0.89%, 0.55%

LAB 41.2, 72.92, -86.12

 

CMYK 36 / 0 / 97 / 15

HEX #8BD807

RGB 139 216 7

HSL 82.11, 0.94%, 0.44%

LAB 78.82, -49.5, 76.73

 

CMYK 33 / 0 / 89 / 8

HEX #9CEA1A

RGB 156 234 26

HSL 82.5, 0.83%, 0.51%

LAB 84.99, -50.52, 79.77

 

CMYK 31 / 0 / 82 / 1

HEX #ADFC2D

RGB 173 252 45

HSL 82.9, 0.97%, 0.58%

LAB 91.1, -51.33, 81.57

 

CMYK 25 / 0 / 75 / 0

HEX #BEFF40

RGB 190 255 64

HSL 80.42, 1%, 0.63%

LAB 92.94, -45.68, 78.5

 

CMYK 19 / 0 / 67 / 0

HEX #CFFF53

RGB 207 255 83

HSL 76.74, 1%, 0.66%

LAB 94.06, -38.32, 73.57

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 41 / 0 / 100 / 22

HEX #75C600

RGB 117 198 0

HSL 84.55, 1%, 0.39%

LAB 72.34, -49.96, 71.91

 

CMYK 44 / 0 / 100 / 29

HEX #64B400

RGB 100 180 0

HSL 86.67, 1%, 0.35%

LAB 66.02, -48.53, 66.66

HEX #64B400

CMYK 49 / 0 / 100 / 36

HEX #53A200

RGB 83 162 0

HSL 89.26, 1%, 0.32%

LAB 59.6, -47, 61.33

HEX #53A200

CMYK 54 / 0 / 100 / 44

HEX #429000

RGB 66 144 0

HSL 92.5, 1%, 0.28%

LAB 53.06, -45.33, 55.91

HEX #429000

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 13 / 0 / 94 / 15

HEX #BDD80C

RGB 189 216 12

HSL 67.94, 0.89%, 0.45%

LAB 81.81, -30.17, 79.89

 

CMYK 0 / 13 / 94 / 15

HEX #D8BC0C

RGB 216 188 12

HSL 51.76, 0.89%, 0.45%

LAB 76.43, -4.8, 76.77

 

CMYK 0 / 38 / 94 / 15

HEX #D8850C

RGB 216 133 12

HSL 35.59, 0.89%, 0.45%

LAB 62.84, 24.49, 66.94

 

CMYK 0 / 64 / 94 / 15

HEX #D84E0C

RGB 216 78 12

HSL 19.41, 0.89%, 0.45%

LAB 51.92, 51.82, 59.64

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 63 / 0 / 94 / 15

HEX #4FD80C

RGB 79 216 12

HSL 100.29, 0.89%, 0.45%

LAB 76.56, -66.87, 73.49

 

CMYK 89 / 0 / 94 / 15

HEX #18D80C

RGB 24 216 12

HSL 116.47, 0.89%, 0.45%

LAB 75.66, -74.72, 72.38

 

CMYK 94 / 0 / 75 / 15

HEX #0CD837

RGB 12 216 55

HSL 132.65, 0.89%, 0.45%

LAB 75.74, -73.39, 62.76

 

CMYK 94 / 0 / 49 / 15

HEX #0CD86E

RGB 12 216 110

HSL 148.82, 0.89%, 0.45%

LAB 76.26, -66.9, 39.94

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 34 / 0 / 84 / 22

HEX #83C61F

RGB 131 198 31

HSL 84.07, 0.73%, 0.45%

LAB 73.1, -44.36, 68.23

 

CMYK 29 / 0 / 73 / 30

HEX #7FB331

RGB 127 179 49

HSL 84, 0.57%, 0.45%

LAB 67.26, -36.7, 57.4

 

CMYK 24 / 0 / 58 / 37

HEX #7BA144

RGB 123 161 68

HSL 84.52, 0.41%, 0.45%

LAB 61.76, -28.36, 43.45

 

CMYK 15 / 0 / 39 / 44

HEX #788E56

RGB 120 142 86

HSL 83.57, 0.25%, 0.45%

LAB 56.1, -17.91, 27.28

 

CMYK 0 / 13 / 94 / 15

HEX #D8BD0C

RGB 216 189 12

HSL 52.06, 0.89%, 0.45%

LAB 76.69, -5.32, 76.96

 

CMYK 13 / 0 / 94 / 15

HEX #BDD80C

RGB 189 216 12

HSL 67.94, 0.89%, 0.45%

LAB 81.81, -30.17, 79.89

 

CMYK 38 / 0 / 94 / 15

HEX #87D80C

RGB 135 216 12

HSL 83.82, 0.89%, 0.45%

LAB 78.63, -50.83, 76.03

 

CMYK 63 / 0 / 94 / 15

HEX #50D80C

RGB 80 216 12

HSL 100, 0.89%, 0.45%

LAB 76.58, -66.65, 73.52

 

CMYK 88 / 0 / 94 / 15

HEX #1AD80C

RGB 26 216 12

HSL 115.88, 0.89%, 0.45%

LAB 75.67, -74.58, 72.4

 

CMYK 38 / 0 / 94 / 46

HEX #568A08

RGB 86 138 8

HSL 84, 0.89%, 0.29%

LAB 52.03, -35.82, 54.07

 

CMYK 38 / 0 / 94 / 31

HEX #6EB10A

RGB 110 177 10

HSL 84.07, 0.89%, 0.37%

LAB 65.58, -43.67, 65.27

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 35 / 0 / 88 / 5

HEX #9CF11C

RGB 156 241 28

HSL 83.94, 0.88%, 0.53%

LAB 87.03, -53.31, 81.13

 

CMYK 29 / 0 / 73 / 4

HEX #ADF443

RGB 173 244 67

HSL 84.07, 0.89%, 0.61%

LAB 88.92, -47.01, 73.36

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 94 / 0 / 38 / 15

HEX #0CD887

RGB 12 216 135

HSL 156.18, 0.89%, 0.45%

LAB 76.64, -62.4, 27.84

 

CMYK 0 / 94 / 0 / 15

HEX #D80CD8

RGB 216 12 216

HSL 300, 0.89%, 0.45%

LAB 51.63, 85.79, -53.2

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 94 / 38 / 0 / 15

HEX #0C87D8

RGB 12 135 216

HSL 203.82, 0.89%, 0.45%

LAB 54.41, -0.22, -49.69

 

CMYK 0 / 94 / 38 / 15

HEX #D80C87

RGB 216 12 135

HSL 323.82, 0.89%, 0.45%

LAB 47.77, 75.94, -11.54

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 94 / 0 / 38 / 15

HEX #0CD887

RGB 12 216 135

HSL 156.18, 0.89%, 0.45%

LAB 76.64, -62.4, 27.84

 

CMYK 56 / 94 / 0 / 15

HEX #5E0CD8

RGB 94 12 216

HSL 264.12, 0.89%, 0.45%

LAB 33.14, 70.7, -84.14

 

CMYK 0 / 94 / 56 / 15

HEX #D80C5E

RGB 216 12 94

HSL 335.88, 0.89%, 0.45%

LAB 46.54, 72.64, 11.91

 

CMYK 38 / 0 / 94 / 15

HEX #86D80C

RGB 134 216 12

HSL 84.12, 0.89%, 0.45%

LAB 78.58, -51.17, 75.97

 

CMYK 94 / 0 / 9 / 15

HEX #0CD8C4

RGB 12 216 196

HSL 174.12, 0.89%, 0.45%

LAB 77.98, -47.82, -2.54

 

CMYK 56 / 94 / 0 / 15

HEX #5E0CD8

RGB 94 12 216

HSL 264.12, 0.89%, 0.45%

LAB 33.14, 70.7, -84.14

 

CMYK 0 / 94 / 85 / 15

HEX #D80C21

RGB 216 12 33

HSL 353.82, 0.89%, 0.45%

LAB 45.6, 70.04, 47.06

 

Description

Color code: HEX #86D80C | qconv.com Color code: HEX #86D80C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 216 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 216 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 94% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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