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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86D95D it is the complementary color #7926A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86D95D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86D95D shade: #8BD958, #9CEB6B, #ADFD7E, #BEFF91 and #CFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86D95D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86D95D shade: #86D95D, #75C74A, #64B537, #53A324 and #429111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86D95D shade: #86D95D, #A7D95D, #C9D95D, #D9C75D and #D9A65D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86D95D shade: #86D95D, #65D95D, #5DD977, #5DD998 and #5DD9BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86D95D shade matches the following richer shades: #86D95D, #81E94D and #7BF93D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86D95D shade: #86D95D, #8CC96D, #91B97E, #97A88E and #9C989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86D95D shade: #C8D95D, #A7D95D, #86D95D, #66D95D and #5DD976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86D95D shade: #5AB92B, #6DD13C, #86D95D, #9FE17F and #B8E8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86D95D shade: #86D95D, #5DD9C8 and #D95DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86D95D shade: #86D95D, #5D86D9 and #D95D86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86D95D shade: #86D95D, #5DD9C8, #B05DD9 and #D95D6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86D95D shade: #86D95D, #5DC4D9, #B05DD9 and #D9725D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

Complementary color

CMYK 25 / 77 / 0 / 36

HEX #7926A2

RGB 121 38 162

HSL 280.16, 0.62%, 0.39%

LAB 34.11, 54.82, -50.54

 

CMYK 36 / 0 / 59 / 15

HEX #8BD958

RGB 139 217 88

HSL 96.28, 0.63%, 0.6%

LAB 79.51, -45.87, 54.82

 

CMYK 34 / 0 / 54 / 8

HEX #9CEB6B

RGB 156 235 107

HSL 97.03, 0.76%, 0.67%

LAB 85.78, -45.93, 53.8

 

CMYK 32 / 0 / 50 / 1

HEX #ADFD7E

RGB 173 253 126

HSL 97.8, 0.97%, 0.74%

LAB 91.97, -45.92, 52.71

 

CMYK 25 / 0 / 43 / 0

HEX #BEFF91

RGB 190 255 145

HSL 95.45, 1%, 0.78%

LAB 93.67, -38.85, 46.06

 

CMYK 19 / 0 / 36 / 0

HEX #CFFFA4

RGB 207 255 164

HSL 91.65, 1%, 0.82%

LAB 94.94, -30.56, 38.62

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 41 / 0 / 63 / 22

HEX #75C74A

RGB 117 199 74

HSL 99.36, 0.53%, 0.54%

LAB 72.97, -46.91, 53.28

 

CMYK 45 / 0 / 70 / 29

HEX #64B537

RGB 100 181 55

HSL 98.57, 0.53%, 0.46%

LAB 66.55, -46.64, 53.97

 

CMYK 49 / 0 / 78 / 36

HEX #53A324

RGB 83 163 36

HSL 97.8, 0.64%, 0.39%

LAB 60.03, -46.11, 54.11

 

CMYK 54 / 0 / 88 / 43

HEX #429111

RGB 66 145 17

HSL 97.03, 0.79%, 0.32%

LAB 53.44, -45.21, 53.16

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 23 / 0 / 57 / 15

HEX #A7D95D

RGB 167 217 93

HSL 84.19, 0.62%, 0.61%

LAB 81.09, -35.47, 54.81

 

CMYK 7 / 0 / 57 / 15

HEX #C9D95D

RGB 201 217 93

HSL 67.74, 0.62%, 0.61%

LAB 83.35, -22.28, 57.99

 

CMYK 0 / 8 / 57 / 15

HEX #D9C75D

RGB 217 199 93

HSL 51.29, 0.62%, 0.61%

LAB 79.83, -6.74, 54.36

 

CMYK 0 / 24 / 57 / 15

HEX #D9A65D

RGB 217 166 93

HSL 35.32, 0.62%, 0.61%

LAB 71.43, 10.61, 44.57

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 53 / 0 / 57 / 15

HEX #65D95D

RGB 101 217 93

HSL 116.13, 0.62%, 0.61%

LAB 77.98, -56.7, 50.42

 

CMYK 57 / 0 / 45 / 15

HEX #5DD977

RGB 93 217 119

HSL 132.58, 0.62%, 0.61%

LAB 78.04, -55.16, 38.04

 

CMYK 57 / 0 / 30 / 15

HEX #5DD998

RGB 93 217 152

HSL 148.55, 0.62%, 0.61%

LAB 78.59, -49.35, 21.87

 

CMYK 57 / 0 / 14 / 15

HEX #5DD9BA

RGB 93 217 186

HSL 165, 0.62%, 0.61%

LAB 79.33, -41.94, 4.93

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 45 / 0 / 67 / 9

HEX #81E94D

RGB 129 233 77

HSL 100, 0.78%, 0.61%

LAB 83.69, -56.49, 63.79

 

CMYK 51 / 0 / 76 / 2

HEX #7BF93D

RGB 123 249 61

HSL 100.21, 0.94%, 0.61%

LAB 88.11, -65.26, 73.72

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 30 / 0 / 46 / 21

HEX #8CC96D

RGB 140 201 109

HSL 99.78, 0.46%, 0.61%

LAB 75.11, -36.18, 39.72

 

CMYK 22 / 0 / 32 / 27

HEX #91B97E

RGB 145 185 126

HSL 100.68, 0.3%, 0.61%

LAB 71.03, -24.43, 25.71

 

CMYK 10 / 0 / 15 / 34

HEX #97A88E

RGB 151 168 142

HSL 99.23, 0.13%, 0.61%

LAB 66.93, -10.9, 11.44

 

CMYK 1 / 4 / 0 / 38

HEX #9C989E

RGB 156 152 158

HSL 280, 0.03%, 0.61%

LAB 63.34, 2.61, -2.63

 

CMYK 8 / 0 / 57 / 15

HEX #C8D95D

RGB 200 217 93

HSL 68.23, 0.62%, 0.61%

LAB 83.28, -22.68, 57.89

 

CMYK 23 / 0 / 57 / 15

HEX #A7D95D

RGB 167 217 93

HSL 84.19, 0.62%, 0.61%

LAB 81.09, -35.47, 54.81

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 53 / 0 / 57 / 15

HEX #66D95D

RGB 102 217 93

HSL 115.65, 0.62%, 0.61%

LAB 78.02, -56.44, 50.47

 

CMYK 57 / 0 / 46 / 15

HEX #5DD976

RGB 93 217 118

HSL 132.1, 0.62%, 0.61%

LAB 78.03, -55.31, 38.51

 

CMYK 51 / 0 / 77 / 27

HEX #5AB92B

RGB 90 185 43

HSL 100.14, 0.62%, 0.45%

LAB 67.31, -52.1, 58.92

 

CMYK 48 / 0 / 71 / 18

HEX #6DD13C

RGB 109 209 60

HSL 100.27, 0.62%, 0.53%

LAB 75.56, -54.52, 61.47

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 29 / 0 / 44 / 12

HEX #9FE17F

RGB 159 225 127

HSL 100.41, 0.62%, 0.69%

LAB 83.31, -38.22, 41.35

 

CMYK 21 / 0 / 31 / 9

HEX #B8E8A0

RGB 184 232 160

HSL 100, 0.61%, 0.77%

LAB 87.21, -28.31, 30.14

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 57 / 0 / 8 / 15

HEX #5DD9C8

RGB 93 217 200

HSL 171.77, 0.62%, 0.61%

LAB 79.68, -38.51, -2.02

 

CMYK 0 / 57 / 15 / 15

HEX #D95DB8

RGB 217 93 184

HSL 315.97, 0.62%, 0.61%

LAB 58.08, 59.05, -24.71

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 57 / 38 / 0 / 15

HEX #5D86D9

RGB 93 134 217

HSL 220.16, 0.62%, 0.61%

LAB 56.47, 10.36, -46.84

 

CMYK 0 / 57 / 38 / 15

HEX #D95D86

RGB 217 93 134

HSL 340.16, 0.62%, 0.61%

LAB 56.39, 52.51, 1.85

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 57 / 0 / 8 / 15

HEX #5DD9C8

RGB 93 217 200

HSL 171.77, 0.62%, 0.61%

LAB 79.68, -38.51, -2.02

 

CMYK 19 / 57 / 0 / 15

HEX #B05DD9

RGB 176 93 217

HSL 280.16, 0.62%, 0.61%

LAB 54.1, 53.97, -50.17

 

CMYK 0 / 57 / 49 / 15

HEX #D95D6E

RGB 217 93 110

HSL 351.77, 0.62%, 0.61%

LAB 55.79, 50.1, 15.11

 

CMYK 38 / 0 / 57 / 15

HEX #86D95D

RGB 134 217 93

HSL 100.16, 0.62%, 0.61%

LAB 79.32, -47.03, 52.32

 

CMYK 57 / 10 / 0 / 15

HEX #5DC4D9

RGB 93 196 217

HSL 190.16, 0.62%, 0.61%

LAB 74.07, -23.89, -19.54

 

CMYK 19 / 57 / 0 / 15

HEX #B05DD9

RGB 176 93 217

HSL 280.16, 0.62%, 0.61%

LAB 54.1, 53.97, -50.17

 

CMYK 0 / 47 / 57 / 15

HEX #D9725D

RGB 217 114 93

HSL 10.16, 0.62%, 0.61%

LAB 59.5, 38.34, 29.84

 

Description

Color code: HEX #86D95D | qconv.com Color code: HEX #86D95D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 217 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 217 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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