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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86E039 it is the complementary color #791FC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86E039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86E039 shade: #8BE034, #9CF247, #ADFF5A, #BEFF6D and #CFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86E039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86E039 shade: #86E039, #75CE26, #64BC13, #53AA00 and #429800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86E039 shade: #85E038, #B2E038, #E0DF38, #E0B238 and #E08538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86E039 shade: #85E038, #58E038, #38E045, #38E072 and #38E09F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86E039 shade matches the following richer shades: #85E038 and #84F225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86E039 shade: #85E038, #87CD4B, #88BA5D, #8AA870 and #8B9582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86E039 shade: #E0E038, #B3E038, #86E038, #59E038 and #38E043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86E039 shade: #5DAB1A, #70CE20, #85E038, #9BE55C and #B1EB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86E039 shade: #86E039, #38E0B3 and #E038C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86E039 shade: #86E039, #3886E0 and #E03886

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86E039 shade: #86E039, #38E0B3, #9138E0 and #E03865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86E039 shade: #86E039, #38DAE0, #9138E0 and #E03E38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

Complementary color

CMYK 39 / 84 / 0 / 22

HEX #791FC6

RGB 121 31 198

HSL 272.34, 0.73%, 0.45%

LAB 36.22, 65.04, -68.48

 

CMYK 38 / 0 / 77 / 12

HEX #8BE034

RGB 139 224 52

HSL 89.65, 0.74%, 0.54%

LAB 81.32, -51.38, 70.21

 

CMYK 36 / 0 / 71 / 5

HEX #9CF247

RGB 156 242 71

HSL 90.18, 0.87%, 0.61%

LAB 87.5, -51.85, 70.3

 

CMYK 32 / 0 / 65 / 0

HEX #ADFF5A

RGB 173 255 90

HSL 89.82, 1%, 0.68%

LAB 92.2, -50.11, 68.4

 

CMYK 25 / 0 / 57 / 0

HEX #BEFF6D

RGB 190 255 109

HSL 86.71, 1%, 0.71%

LAB 93.26, -42.63, 62.04

 

CMYK 19 / 0 / 50 / 0

HEX #CFFF80

RGB 207 255 128

HSL 82.68, 1%, 0.75%

LAB 94.46, -34.73, 55.24

 

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

CMYK 43 / 0 / 82 / 19

HEX #75CE26

RGB 117 206 38

HSL 91.79, 0.69%, 0.48%

LAB 74.87, -52.15, 67.83

 

CMYK 47 / 0 / 90 / 26

HEX #64BC13

RGB 100 188 19

HSL 91.24, 0.82%, 0.41%

LAB 68.55, -51.26, 66.2

 

CMYK 51 / 0 / 100 / 33

HEX #53AA00

RGB 83 170 0

HSL 90.71, 1%, 0.33%

LAB 62.16, -50.07, 63.34

 

CMYK 57 / 0 / 100 / 40

HEX #429800

RGB 66 152 0

HSL 93.95, 1%, 0.3%

LAB 55.7, -48.34, 57.99

 

CMYK 41 / 0 / 75 / 12

HEX #85E038

RGB 133 224 56

HSL 92.5, 0.73%, 0.55%

LAB 81.06, -53.15, 68.62

 

CMYK 21 / 0 / 75 / 12

HEX #B2E038

RGB 178 224 56

HSL 76.43, 0.73%, 0.55%

LAB 83.47, -36.98, 71.77

 

CMYK 0 / 0 / 75 / 12

HEX #E0DF38

RGB 224 223 56

HSL 59.64, 0.73%, 0.55%

LAB 86.46, -17.92, 75.72

 

CMYK 0 / 21 / 75 / 12

HEX #E0B238

RGB 224 178 56

HSL 43.57, 0.73%, 0.55%

LAB 74.81, 5.02, 64.84

 

CMYK 0 / 41 / 75 / 12

HEX #E08538

RGB 224 133 56

HSL 27.5, 0.73%, 0.55%

LAB 64.09, 29, 54.34

 

CMYK 41 / 0 / 75 / 12

HEX #85E038

RGB 133 224 56

HSL 92.5, 0.73%, 0.55%

LAB 81.06, -53.15, 68.62

 

CMYK 61 / 0 / 75 / 12

HEX #58E038

RGB 88 224 56

HSL 108.57, 0.73%, 0.55%

LAB 79.43, -65.7, 66.47

 

CMYK 75 / 0 / 69 / 12

HEX #38E045

RGB 56 224 69

HSL 124.64, 0.73%, 0.55%

LAB 78.8, -70.62, 61.04

 

CMYK 75 / 0 / 49 / 12

HEX #38E072

RGB 56 224 114

HSL 140.71, 0.73%, 0.55%

LAB 79.25, -65.2, 41.83

 

CMYK 75 / 0 / 29 / 12

HEX #38E09F

RGB 56 224 159

HSL 156.79, 0.73%, 0.55%

LAB 79.99, -56.91, 20

 

CMYK 41 / 0 / 75 / 12

HEX #85E038

RGB 133 224 56

HSL 92.5, 0.73%, 0.55%

LAB 81.06, -53.15, 68.62

 

CMYK 45 / 0 / 85 / 5

HEX #84F225

RGB 132 242 37

HSL 92.2, 0.89%, 0.55%

LAB 86.28, -61.22, 78.4

 

CMYK 41 / 0 / 75 / 12

HEX #85E038

RGB 133 224 56

HSL 92.5, 0.73%, 0.55%

LAB 81.06, -53.15, 68.62

 

CMYK 34 / 0 / 63 / 20

HEX #87CD4B

RGB 135 205 75

HSL 92.31, 0.57%, 0.55%

LAB 75.65, -43.3, 56.04

 

CMYK 27 / 0 / 50 / 27

HEX #88BA5D

RGB 136 186 93

HSL 92.26, 0.4%, 0.55%

LAB 70.28, -32.63, 41.62

 

CMYK 18 / 0 / 33 / 34

HEX #8AA870

RGB 138 168 112

HSL 92.14, 0.24%, 0.55%

LAB 65.42, -20.61, 25.64

 

CMYK 7 / 0 / 13 / 42

HEX #8B9582

RGB 139 149 130

HSL 91.58, 0.08%, 0.55%

LAB 60.42, -7.25, 8.81

 

CMYK 0 / 0 / 75 / 12

HEX #E0E038

RGB 224 224 56

HSL 60, 0.73%, 0.55%

LAB 86.72, -18.41, 75.97

 

CMYK 20 / 0 / 75 / 12

HEX #B3E038

RGB 179 224 56

HSL 76.07, 0.73%, 0.55%

LAB 83.54, -36.59, 71.85

 

CMYK 40 / 0 / 75 / 12

HEX #86E038

RGB 134 224 56

HSL 92.14, 0.73%, 0.55%

LAB 81.11, -52.82, 68.68

 

CMYK 60 / 0 / 75 / 12

HEX #59E038

RGB 89 224 56

HSL 108.21, 0.73%, 0.55%

LAB 79.45, -65.47, 66.51

 

CMYK 75 / 0 / 70 / 12

HEX #38E043

RGB 56 224 67

HSL 123.93, 0.73%, 0.55%

LAB 78.79, -70.8, 61.77

 

CMYK 46 / 0 / 85 / 33

HEX #5DAB1A

RGB 93 171 26

HSL 92.28, 0.74%, 0.39%

LAB 62.95, -46.6, 59.81

 

CMYK 46 / 0 / 84 / 19

HEX #70CE20

RGB 112 206 32

HSL 92.41, 0.73%, 0.47%

LAB 74.63, -53.99, 69

 

CMYK 41 / 0 / 75 / 12

HEX #85E038

RGB 133 224 56

HSL 92.5, 0.73%, 0.55%

LAB 81.06, -53.15, 68.62

 

CMYK 32 / 0 / 60 / 10

HEX #9BE55C

RGB 155 229 92

HSL 92.41, 0.72%, 0.63%

LAB 83.85, -45.17, 58.19

 

CMYK 25 / 0 / 46 / 8

HEX #B1EB7F

RGB 177 235 127

HSL 92.22, 0.73%, 0.71%

LAB 87.14, -36.5, 46.37

 

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B3

RGB 56 224 179

HSL 163.93, 0.73%, 0.55%

LAB 80.41, -52.38, 10.08

 

CMYK 0 / 75 / 10 / 12

HEX #E038C9

RGB 224 56 201

HSL 308.21, 0.73%, 0.55%

LAB 54.96, 77.06, -39.24

 

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

CMYK 75 / 40 / 0 / 12

HEX #3886E0

RGB 56 134 224

HSL 212.14, 0.73%, 0.55%

LAB 55.35, 6.76, -52.64

 

CMYK 0 / 75 / 40 / 12

HEX #E03886

RGB 224 56 134

HSL 332.14, 0.73%, 0.55%

LAB 52.28, 68.97, -4.03

 

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B3

RGB 56 224 179

HSL 163.93, 0.73%, 0.55%

LAB 80.41, -52.38, 10.08

 

CMYK 35 / 75 / 0 / 12

HEX #9138E0

RGB 145 56 224

HSL 271.79, 0.73%, 0.55%

LAB 44.56, 65.79, -69.72

 

CMYK 0 / 75 / 55 / 12

HEX #E03865

RGB 224 56 101

HSL 343.93, 0.73%, 0.55%

LAB 51.4, 66.17, 14.59

 

CMYK 40 / 0 / 75 / 12

HEX #86E039

RGB 134 224 57

HSL 92.34, 0.73%, 0.55%

LAB 81.11, -52.77, 68.37

 

CMYK 75 / 3 / 0 / 12

HEX #38DAE0

RGB 56 218 224

HSL 182.14, 0.73%, 0.55%

LAB 79.82, -37.84, -14.72

 

CMYK 35 / 75 / 0 / 12

HEX #9138E0

RGB 145 56 224

HSL 271.79, 0.73%, 0.55%

LAB 44.56, 65.79, -69.72

 

CMYK 0 / 72 / 75 / 12

HEX #E03E38

RGB 224 62 56

HSL 2.14, 0.73%, 0.55%

LAB 51.36, 61.72, 41

 

Description

Color code: HEX #86E039 | qconv.com Color code: HEX #86E039 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 224 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 224 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 75 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 75% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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