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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86EC64 it is the complementary color #79139B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86EC64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86EC64 shade: #8BEC5F, #9CFE72, #ADFF85, #BEFF98 and #CFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86EC64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86EC64 shade: #86EC64, #75DA51, #64C83E, #53B62B and #42A418

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86EC64 shade: #86EB64, #AAEB64, #CFEB64, #EBE364 and #EBBF64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86EC64 shade: #86EB64, #64EB67, #64EB8B, #64EBB0 and #64EBD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86EC64 shade matches the following richer shades: #86EB64 and #7FF956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86EC64 shade: #86EB64, #8DDD72, #94CF80, #9BC18E and #A2B39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86EC64 shade: #CEEB64, #AAEB64, #86EB64, #64EB66 and #64EB8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86EC64 shade: #4DE21B, #69E73F, #86EB64, #A3F089 and #BFF5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86EC64 shade: #86EC64, #64EBE5 and #EB64BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86EC64 shade: #86EC64, #6486EB and #EB6486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86EC64 shade: #86EC64, #64EBE5, #CA64EB and #EB646B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86EC64 shade: #86EC64, #64CAEB, #CA64EB and #EB8664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

Complementary color

CMYK 22 / 88 / 0 / 39

HEX #79139B

RGB 121 19 155

HSL 285, 0.78%, 0.34%

LAB 31.57, 59.22, -50.4

 

CMYK 41 / 0 / 60 / 7

HEX #8BEC5F

RGB 139 236 95

HSL 101.28, 0.79%, 0.65%

LAB 85.15, -53.03, 58.17

 

CMYK 39 / 0 / 55 / 0

HEX #9CFE72

RGB 156 254 114

HSL 102, 0.99%, 0.72%

LAB 91.31, -53.11, 57.16

 

CMYK 32 / 0 / 48 / 0

HEX #ADFF85

RGB 173 255 133

HSL 100.33, 1%, 0.76%

LAB 92.62, -45.97, 50.24

 

CMYK 25 / 0 / 40 / 0

HEX #BEFF98

RGB 190 255 152

HSL 97.86, 1%, 0.8%

LAB 93.77, -37.97, 42.8

 

CMYK 19 / 0 / 33 / 0

HEX #CFFFAB

RGB 207 255 171

HSL 94.29, 1%, 0.84%

LAB 95.05, -29.61, 35.29

 

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

CMYK 46 / 0 / 63 / 15

HEX #75DA51

RGB 117 218 81

HSL 104.23, 0.65%, 0.59%

LAB 78.76, -53.9, 56.71

 

CMYK 50 / 0 / 69 / 22

HEX #64C83E

RGB 100 200 62

HSL 103.48, 0.56%, 0.51%

LAB 72.47, -53.56, 57.43

 

CMYK 54 / 0 / 76 / 29

HEX #53B62B

RGB 83 182 43

HSL 102.73, 0.62%, 0.44%

LAB 66.11, -52.96, 57.67

 

CMYK 60 / 0 / 85 / 36

HEX #42A418

RGB 66 164 24

HSL 102, 0.74%, 0.37%

LAB 59.69, -51.96, 57.02

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 28 / 0 / 57 / 8

HEX #AAEB64

RGB 170 235 100

HSL 88.89, 0.77%, 0.66%

LAB 86.45, -41.79, 57.88

 

CMYK 12 / 0 / 57 / 8

HEX #CFEB64

RGB 207 235 100

HSL 72.44, 0.77%, 0.66%

LAB 88.73, -27.97, 61.09

 

CMYK 0 / 3 / 57 / 8

HEX #EBE364

RGB 235 227 100

HSL 56.44, 0.77%, 0.66%

LAB 88.7, -12.96, 61.62

 

CMYK 0 / 19 / 57 / 8

HEX #EBBF64

RGB 235 191 100

HSL 40.44, 0.77%, 0.66%

LAB 79.52, 5.4, 51.15

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 57 / 0 / 56 / 8

HEX #64EB67

RGB 100 235 103

HSL 121.33, 0.77%, 0.66%

LAB 83.5, -62.44, 52.37

 

CMYK 57 / 0 / 41 / 8

HEX #64EB8B

RGB 100 235 139

HSL 137.33, 0.77%, 0.66%

LAB 83.96, -57.35, 35.75

 

CMYK 57 / 0 / 25 / 8

HEX #64EBB0

RGB 100 235 176

HSL 153.78, 0.77%, 0.66%

LAB 84.62, -50.46, 17.74

 

CMYK 57 / 0 / 10 / 8

HEX #64EBD4

RGB 100 235 212

HSL 169.78, 0.77%, 0.66%

LAB 85.44, -42.29, 0.07

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 49 / 0 / 65 / 2

HEX #7FF956

RGB 127 249 86

HSL 104.91, 0.93%, 0.66%

LAB 88.42, -62.38, 65.31

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 36 / 0 / 48 / 13

HEX #8DDD72

RGB 141 221 114

HSL 104.86, 0.61%, 0.66%

LAB 81.07, -44.07, 44.68

 

CMYK 29 / 0 / 38 / 19

HEX #94CF80

RGB 148 207 128

HSL 104.81, 0.45%, 0.66%

LAB 77.57, -33.61, 33.35

 

CMYK 20 / 0 / 26 / 24

HEX #9BC18E

RGB 155 193 142

HSL 104.71, 0.29%, 0.66%

LAB 74.23, -22.3, 21.63

 

CMYK 9 / 0 / 13 / 30

HEX #A2B39C

RGB 162 179 156

HSL 104.35, 0.13%, 0.66%

LAB 71.09, -10.25, 9.76

 

CMYK 12 / 0 / 57 / 8

HEX #CEEB64

RGB 206 235 100

HSL 72.89, 0.77%, 0.66%

LAB 88.67, -28.36, 60.99

 

CMYK 28 / 0 / 57 / 8

HEX #AAEB64

RGB 170 235 100

HSL 88.89, 0.77%, 0.66%

LAB 86.45, -41.79, 57.88

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 57 / 0 / 57 / 8

HEX #64EB66

RGB 100 235 102

HSL 120.89, 0.77%, 0.66%

LAB 83.49, -62.55, 52.8

 

CMYK 57 / 0 / 41 / 8

HEX #64EB8A

RGB 100 235 138

HSL 136.89, 0.77%, 0.66%

LAB 83.95, -57.51, 36.23

 

CMYK 66 / 0 / 88 / 11

HEX #4DE21B

RGB 77 226 27

HSL 104.92, 0.79%, 0.5%

LAB 79.64, -70.11, 73.92

 

CMYK 55 / 0 / 73 / 9

HEX #69E73F

RGB 105 231 63

HSL 105, 0.78%, 0.58%

LAB 82.12, -63.52, 66.98

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 32 / 0 / 43 / 6

HEX #A3F089

RGB 163 240 137

HSL 104.85, 0.77%, 0.74%

LAB 87.93, -42.25, 42.35

 

CMYK 22 / 0 / 29 / 4

HEX #BFF5AE

RGB 191 245 174

HSL 105.63, 0.78%, 0.82%

LAB 91.43, -29.95, 28.77

 

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

CMYK 57 / 0 / 3 / 8

HEX #64EBE5

RGB 100 235 229

HSL 177.33, 0.77%, 0.66%

LAB 85.9, -38.01, -8.2

 

CMYK 0 / 57 / 20 / 8

HEX #EB64BC

RGB 235 100 188

HSL 320.89, 0.77%, 0.66%

LAB 62, 61.66, -20.75

 

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 0 / 57 / 43 / 8

HEX #EB6486

RGB 235 100 134

HSL 344.89, 0.77%, 0.66%

LAB 60.34, 55.16, 7.88

 

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

CMYK 57 / 0 / 3 / 8

HEX #64EBE5

RGB 100 235 229

HSL 177.33, 0.77%, 0.66%

LAB 85.9, -38.01, -8.2

 

CMYK 14 / 57 / 0 / 8

HEX #CA64EB

RGB 202 100 235

HSL 285.33, 0.77%, 0.66%

LAB 59.59, 60.71, -51.36

 

CMYK 0 / 57 / 54 / 8

HEX #EB646B

RGB 235 100 107

HSL 356.89, 0.77%, 0.66%

LAB 59.74, 52.76, 22.69

 

CMYK 43 / 0 / 58 / 7

HEX #86EC64

RGB 134 236 100

HSL 105, 0.78%, 0.66%

LAB 84.99, -54.06, 55.75

 

CMYK 57 / 14 / 0 / 8

HEX #64CAEB

RGB 100 202 235

HSL 194.67, 0.77%, 0.66%

LAB 76.65, -20.42, -25.32

 

CMYK 14 / 57 / 0 / 8

HEX #CA64EB

RGB 202 100 235

HSL 285.33, 0.77%, 0.66%

LAB 59.59, 60.71, -51.36

 

CMYK 0 / 43 / 57 / 8

HEX #EB8664

RGB 235 134 100

HSL 15.11, 0.77%, 0.66%

LAB 66.24, 35.47, 35.04

 

Description

Color code: HEX #86EC64 | qconv.com Color code: HEX #86EC64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 236 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 236 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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