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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86EDD0 it is the complementary color #79122F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86EDD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86EDD0 shade: #8BEDCB, #9CFFDE, #ADFFF1, #BEFFFF and #CFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86EDD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86EDD0 shade: #86EDD0, #75DBBD, #64C9AA, #53B797 and #42A584

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86EDD0 shade: #87EDD0, #87EDB4, #87ED99, #90ED87 and #ABED87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86EDD0 shade: #87EDD0, #87EDEB, #87D2ED, #87B7ED and #879BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86EDD0 shade matches the following richer shades: #87EDD0 and #7CF8D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86EDD0 shade: #87EDD0, #92E1CB, #9DD6C6, #A8CBC1 and #B3C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86EDD0 shade: #87ED99, #87EDB5, #87EDD0, #87EDEB and #87D3ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86EDD0 shade: #3FE2B4, #63E7C2, #87EDD0, #ABF2DE and #CEF7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86EDD0 shade: #86EDD0, #878FED and #EDA787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86EDD0 shade: #86EDD0, #D087ED and #EDD087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86EDD0 shade: #86EDD0, #878FED, #ED87A4 and #EDE487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86EDD0 shade: #86EDD0, #9D87ED, #ED87A4 and #D7ED87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

Complementary color

CMYK 0 / 85 / 61 / 53

HEX #79122F

RGB 121 18 47

HSL 343.11, 0.74%, 0.27%

LAB 25.87, 44.12, 10.84

 

CMYK 41 / 0 / 14 / 7

HEX #8BEDCB

RGB 139 237 203

HSL 159.18, 0.73%, 0.74%

LAB 87.18, -36.55, 7.48

 

CMYK 39 / 0 / 13 / 0

HEX #9CFFDE

RGB 156 255 222

HSL 160, 1%, 0.81%

LAB 93.39, -36.36, 6.65

 

CMYK 32 / 0 / 5 / 0

HEX #ADFFF1

RGB 173 255 241

HSL 169.76, 1%, 0.84%

LAB 94.63, -27.78, -1.25

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

CMYK 47 / 0 / 14 / 14

HEX #75DBBD

RGB 117 219 189

HSL 162.35, 0.59%, 0.66%

LAB 80.8, -36.87, 5.57

 

CMYK 50 / 0 / 15 / 21

HEX #64C9AA

RGB 100 201 170

HSL 161.58, 0.48%, 0.59%

LAB 74.44, -36.98, 6.49

 

CMYK 55 / 0 / 17 / 28

HEX #53B797

RGB 83 183 151

HSL 160.8, 0.41%, 0.52%

LAB 67.98, -37.03, 7.49

 

CMYK 60 / 0 / 20 / 35

HEX #42A584

RGB 66 165 132

HSL 160, 0.43%, 0.45%

LAB 61.42, -36.99, 8.59

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 43 / 0 / 24 / 7

HEX #87EDB4

RGB 135 237 180

HSL 146.47, 0.74%, 0.73%

LAB 86.51, -42.27, 18.49

 

CMYK 43 / 0 / 35 / 7

HEX #87ED99

RGB 135 237 153

HSL 130.59, 0.74%, 0.73%

LAB 86.02, -47.09, 31.65

 

CMYK 39 / 0 / 43 / 7

HEX #90ED87

RGB 144 237 135

HSL 114.71, 0.74%, 0.73%

LAB 86.13, -47.2, 40.85

 

CMYK 28 / 0 / 43 / 7

HEX #ABED87

RGB 171 237 135

HSL 98.82, 0.74%, 0.73%

LAB 87.47, -38.51, 42.84

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 43 / 0 / 1 / 7

HEX #87EDEB

RGB 135 237 235

HSL 178.82, 0.74%, 0.73%

LAB 87.83, -30.21, -8.35

 

CMYK 43 / 11 / 0 / 7

HEX #87D2ED

RGB 135 210 237

HSL 195.88, 0.74%, 0.73%

LAB 80.38, -16.37, -20.58

 

CMYK 43 / 23 / 0 / 7

HEX #87B7ED

RGB 135 183 237

HSL 211.76, 0.74%, 0.73%

LAB 72.98, -2.05, -31.9

 

CMYK 43 / 35 / 0 / 7

HEX #879BED

RGB 135 155 237

HSL 228.24, 0.74%, 0.73%

LAB 65.52, 13.7, -43.51

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 50 / 0 / 14 / 3

HEX #7CF8D5

RGB 124 248 213

HSL 163.06, 0.9%, 0.73%

LAB 89.96, -42.9, 6.2

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 35 / 0 / 10 / 12

HEX #92E1CB

RGB 146 225 203

HSL 163.29, 0.57%, 0.73%

LAB 84.11, -29.06, 3.09

 

CMYK 27 / 0 / 7 / 16

HEX #9DD6C6

RGB 157 214 198

HSL 163.16, 0.41%, 0.73%

LAB 81.48, -21.59, 1.99

 

CMYK 17 / 0 / 5 / 20

HEX #A8CBC1

RGB 168 203 193

HSL 162.86, 0.25%, 0.73%

LAB 78.98, -13.63, 1.1

 

CMYK 7 / 0 / 2 / 25

HEX #B3C0BC

RGB 179 192 188

HSL 161.54, 0.09%, 0.73%

LAB 76.63, -5.22, 0.47

 

CMYK 43 / 0 / 35 / 7

HEX #87ED99

RGB 135 237 153

HSL 130.59, 0.74%, 0.73%

LAB 86.02, -47.09, 31.65

 

CMYK 43 / 0 / 24 / 7

HEX #87EDB5

RGB 135 237 181

HSL 147.06, 0.74%, 0.73%

LAB 86.53, -42.08, 18

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 43 / 0 / 1 / 7

HEX #87EDEB

RGB 135 237 235

HSL 178.82, 0.74%, 0.73%

LAB 87.83, -30.21, -8.35

 

CMYK 43 / 11 / 0 / 7

HEX #87D3ED

RGB 135 211 237

HSL 195.29, 0.74%, 0.73%

LAB 80.66, -16.88, -20.16

 

CMYK 72 / 0 / 20 / 11

HEX #3FE2B4

RGB 63 226 180

HSL 163.07, 0.74%, 0.57%

LAB 81.15, -52.09, 10.63

 

CMYK 57 / 0 / 16 / 9

HEX #63E7C2

RGB 99 231 194

HSL 163.18, 0.73%, 0.65%

LAB 83.81, -45.01, 7.17

 

CMYK 43 / 0 / 12 / 7

HEX #87EDD0

RGB 135 237 208

HSL 162.94, 0.74%, 0.73%

LAB 87.13, -36.48, 4.77

 

CMYK 29 / 0 / 8 / 5

HEX #ABF2DE

RGB 171 242 222

HSL 163.1, 0.73%, 0.81%

LAB 90.52, -26.14, 2.59

 

CMYK 17 / 0 / 4 / 3

HEX #CEF7EC

RGB 206 247 236

HSL 163.9, 0.72%, 0.89%

LAB 94.18, -15.26, 0.89

 

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

CMYK 43 / 40 / 0 / 7

HEX #878FED

RGB 135 143 237

HSL 235.29, 0.74%, 0.73%

LAB 62.43, 20.66, -48.37

 

CMYK 0 / 30 / 43 / 7

HEX #EDA787

RGB 237 167 135

HSL 18.82, 0.74%, 0.73%

LAB 74.44, 22.02, 26.85

 

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

CMYK 12 / 43 / 0 / 7

HEX #D087ED

RGB 208 135 237

HSL 282.94, 0.74%, 0.73%

LAB 67.17, 45.05, -40.48

 

CMYK 0 / 12 / 43 / 7

HEX #EDD087

RGB 237 208 135

HSL 42.94, 0.74%, 0.73%

LAB 84.41, 0.47, 39.9

 

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

CMYK 43 / 40 / 0 / 7

HEX #878FED

RGB 135 143 237

HSL 235.29, 0.74%, 0.73%

LAB 62.43, 20.66, -48.37

 

CMYK 0 / 43 / 31 / 7

HEX #ED87A4

RGB 237 135 164

HSL 342.94, 0.74%, 0.73%

LAB 68.03, 42.21, 1.87

 

CMYK 0 / 4 / 43 / 7

HEX #EDE487

RGB 237 228 135

HSL 54.71, 0.74%, 0.73%

LAB 89.51, -9.68, 46.34

 

CMYK 43 / 0 / 12 / 7

HEX #86EDD0

RGB 134 237 208

HSL 163.11, 0.74%, 0.73%

LAB 87.09, -36.73, 4.71

 

CMYK 34 / 43 / 0 / 7

HEX #9D87ED

RGB 157 135 237

HSL 252.94, 0.74%, 0.73%

LAB 62.18, 30.9, -48.67

 

CMYK 0 / 43 / 31 / 7

HEX #ED87A4

RGB 237 135 164

HSL 342.94, 0.74%, 0.73%

LAB 68.03, 42.21, 1.87

 

CMYK 9 / 0 / 43 / 7

HEX #D7ED87

RGB 215 237 135

HSL 72.94, 0.74%, 0.73%

LAB 90.21, -22.6, 46.86

 

Description

Color code: HEX #86EDD0 | qconv.com Color code: HEX #86EDD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 237 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 237 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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