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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #870681 it is the complementary color #78F97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #870681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #870681 shade: #8C067C, #9D188F, #AE2AA2, #BF3CB5 and #D04EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #870681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #870681 shade: #870681, #76006E, #65005B, #540048 and #430035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #870681 shade: #880682, #88065F, #88063C, #880619 and #880606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #870681 shade: #880682, #6B0688, #480688, #250688 and #060688

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #870681 shade matches the following richer shades: #880682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #870681 shade: #880682, #7C1177, #711D6D, #652962 and #5A3458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #870681 shade: #470688, #6A0688, #880684, #880661 and #88063E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #870681 shade: #390237, #60045C, #880682, #AF08A7 and #D70ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #870681 shade: #870681, #882406 and #068858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #870681 shade: #870681, #848806 and #068488

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #870681 shade: #870681, #882406, #06880A and #066A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #870681 shade: #870681, #884B06, #06880A and #064388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

Complementary color

CMYK 52 / 0 / 49 / 2

HEX #78F97E

RGB 120 249 126

HSL 122.79, 0.91%, 0.72%

LAB 88.57, -59.91, 48.03

 

CMYK 0 / 96 / 11 / 45

HEX #8C067C

RGB 140 6 124

HSL 307.16, 0.92%, 0.29%

LAB 32.17, 59.65, -30.04

 

CMYK 0 / 85 / 9 / 38

HEX #9D188F

RGB 157 24 143

HSL 306.32, 0.73%, 0.35%

LAB 37.49, 62.76, -33.22

 

CMYK 0 / 76 / 7 / 32

HEX #AE2AA2

RGB 174 42 162

HSL 305.45, 0.61%, 0.42%

LAB 43.16, 64.54, -35.57

 

CMYK 0 / 69 / 5 / 25

HEX #BF3CB5

RGB 191 60 181

HSL 304.58, 0.52%, 0.49%

LAB 49.06, 65.36, -37.31

 

CMYK 0 / 63 / 4 / 18

HEX #D04EC8

RGB 208 78 200

HSL 303.69, 0.58%, 0.56%

LAB 55.1, 65.59, -38.62

 

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

CMYK 0 / 100 / 7 / 54

HEX #76006E

RGB 118 0 110

HSL 304.07, 1%, 0.23%

LAB 26.67, 54.35, -30.11

 

CMYK 0 / 100 / 10 / 60

HEX #65005B

RGB 101 0 91

HSL 305.94, 1%, 0.2%

LAB 22.02, 48.2, -25.26

 

CMYK 0 / 100 / 14 / 67

HEX #540048

RGB 84 0 72

HSL 308.57, 1%, 0.16%

LAB 17.24, 41.88, -20.17

 

CMYK 0 / 100 / 21 / 74

HEX #430035

RGB 67 0 53

HSL 312.54, 1%, 0.13%

LAB 12.29, 35.33, -14.77

 

CMYK 0 / 96 / 4 / 47

HEX #880682

RGB 136 6 130

HSL 302.77, 0.92%, 0.28%

LAB 31.75, 59.78, -34.52

 

CMYK 0 / 96 / 30 / 47

HEX #88065F

RGB 136 6 95

HSL 318.92, 0.92%, 0.28%

LAB 29.89, 55, -15.07

 

CMYK 0 / 96 / 56 / 47

HEX #88063C

RGB 136 6 60

HSL 335.08, 0.92%, 0.28%

LAB 28.62, 51.59, 6.32

 

CMYK 0 / 96 / 82 / 47

HEX #880619

RGB 136 6 25

HSL 351.23, 0.92%, 0.28%

LAB 27.94, 49.71, 28.67

 

CMYK 0 / 96 / 96 / 47

HEX #880606

RGB 136 6 6

HSL 0, 0.92%, 0.28%

LAB 27.78, 49.28, 38.32

 

CMYK 0 / 96 / 4 / 47

HEX #880682

RGB 136 6 130

HSL 302.77, 0.92%, 0.28%

LAB 31.75, 59.78, -34.52

 

CMYK 21 / 96 / 0 / 47

HEX #6B0688

RGB 107 6 136

HSL 286.62, 0.92%, 0.28%

LAB 26.83, 55.85, -46.47

 

CMYK 47 / 96 / 0 / 47

HEX #480688

RGB 72 6 136

HSL 270.46, 0.92%, 0.28%

LAB 21.15, 51.24, -55.99

 

CMYK 73 / 96 / 0 / 47

HEX #250688

RGB 37 6 136

HSL 254.31, 0.92%, 0.28%

LAB 16.99, 48.47, -63.01

 

CMYK 96 / 96 / 0 / 47

HEX #060688

RGB 6 6 136

HSL 240, 0.92%, 0.28%

LAB 15.2, 47.5, -66.04

 

CMYK 0 / 96 / 4 / 47

HEX #880682

RGB 136 6 130

HSL 302.77, 0.92%, 0.28%

LAB 31.75, 59.78, -34.52

 

CMYK 0 / 96 / 4 / 47

HEX #880682

RGB 136 6 130

HSL 302.77, 0.92%, 0.28%

LAB 31.75, 59.78, -34.52

 

CMYK 0 / 86 / 4 / 51

HEX #7C1177

RGB 124 17 119

HSL 302.8, 0.76%, 0.28%

LAB 29.46, 53.79, -31.37

 

CMYK 0 / 74 / 4 / 56

HEX #711D6D

RGB 113 29 109

HSL 302.86, 0.59%, 0.28%

LAB 28.1, 46.05, -27.27

 

CMYK 0 / 59 / 3 / 60

HEX #652962

RGB 101 41 98

HSL 303, 0.42%, 0.28%

LAB 27.39, 35.36, -21.41

 

CMYK 0 / 42 / 2 / 65

HEX #5A3458

RGB 90 52 88

HSL 303.16, 0.27%, 0.28%

LAB 27.67, 23.4, -14.59

 

CMYK 48 / 96 / 0 / 47

HEX #470688

RGB 71 6 136

HSL 270, 0.92%, 0.28%

LAB 21.01, 51.13, -56.24

 

CMYK 22 / 96 / 0 / 47

HEX #6A0688

RGB 106 6 136

HSL 286.15, 0.92%, 0.28%

LAB 26.65, 55.7, -46.77

 

CMYK 0 / 96 / 3 / 47

HEX #880684

RGB 136 6 132

HSL 301.85, 0.92%, 0.28%

LAB 31.88, 60.08, -35.57

 

CMYK 0 / 96 / 29 / 47

HEX #880661

RGB 136 6 97

HSL 318, 0.92%, 0.28%

LAB 29.98, 55.24, -16.24

 

CMYK 0 / 96 / 54 / 47

HEX #88063E

RGB 136 6 62

HSL 334.15, 0.92%, 0.28%

LAB 28.67, 51.75, 5.05

 

CMYK 0 / 96 / 4 / 78

HEX #390237

RGB 57 2 55

HSL 302.18, 0.93%, 0.12%

LAB 10.48, 32.54, -19.23

 

CMYK 0 / 96 / 4 / 62

HEX #60045C

RGB 96 4 92

HSL 302.61, 0.92%, 0.2%

LAB 21.38, 46.43, -27.01

 

CMYK 0 / 96 / 4 / 47

HEX #880682

RGB 136 6 130

HSL 302.77, 0.92%, 0.28%

LAB 31.75, 59.78, -34.52

 

CMYK 0 / 95 / 5 / 31

HEX #AF08A7

RGB 175 8 167

HSL 302.87, 0.91%, 0.36%

LAB 41.34, 72.1, -41.44

 

CMYK 0 / 95 / 5 / 16

HEX #D70ACD

RGB 215 10 205

HSL 302.93, 0.91%, 0.44%

LAB 50.77, 84.22, -48.27

 

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

CMYK 0 / 74 / 96 / 47

HEX #882406

RGB 136 36 6

HSL 13.85, 0.92%, 0.28%

LAB 30.66, 41.17, 40.59

 

CMYK 96 / 0 / 35 / 47

HEX #068858

RGB 6 136 88

HSL 157.85, 0.92%, 0.28%

LAB 49.92, -43.16, 17.2

 

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

CMYK 3 / 0 / 96 / 47

HEX #848806

RGB 132 136 6

HSL 61.85, 0.92%, 0.28%

LAB 54.58, -15.24, 57.78

 

CMYK 96 / 3 / 0 / 47

HEX #068488

RGB 6 132 136

HSL 181.85, 0.92%, 0.28%

LAB 49.88, -27.88, -10.74

 

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

CMYK 0 / 74 / 96 / 47

HEX #882406

RGB 136 36 6

HSL 13.85, 0.92%, 0.28%

LAB 30.66, 41.17, 40.59

 

CMYK 96 / 0 / 93 / 47

HEX #06880A

RGB 6 136 10

HSL 121.85, 0.92%, 0.28%

LAB 49.09, -53.23, 50.34

 

CMYK 96 / 22 / 0 / 47

HEX #066A88

RGB 6 106 136

HSL 193.85, 0.92%, 0.28%

LAB 41.41, -14.03, -23.68

 

CMYK 0 / 96 / 4 / 47

HEX #870681

RGB 135 6 129

HSL 302.79, 0.91%, 0.28%

LAB 31.5, 59.44, -34.3

 

CMYK 0 / 45 / 96 / 47

HEX #884B06

RGB 136 75 6

HSL 31.85, 0.92%, 0.28%

LAB 38.34, 21.41, 45.88

 

CMYK 96 / 0 / 93 / 47

HEX #06880A

RGB 6 136 10

HSL 121.85, 0.92%, 0.28%

LAB 49.09, -53.23, 50.34

 

CMYK 96 / 51 / 0 / 47

HEX #064388

RGB 6 67 136

HSL 211.85, 0.92%, 0.28%

LAB 28.98, 10.86, -43.38

 

Description

Color code: HEX #870681 | qconv.com Color code: HEX #870681 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 6 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 6 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 4 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 4% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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