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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871188 it is the complementary color #78EE77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871188 shade: #8C1183, #9D2396, #AE35A9, #BF47BC and #D059CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871188 shade: #871188, #760075, #650062, #54004F and #43003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871188 shade: #871088, #881068, #881048, #881028 and #881010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871188 shade: #871088, #661088, #461088, #261088 and #101088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871188 shade matches the following richer shades: #871088 and #930494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871188 shade: #871088, #7B1D7B, #6E296F, #623563 and #564256

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871188 shade: #461088, #661088, #861088, #88106A and #88104A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871188 shade: #3E073E, #620C63, #871088, #AB15AC and #D019D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871188 shade: #871188, #882610 and #108856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871188 shade: #871188, #888610 and #108886

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871188 shade: #871188, #882610, #128810 and #107288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871188 shade: #871188, #884A10, #128810 and #104E88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

Complementary color

CMYK 50 / 0 / 50 / 7

HEX #78EE77

RGB 120 238 119

HSL 119.5, 0.78%, 0.7%

LAB 85.24, -56.59, 47.23

 

CMYK 0 / 88 / 6 / 45

HEX #8C1183

RGB 140 17 131

HSL 304.39, 0.78%, 0.31%

LAB 33.17, 58.94, -32.85

 

CMYK 0 / 78 / 4 / 38

HEX #9D2396

RGB 157 35 150

HSL 303.44, 0.64%, 0.38%

LAB 38.85, 61.02, -35.34

 

CMYK 0 / 70 / 3 / 32

HEX #AE35A9

RGB 174 53 169

HSL 302.48, 0.53%, 0.45%

LAB 44.81, 61.99, -37.13

 

CMYK 0 / 63 / 2 / 25

HEX #BF47BC

RGB 191 71 188

HSL 301.5, 0.48%, 0.51%

LAB 50.94, 62.25, -38.43

 

CMYK 0 / 57 / 0 / 18

HEX #D059CF

RGB 208 89 207

HSL 300.5, 0.56%, 0.58%

LAB 57.13, 62.09, -39.42

 

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

CMYK 0 / 100 / 1 / 54

HEX #760075

RGB 118 0 117

HSL 300.51, 1%, 0.23%

LAB 27.12, 55.44, -33.89

 

CMYK 0 / 100 / 3 / 60

HEX #650062

RGB 101 0 98

HSL 301.78, 1%, 0.2%

LAB 22.47, 49.3, -29.18

 

CMYK 0 / 100 / 6 / 67

HEX #54004F

RGB 84 0 79

HSL 303.57, 1%, 0.16%

LAB 17.69, 42.98, -24.27

 

CMYK 0 / 100 / 10 / 74

HEX #43003C

RGB 67 0 60

HSL 306.27, 1%, 0.13%

LAB 12.73, 36.43, -19.11

 

CMYK 1 / 88 / 0 / 47

HEX #871088

RGB 135 16 136

HSL 299.5, 0.79%, 0.3%

LAB 32.48, 58.95, -37.11

 

CMYK 0 / 88 / 24 / 47

HEX #881068

RGB 136 16 104

HSL 316, 0.79%, 0.3%

LAB 30.89, 54.43, -19.36

 

CMYK 0 / 88 / 47 / 47

HEX #881048

RGB 136 16 72

HSL 332, 0.79%, 0.3%

LAB 29.6, 50.83, -0.33

 

CMYK 0 / 88 / 71 / 47

HEX #881028

RGB 136 16 40

HSL 348, 0.79%, 0.3%

LAB 28.79, 48.51, 19.98

 

CMYK 0 / 88 / 88 / 47

HEX #881010

RGB 136 16 16

HSL 0, 0.79%, 0.3%

LAB 28.49, 47.62, 34.42

 

CMYK 1 / 88 / 0 / 47

HEX #871088

RGB 135 16 136

HSL 299.5, 0.79%, 0.3%

LAB 32.48, 58.95, -37.11

 

CMYK 25 / 88 / 0 / 47

HEX #661088

RGB 102 16 136

HSL 283, 0.79%, 0.3%

LAB 26.66, 53.03, -46.79

 

CMYK 49 / 88 / 0 / 47

HEX #461088

RGB 70 16 136

HSL 267, 0.79%, 0.3%

LAB 21.76, 48.34, -55

 

CMYK 72 / 88 / 0 / 47

HEX #261088

RGB 38 16 136

HSL 251, 0.79%, 0.3%

LAB 18.19, 45.19, -61.02

 

CMYK 88 / 88 / 0 / 47

HEX #101088

RGB 16 16 136

HSL 240, 0.79%, 0.3%

LAB 16.79, 44.04, -63.39

 

CMYK 1 / 88 / 0 / 47

HEX #871088

RGB 135 16 136

HSL 299.5, 0.79%, 0.3%

LAB 32.48, 58.95, -37.11

 

CMYK 1 / 97 / 0 / 42

HEX #930494

RGB 147 4 148

HSL 299.58, 0.95%, 0.3%

LAB 34.86, 64.8, -40.58

 

CMYK 1 / 88 / 0 / 47

HEX #871088

RGB 135 16 136

HSL 299.5, 0.79%, 0.3%

LAB 32.48, 58.95, -37.11

 

CMYK 0 / 76 / 0 / 52

HEX #7B1D7B

RGB 123 29 123

HSL 300, 0.62%, 0.3%

LAB 30.69, 50.86, -31.96

 

CMYK 1 / 63 / 0 / 56

HEX #6E296F

RGB 110 41 111

HSL 299.14, 0.46%, 0.3%

LAB 29.53, 40.5, -26.31

 

CMYK 1 / 46 / 0 / 61

HEX #623563

RGB 98 53 99

HSL 298.7, 0.3%, 0.3%

LAB 29.52, 27.92, -18.77

 

CMYK 0 / 23 / 0 / 66

HEX #564256

RGB 86 66 86

HSL 300, 0.13%, 0.3%

LAB 30.75, 12.61, -8.64

 

CMYK 49 / 88 / 0 / 47

HEX #461088

RGB 70 16 136

HSL 267, 0.79%, 0.3%

LAB 21.76, 48.34, -55

 

CMYK 25 / 88 / 0 / 47

HEX #661088

RGB 102 16 136

HSL 283, 0.79%, 0.3%

LAB 26.66, 53.03, -46.79

 

CMYK 1 / 88 / 0 / 47

HEX #861088

RGB 134 16 136

HSL 299, 0.79%, 0.3%

LAB 32.29, 58.76, -37.42

 

CMYK 0 / 88 / 22 / 47

HEX #88106A

RGB 136 16 106

HSL 315, 0.79%, 0.3%

LAB 30.99, 54.69, -20.5

 

CMYK 0 / 88 / 46 / 47

HEX #88104A

RGB 136 16 74

HSL 331, 0.79%, 0.3%

LAB 29.66, 51.02, -1.57

 

CMYK 0 / 89 / 0 / 76

HEX #3E073E

RGB 62 7 62

HSL 300, 0.8%, 0.14%

LAB 12.76, 32.85, -20.56

 

CMYK 1 / 88 / 0 / 61

HEX #620C63

RGB 98 12 99

HSL 299.31, 0.78%, 0.22%

LAB 22.86, 46.19, -29.25

 

CMYK 1 / 88 / 0 / 47

HEX #871088

RGB 135 16 136

HSL 299.5, 0.79%, 0.3%

LAB 32.48, 58.95, -37.11

 

CMYK 1 / 88 / 0 / 33

HEX #AB15AC

RGB 171 21 172

HSL 299.6, 0.78%, 0.38%

LAB 41.49, 70.45, -44.22

 

CMYK 0 / 88 / 0 / 18

HEX #D019D1

RGB 208 25 209

HSL 299.67, 0.79%, 0.46%

LAB 50.34, 81.95, -51.33

 

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

CMYK 0 / 72 / 88 / 47

HEX #882610

RGB 136 38 16

HSL 11, 0.79%, 0.3%

LAB 31.02, 40.57, 36.57

 

CMYK 88 / 0 / 37 / 47

HEX #108856

RGB 16 136 86

HSL 155, 0.79%, 0.3%

LAB 49.97, -42.93, 18.41

 

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

CMYK 0 / 1 / 88 / 47

HEX #888610

RGB 136 134 16

HSL 59, 0.79%, 0.3%

LAB 54.37, -12.13, 55.91

 

CMYK 88 / 0 / 1 / 47

HEX #108886

RGB 16 136 134

HSL 179, 0.79%, 0.3%

LAB 51.2, -29.93, -7.59

 

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

CMYK 0 / 72 / 88 / 47

HEX #882610

RGB 136 38 16

HSL 11, 0.79%, 0.3%

LAB 31.02, 40.57, 36.57

 

CMYK 87 / 0 / 88 / 47

HEX #128810

RGB 18 136 16

HSL 119, 0.79%, 0.3%

LAB 49.22, -51.99, 49.23

 

CMYK 88 / 16 / 0 / 47

HEX #107288

RGB 16 114 136

HSL 191, 0.79%, 0.3%

LAB 44.12, -17.91, -19.49

 

CMYK 1 / 88 / 0 / 47

HEX #871188

RGB 135 17 136

HSL 299.5, 0.78%, 0.3%

LAB 32.55, 58.75, -37.01

 

CMYK 0 / 46 / 88 / 47

HEX #884A10

RGB 136 74 16

HSL 29, 0.79%, 0.3%

LAB 38.14, 22.21, 42.56

 

CMYK 87 / 0 / 88 / 47

HEX #128810

RGB 18 136 16

HSL 119, 0.79%, 0.3%

LAB 49.22, -51.99, 49.23

 

CMYK 88 / 43 / 0 / 47

HEX #104E88

RGB 16 78 136

HSL 209, 0.79%, 0.3%

LAB 32.56, 4.01, -37.62

 

Description

Color code: HEX #871188 | qconv.com Color code: HEX #871188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 17 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 17 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 88 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 88% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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