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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8727C8 it is the complementary color #78D837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8727C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8727C8 shade: #8C27C3, #9D39D6, #AE4BE9, #BF5DFC and #D06FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8727C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8727C8 shade: #8727C8, #7615B5, #6503A2, #54008F and #43007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8727C8 shade: #8727C8, #B227C8, #C827B2, #C82787 and #C8275B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8727C8 shade: #8727C8, #5C27C8, #3027C8 and #2727C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8727C8 shade matches the following richer shades: #8727C8, #8B14DB and #8E00EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8727C8 shade: #8727C8, #833AB4, #7F4EA1, #7C618D and #78757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8727C8 shade: #2F27C8, #5A27C8, #8527C8, #B027C8 and #C827B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8727C8 shade: #581983, #7020A5, #8727C8, #9B3FD9 and #AD62E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8727C8 shade: #8727C8, #C8274A and #27C844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8727C8 shade: #8727C8, #C88527 and #27C885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8727C8 shade: #8727C8, #C8274A, #6AC827 and #27C8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8727C8 shade: #8727C8, #C83427, #6AC827 and #27BAC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

Complementary color

CMYK 44 / 0 / 75 / 15

HEX #78D837

RGB 120 216 55

HSL 95.78, 0.67%, 0.53%

LAB 78.1, -54.21, 65.88

 

CMYK 28 / 80 / 0 / 24

HEX #8C27C3

RGB 140 39 195

HSL 278.85, 0.67%, 0.46%

LAB 39.52, 64.81, -61.22

 

CMYK 27 / 73 / 0 / 16

HEX #9D39D6

RGB 157 57 214

HSL 278.22, 0.66%, 0.53%

LAB 45.56, 65.36, -62.3

 

CMYK 25 / 68 / 0 / 9

HEX #AE4BE9

RGB 174 75 233

HSL 277.59, 0.78%, 0.6%

LAB 51.74, 65.3, -63

 

CMYK 24 / 63 / 0 / 1

HEX #BF5DFC

RGB 191 93 252

HSL 276.98, 0.96%, 0.68%

LAB 57.97, 64.9, -63.46

 

CMYK 18 / 56 / 0 / 0

HEX #D06FFF

RGB 208 111 255

HSL 280.42, 1%, 0.72%

LAB 63.34, 60.95, -56.41

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 35 / 88 / 0 / 29

HEX #7615B5

RGB 118 21 181

HSL 276.38, 0.79%, 0.4%

LAB 33.4, 63.6, -63.09

 

CMYK 38 / 98 / 0 / 36

HEX #6503A2

RGB 101 3 162

HSL 276.98, 0.96%, 0.32%

LAB 27.95, 60.82, -60.7

 

CMYK 41 / 100 / 0 / 44

HEX #54008F

RGB 84 0 143

HSL 275.24, 1%, 0.28%

LAB 23.23, 55.5, -56.88

 

CMYK 46 / 100 / 0 / 51

HEX #43007C

RGB 67 0 124

HSL 272.42, 1%, 0.24%

LAB 18.58, 49.52, -52.67

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 11 / 81 / 0 / 22

HEX #B227C8

RGB 178 39 200

HSL 291.8, 0.67%, 0.47%

LAB 45.75, 72.4, -53.77

 

CMYK 0 / 81 / 11 / 22

HEX #C827B2

RGB 200 39 178

HSL 308.2, 0.67%, 0.47%

LAB 48.19, 73.24, -36.82

 

CMYK 0 / 81 / 33 / 22

HEX #C82787

RGB 200 39 135

HSL 324.22, 0.67%, 0.47%

LAB 46.28, 67.82, -14.07

 

CMYK 0 / 81 / 55 / 22

HEX #C8275B

RGB 200 39 91

HSL 340.62, 0.67%, 0.47%

LAB 44.92, 63.77, 11.05

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 54 / 81 / 0 / 22

HEX #5C27C8

RGB 92 39 200

HSL 259.75, 0.67%, 0.47%

LAB 33.77, 59.04, -73.81

 

CMYK 76 / 81 / 0 / 22

HEX #3027C8

RGB 48 39 200

HSL 243.35, 0.67%, 0.47%

LAB 30.03, 54.96, -80.1

 

CMYK 81 / 81 / 0 / 22

HEX #2727C8

RGB 39 39 200

HSL 240, 0.67%, 0.47%

LAB 29.54, 54.43, -80.93

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 37 / 91 / 0 / 14

HEX #8B14DB

RGB 139 20 219

HSL 275.88, 0.83%, 0.47%

LAB 39.75, 74.31, -74.75

 

CMYK 40 / 100 / 0 / 7

HEX #8E00EE

RGB 142 0 238

HSL 275.8, 1%, 0.47%

LAB 41.09, 80.91, -83.37

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 27 / 68 / 0 / 29

HEX #833AB4

RGB 131 58 180

HSL 275.9, 0.51%, 0.47%

LAB 39.83, 52.29, -51.97

 

CMYK 21 / 52 / 0 / 37

HEX #7F4EA1

RGB 127 78 161

HSL 275.42, 0.35%, 0.47%

LAB 42.05, 36.42, -37.17

 

CMYK 12 / 31 / 0 / 45

HEX #7C618D

RGB 124 97 141

HSL 276.82, 0.18%, 0.47%

LAB 45.3, 19.65, -20.16

 

CMYK 2 / 4 / 0 / 52

HEX #78757A

RGB 120 117 122

HSL 276, 0.02%, 0.47%

LAB 49.64, 2.16, -2.34

 

CMYK 77 / 81 / 0 / 22

HEX #2F27C8

RGB 47 39 200

HSL 242.98, 0.67%, 0.47%

LAB 29.97, 54.9, -80.2

 

CMYK 55 / 81 / 0 / 22

HEX #5A27C8

RGB 90 39 200

HSL 259.01, 0.67%, 0.47%

LAB 33.55, 58.8, -74.17

 

CMYK 34 / 81 / 0 / 22

HEX #8527C8

RGB 133 39 200

HSL 275.03, 0.67%, 0.47%

LAB 38.91, 64.73, -65.18

 

CMYK 12 / 81 / 0 / 22

HEX #B027C8

RGB 176 39 200

HSL 291.06, 0.67%, 0.47%

LAB 45.43, 72.04, -54.31

 

CMYK 0 / 81 / 10 / 22

HEX #C827B5

RGB 200 39 181

HSL 307.08, 0.67%, 0.47%

LAB 48.34, 73.67, -38.34

 

CMYK 33 / 81 / 0 / 49

HEX #581983

RGB 88 25 131

HSL 275.66, 0.68%, 0.31%

LAB 24.98, 46.69, -46.49

 

CMYK 32 / 81 / 0 / 35

HEX #7020A5

RGB 112 32 165

HSL 276.09, 0.68%, 0.39%

LAB 32.25, 56.04, -55.43

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 29 / 71 / 0 / 15

HEX #9B3FD9

RGB 155 63 217

HSL 275.84, 0.67%, 0.55%

LAB 46.36, 63.2, -62.75

 

CMYK 23 / 56 / 0 / 12

HEX #AD62E0

RGB 173 98 224

HSL 275.71, 0.67%, 0.63%

LAB 55.07, 52.22, -52.59

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 0 / 81 / 63 / 22

HEX #C8274A

RGB 200 39 74

HSL 346.96, 0.67%, 0.47%

LAB 44.55, 62.65, 21.11

 

CMYK 81 / 0 / 66 / 22

HEX #27C844

RGB 39 200 68

HSL 130.81, 0.67%, 0.47%

LAB 70.98, -65.45, 52.97

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 0 / 34 / 81 / 22

HEX #C88527

RGB 200 133 39

HSL 35.03, 0.67%, 0.47%

LAB 60.96, 18.18, 57.27

 

CMYK 81 / 0 / 34 / 22

HEX #27C885

RGB 39 200 133

HSL 155.03, 0.67%, 0.47%

LAB 71.85, -55.23, 22.46

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 0 / 81 / 63 / 22

HEX #C8274A

RGB 200 39 74

HSL 346.96, 0.67%, 0.47%

LAB 44.55, 62.65, 21.11

 

CMYK 47 / 0 / 81 / 22

HEX #6AC827

RGB 106 200 39

HSL 95.03, 0.67%, 0.47%

LAB 72.57, -53.25, 65.3

 

CMYK 81 / 0 / 18 / 22

HEX #27C8A5

RGB 39 200 165

HSL 166.96, 0.67%, 0.47%

LAB 72.53, -47.8, 6.26

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 0 / 74 / 81 / 22

HEX #C83427

RGB 200 52 39

HSL 4.84, 0.67%, 0.47%

LAB 45.47, 57.15, 42.68

 

CMYK 47 / 0 / 81 / 22

HEX #6AC827

RGB 106 200 39

HSL 95.03, 0.67%, 0.47%

LAB 72.57, -53.25, 65.3

 

CMYK 81 / 7 / 0 / 22

HEX #27BAC8

RGB 39 186 200

HSL 185.22, 0.67%, 0.47%

LAB 69.27, -31.63, -17.67

 

Description

Color code: HEX #8727C8 | qconv.com Color code: HEX #8727C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 39 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 39 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 81 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 81% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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