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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #872F4E it is the complementary color #78D0B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #872F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #872F4E shade: #8C2F49, #9D415C, #AE536F, #BF6582 and #D07795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #872F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #872F4E shade: #872F4E, #761D3B, #650B28, #540015 and #430002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #872F4E shade: #872F4E, #872F37 and #872F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #872F4E shade: #872F4E, #872F66, #872F7E, #792F87 and #612F87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #872F4E shade matches the following richer shades: #872F4E, #96204A, #A51246 and #B40341

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #872F4E shade: #872F4E, #793E53, #6A4D57, #5B5C5B and #4C6B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #872F4E shade: #872F7F, #872F67, #872F50, #872F38 and #873E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #872F4E shade: #4A1A2B, #69253D, #872F4E, #A63A60 and #BF4A73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #872F4E shade: #872F4E, #87792F and #2F7387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #872F4E shade: #872F4E, #50872F and #2F5087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #872F4E shade: #872F4E, #87792F, #2F8767 and #2F3E87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #872F4E shade: #872F4E, #7C872F, #2F8767 and #3B2F87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

Complementary color

CMYK 42 / 0 / 15 / 18

HEX #78D0B1

RGB 120 208 177

HSL 158.86, 0.48%, 0.64%

LAB 77.45, -33.68, 7.16

 

CMYK 0 / 66 / 48 / 45

HEX #8C2F49

RGB 140 47 73

HSL 343.23, 0.5%, 0.37%

LAB 34.17, 41.6, 5.7

 

CMYK 0 / 59 / 41 / 38

HEX #9D415C

RGB 157 65 92

HSL 342.39, 0.41%, 0.44%

LAB 40.77, 40.97, 3.47

 

CMYK 0 / 52 / 36 / 32

HEX #AE536F

RGB 174 83 111

HSL 341.54, 0.36%, 0.5%

LAB 47.41, 40.14, 1.72

 

CMYK 0 / 47 / 32 / 25

HEX #BF6582

RGB 191 101 130

HSL 340.67, 0.41%, 0.57%

LAB 54.02, 39.25, 0.29

 

CMYK 0 / 43 / 28 / 18

HEX #D07795

RGB 208 119 149

HSL 339.78, 0.49%, 0.64%

LAB 60.58, 38.36, -0.91

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 75 / 50 / 54

HEX #761D3B

RGB 118 29 59

HSL 339.78, 0.61%, 0.29%

LAB 26.87, 40.57, 3.98

 

CMYK 0 / 89 / 60 / 60

HEX #650B28

RGB 101 11 40

HSL 340.67, 0.8%, 0.22%

LAB 20.67, 39.57, 7.88

 

CMYK 0 / 100 / 75 / 67

HEX #540015

RGB 84 0 21

HSL 345, 1%, 0.16%

LAB 15.16, 36.52, 13.5

 

CMYK 0 / 100 / 97 / 74

HEX #430002

RGB 67 0 2

HSL 358.21, 1%, 0.13%

LAB 10.54, 30.76, 15.8

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 65 / 59 / 47

HEX #872F37

RGB 135 47 55

HSL 354.55, 0.48%, 0.36%

LAB 32.83, 38.23, 15.36

 

CMYK 0 / 65 / 65 / 47

HEX #872F2F

RGB 135 47 47

HSL 0, 0.48%, 0.36%

LAB 32.68, 37.64, 20.28

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 65 / 24 / 47

HEX #872F66

RGB 135 47 102

HSL 322.5, 0.48%, 0.36%

LAB 34.28, 43.55, -12.88

 

CMYK 0 / 65 / 7 / 47

HEX #872F7E

RGB 135 47 126

HSL 306.14, 0.48%, 0.36%

LAB 35.38, 47.37, -26.3

 

CMYK 10 / 65 / 0 / 47

HEX #792F87

RGB 121 47 135

HSL 290.45, 0.48%, 0.36%

LAB 33.66, 45.35, -34.74

 

CMYK 28 / 65 / 0 / 47

HEX #612F87

RGB 97 47 135

HSL 274.09, 0.48%, 0.36%

LAB 30.21, 39.33, -40.45

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 79 / 51 / 41

HEX #96204A

RGB 150 32 74

HSL 338.64, 0.65%, 0.36%

LAB 34.01, 50.57, 5.08

 

CMYK 0 / 89 / 58 / 35

HEX #A51246

RGB 165 18 70

HSL 338.78, 0.8%, 0.36%

LAB 35.74, 57.8, 10.57

 

CMYK 0 / 98 / 64 / 29

HEX #B40341

RGB 180 3 65

HSL 338.98, 0.97%, 0.36%

LAB 38.11, 63.21, 17.54

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 49 / 31 / 53

HEX #793E53

RGB 121 62 83

HSL 338.64, 0.32%, 0.36%

LAB 34.26, 28.26, -0.99

 

CMYK 0 / 27 / 18 / 58

HEX #6A4D57

RGB 106 77 87

HSL 339.31, 0.16%, 0.36%

LAB 36.1, 13.95, -1.07

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 29 / 0 / 10 / 58

HEX #4C6B60

RGB 76 107 96

HSL 158.71, 0.17%, 0.36%

LAB 42.61, -13.85, 2.54

 

CMYK 0 / 65 / 6 / 47

HEX #872F7F

RGB 135 47 127

HSL 305.45, 0.48%, 0.36%

LAB 35.43, 47.54, -26.84

 

CMYK 0 / 65 / 24 / 47

HEX #872F67

RGB 135 47 103

HSL 321.82, 0.48%, 0.36%

LAB 34.32, 43.7, -13.46

 

CMYK 0 / 65 / 41 / 47

HEX #872F50

RGB 135 47 80

HSL 337.5, 0.48%, 0.36%

LAB 33.48, 40.68, 0.07

 

CMYK 0 / 65 / 59 / 47

HEX #872F38

RGB 135 47 56

HSL 353.86, 0.48%, 0.36%

LAB 32.85, 38.31, 14.75

 

CMYK 0 / 54 / 65 / 47

HEX #873E2F

RGB 135 62 47

HSL 10.23, 0.48%, 0.36%

LAB 35.6, 30, 23.93

 

CMYK 0 / 65 / 42 / 71

HEX #4A1A2B

RGB 74 26 43

HSL 338.75, 0.48%, 0.2%

LAB 17.32, 24.77, 0.21

 

CMYK 0 / 65 / 42 / 59

HEX #69253D

RGB 105 37 61

HSL 338.82, 0.48%, 0.28%

LAB 25.75, 32.85, 0.71

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 65 / 42 / 35

HEX #A63A60

RGB 166 58 96

HSL 338.89, 0.48%, 0.44%

LAB 41.18, 47.67, 1.75

 

CMYK 0 / 61 / 40 / 25

HEX #BF4A73

RGB 191 74 115

HSL 338.97, 0.48%, 0.52%

LAB 48.53, 50.67, 1.25

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 10 / 65 / 47

HEX #87792F

RGB 135 121 47

HSL 50.45, 0.48%, 0.36%

LAB 50.72, -4.01, 41.34

 

CMYK 65 / 15 / 0 / 47

HEX #2F7387

RGB 47 115 135

HSL 193.64, 0.48%, 0.36%

LAB 45.1, -14.82, -17.33

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 41 / 0 / 65 / 47

HEX #50872F

RGB 80 135 47

HSL 97.5, 0.48%, 0.36%

LAB 50.97, -34.47, 40.45

 

CMYK 65 / 41 / 0 / 47

HEX #2F5087

RGB 47 80 135

HSL 217.5, 0.48%, 0.36%

LAB 34.17, 6.58, -34.38

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 0 / 10 / 65 / 47

HEX #87792F

RGB 135 121 47

HSL 50.45, 0.48%, 0.36%

LAB 50.72, -4.01, 41.34

 

CMYK 65 / 0 / 24 / 47

HEX #2F8767

RGB 47 135 103

HSL 158.18, 0.48%, 0.36%

LAB 50.58, -34.2, 9.62

 

CMYK 65 / 54 / 0 / 47

HEX #2F3E87

RGB 47 62 135

HSL 229.77, 0.48%, 0.36%

LAB 28.9, 18.69, -42.82

 

CMYK 0 / 65 / 42 / 47

HEX #872F4E

RGB 135 47 78

HSL 338.86, 0.48%, 0.36%

LAB 33.42, 40.45, 1.28

 

CMYK 8 / 0 / 65 / 47

HEX #7C872F

RGB 124 135 47

HSL 67.5, 0.48%, 0.36%

LAB 53.83, -16.62, 44.38

 

CMYK 65 / 0 / 24 / 47

HEX #2F8767

RGB 47 135 103

HSL 158.18, 0.48%, 0.36%

LAB 50.58, -34.2, 9.62

 

CMYK 56 / 65 / 0 / 47

HEX #3B2F87

RGB 59 47 135

HSL 248.18, 0.48%, 0.36%

LAB 25.9, 30.9, -47.65

 

Description

Color code: HEX #872F4E | qconv.com Color code: HEX #872F4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 47 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 47 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 42 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 42% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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