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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8735AB it is the complementary color #78CA54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8735AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8735AB shade: #8C35A6, #9D47B9, #AE59CC, #BF6BDF and #D07DF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8735AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8735AB shade: #8735AB, #762398, #651185, #540072 and #43005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8735AB shade: #8734AB, #A734AB, #AB348F, #AB346F and #AB344F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8735AB shade: #8734AB, #6734AB, #4734AB and #3434AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8735AB shade matches the following richer shades: #8734AB, #8E22BD and #9510CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8735AB shade: #8734AB, #804699, #795987, #726B75 and #6B7D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8735AB shade: #4634AB, #6634AB, #8634AB, #A534AB and #AB3491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8735AB shade: #55216C, #6E2B8C, #8734AB, #9E44C5 and #AE63CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8735AB shade: #8735AB, #AB3442 and #34AB56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8735AB shade: #8735AB, #AB8634 and #34AB86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8735AB shade: #8735AB, #AB3442, #5AAB34 and #34AB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8735AB shade: #8735AB, #AB4A34, #5AAB34 and #3495AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

Complementary color

CMYK 41 / 0 / 58 / 21

HEX #78CA54

RGB 120 202 84

HSL 101.69, 0.53%, 0.56%

LAB 74.11, -46.21, 50.2

 

CMYK 16 / 68 / 0 / 35

HEX #8C35A6

RGB 140 53 166

HSL 286.19, 0.52%, 0.43%

LAB 39.37, 53.55, -44.32

 

CMYK 15 / 62 / 0 / 27

HEX #9D47B9

RGB 157 71 185

HSL 285.26, 0.45%, 0.5%

LAB 45.88, 53.29, -45.02

 

CMYK 15 / 56 / 0 / 20

HEX #AE59CC

RGB 174 89 204

HSL 284.35, 0.53%, 0.57%

LAB 52.4, 52.74, -45.49

 

CMYK 14 / 52 / 0 / 13

HEX #BF6BDF

RGB 191 107 223

HSL 283.45, 0.64%, 0.65%

LAB 58.9, 52.05, -45.83

 

CMYK 14 / 48 / 0 / 5

HEX #D07DF2

RGB 208 125 242

HSL 282.56, 0.82%, 0.72%

LAB 65.35, 51.3, -46.08

 

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

CMYK 22 / 77 / 0 / 40

HEX #762398

RGB 118 35 152

HSL 282.56, 0.63%, 0.37%

LAB 32.53, 53.25, -47.04

 

CMYK 24 / 87 / 0 / 48

HEX #651185

RGB 101 17 133

HSL 283.45, 0.77%, 0.29%

LAB 26.34, 51.99, -45.45

 

CMYK 26 / 100 / 0 / 55

HEX #540072

RGB 84 0 114

HSL 284.21, 1%, 0.22%

LAB 20.44, 49.41, -43.08

 

CMYK 29 / 100 / 0 / 63

HEX #43005F

RGB 67 0 95

HSL 282.32, 1%, 0.19%

LAB 15.59, 43.1, -38.64

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 2 / 70 / 0 / 33

HEX #A734AB

RGB 167 52 171

HSL 297.98, 0.53%, 0.44%

LAB 43.67, 61.07, -40.2

 

CMYK 0 / 70 / 16 / 33

HEX #AB348F

RGB 171 52 143

HSL 314.12, 0.53%, 0.44%

LAB 42.91, 57.57, -24.55

 

CMYK 0 / 70 / 35 / 33

HEX #AB346F

RGB 171 52 111

HSL 330.25, 0.53%, 0.44%

LAB 41.63, 53.35, -6.85

 

CMYK 0 / 70 / 54 / 33

HEX #AB344F

RGB 171 52 79

HSL 346.39, 0.53%, 0.44%

LAB 40.7, 50.16, 11.86

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 40 / 70 / 0 / 33

HEX #6734AB

RGB 103 52 171

HSL 265.71, 0.53%, 0.44%

LAB 34.56, 47.21, -55.32

 

CMYK 58 / 70 / 0 / 33

HEX #4734AB

RGB 71 52 171

HSL 249.58, 0.53%, 0.44%

LAB 31.2, 41.52, -60.95

 

CMYK 70 / 70 / 0 / 33

HEX #3434AB

RGB 52 52 171

HSL 240, 0.53%, 0.44%

LAB 29.73, 38.89, -63.42

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 25 / 82 / 0 / 26

HEX #8E22BD

RGB 142 34 189

HSL 281.81, 0.7%, 0.44%

LAB 38.84, 65.45, -58.79

 

CMYK 28 / 92 / 0 / 19

HEX #9510CF

RGB 149 16 207

HSL 281.78, 0.86%, 0.44%

LAB 40.02, 73.85, -67.33

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 16 / 54 / 0 / 40

HEX #804699

RGB 128 70 153

HSL 281.93, 0.37%, 0.44%

LAB 40.03, 39.33, -35.57

 

CMYK 10 / 34 / 0 / 47

HEX #795987

RGB 121 89 135

HSL 281.74, 0.21%, 0.44%

LAB 42.7, 22.08, -20.58

 

CMYK 3 / 9 / 0 / 54

HEX #726B75

RGB 114 107 117

HSL 282, 0.04%, 0.44%

LAB 46.15, 4.76, -4.58

 

CMYK 14 / 0 / 21 / 51

HEX #6B7D63

RGB 107 125 99

HSL 101.54, 0.12%, 0.44%

LAB 50.33, -11.85, 12.02

 

CMYK 59 / 70 / 0 / 33

HEX #4634AB

RGB 70 52 171

HSL 249.08, 0.53%, 0.44%

LAB 31.11, 41.37, -61.1

 

CMYK 40 / 70 / 0 / 33

HEX #6634AB

RGB 102 52 171

HSL 265.21, 0.53%, 0.44%

LAB 34.44, 47.01, -55.52

 

CMYK 22 / 70 / 0 / 33

HEX #8634AB

RGB 134 52 171

HSL 281.34, 0.53%, 0.44%

LAB 38.66, 53.68, -48.49

 

CMYK 4 / 70 / 0 / 33

HEX #A534AB

RGB 165 52 171

HSL 296.97, 0.53%, 0.44%

LAB 43.35, 60.62, -40.72

 

CMYK 0 / 70 / 15 / 33

HEX #AB3491

RGB 171 52 145

HSL 313.11, 0.53%, 0.44%

LAB 43, 57.87, -25.62

 

CMYK 21 / 69 / 0 / 58

HEX #55216C

RGB 85 33 108

HSL 281.6, 0.53%, 0.28%

LAB 24, 37.12, -33.42

 

CMYK 21 / 69 / 0 / 45

HEX #6E2B8C

RGB 110 43 140

HSL 281.44, 0.53%, 0.36%

LAB 31.66, 45.59, -41.13

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 20 / 65 / 0 / 23

HEX #9E44C5

RGB 158 68 197

HSL 281.86, 0.53%, 0.52%

LAB 46.22, 57.39, -51.44

 

CMYK 16 / 52 / 0 / 19

HEX #AE63CF

RGB 174 99 207

HSL 281.67, 0.53%, 0.6%

LAB 54.48, 48.28, -43.91

 

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

CMYK 0 / 70 / 61 / 33

HEX #AB3442

RGB 171 52 66

HSL 352.94, 0.53%, 0.44%

LAB 40.42, 49.19, 19.62

 

CMYK 70 / 0 / 50 / 33

HEX #34AB56

RGB 52 171 86

HSL 137.14, 0.53%, 0.44%

LAB 62.11, -51.36, 34.29

 

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

CMYK 0 / 22 / 70 / 33

HEX #AB8634

RGB 171 134 52

HSL 41.34, 0.53%, 0.44%

LAB 58, 5.38, 47.87

 

CMYK 70 / 0 / 22 / 33

HEX #34AB86

RGB 52 171 134

HSL 161.34, 0.53%, 0.44%

LAB 62.99, -41.69, 9.65

 

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

CMYK 0 / 70 / 61 / 33

HEX #AB3442

RGB 171 52 66

HSL 352.94, 0.53%, 0.44%

LAB 40.42, 49.19, 19.62

 

CMYK 47 / 0 / 70 / 33

HEX #5AAB34

RGB 90 171 52

HSL 100.84, 0.53%, 0.44%

LAB 62.97, -45.99, 51.3

 

CMYK 70 / 0 / 8 / 33

HEX #34AB9D

RGB 52 171 157

HSL 172.94, 0.53%, 0.44%

LAB 63.58, -35.73, -2.31

 

CMYK 21 / 69 / 0 / 33

HEX #8735AB

RGB 135 53 171

HSL 281.69, 0.53%, 0.44%

LAB 38.96, 53.46, -48

 

CMYK 0 / 57 / 70 / 33

HEX #AB4A34

RGB 171 74 52

HSL 11.09, 0.53%, 0.44%

LAB 43.95, 38.31, 32.39

 

CMYK 47 / 0 / 70 / 33

HEX #5AAB34

RGB 90 171 52

HSL 100.84, 0.53%, 0.44%

LAB 62.97, -45.99, 51.3

 

CMYK 70 / 13 / 0 / 33

HEX #3495AB

RGB 52 149 171

HSL 191.09, 0.53%, 0.44%

LAB 57.24, -20.7, -19.73

 

Description

Color code: HEX #8735AB | qconv.com Color code: HEX #8735AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 53 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 53 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 69 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 69% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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