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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #874468 it is the complementary color #78BB97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #874468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #874468 shade: #8C4463, #9D5676, #AE6889, #BF7A9C and #D08CAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #874468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #874468 shade: #874468, #763255, #652042, #540E2F and #43001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #874468 shade: #874468, #874456 and #874444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #874468 shade: #874468, #87447A, #824487, #704487 and #5E4487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #874468 shade matches the following richer shades: #874468, #983369, #A8236A, #B9126C and #C9026D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #874468 shade: #874468, #775467, #666566, #567564 and #458663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #874468 shade: #824487, #87447B, #874469, #874457 and #874445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #874468 shade: #50283E, #6C3653, #874468, #A3527D and #B46A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #874468 shade: #874468, #877044 and #448487

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #874468 shade: #874468, #698744 and #446987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #874468 shade: #874468, #877044, #448762 and #445B87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #874468 shade: #874468, #878444, #448762 and #444787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

Complementary color

CMYK 36 / 0 / 19 / 27

HEX #78BB97

RGB 120 187 151

HSL 147.76, 0.33%, 0.6%

LAB 70.71, -29.2, 11.59

 

CMYK 0 / 51 / 29 / 45

HEX #8C4463

RGB 140 68 99

HSL 334.17, 0.35%, 0.41%

LAB 38.92, 34.3, -3.94

 

CMYK 0 / 45 / 25 / 38

HEX #9D5676

RGB 157 86 118

HSL 332.96, 0.29%, 0.48%

LAB 45.81, 33.43, -5.15

 

CMYK 0 / 40 / 21 / 32

HEX #AE6889

RGB 174 104 137

HSL 331.71, 0.3%, 0.55%

LAB 52.63, 32.56, -6.15

 

CMYK 0 / 36 / 18 / 25

HEX #BF7A9C

RGB 191 122 156

HSL 330.43, 0.35%, 0.61%

LAB 59.34, 31.75, -7.01

 

CMYK 0 / 33 / 16 / 18

HEX #D08CAF

RGB 208 140 175

HSL 329.12, 0.42%, 0.68%

LAB 65.95, 30.98, -7.78

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 58 / 28 / 54

HEX #763255

RGB 118 50 85

HSL 329.12, 0.4%, 0.33%

LAB 31.32, 34.04, -6.69

 

CMYK 0 / 68 / 35 / 60

HEX #652042

RGB 101 32 66

HSL 330.43, 0.52%, 0.26%

LAB 24.3, 34.54, -4.9

 

CMYK 0 / 83 / 44 / 67

HEX #540E2F

RGB 84 14 47

HSL 331.71, 0.71%, 0.19%

LAB 17.48, 34.22, -2.18

 

CMYK 0 / 100 / 58 / 74

HEX #43001C

RGB 67 0 28

HSL 334.93, 1%, 0.13%

LAB 11.11, 32.31, 2.09

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 50 / 36 / 47

HEX #874456

RGB 135 68 86

HSL 343.88, 0.33%, 0.4%

LAB 37.77, 30.66, 2.46

 

CMYK 0 / 50 / 50 / 47

HEX #874444

RGB 135 68 68

HSL 0, 0.33%, 0.4%

LAB 37.3, 28.53, 13.14

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 50 / 10 / 47

HEX #87447A

RGB 135 68 122

HSL 311.64, 0.33%, 0.4%

LAB 39.05, 36.29, -18.11

 

CMYK 4 / 50 / 0 / 47

HEX #824487

RGB 130 68 135

HSL 295.52, 0.33%, 0.4%

LAB 38.95, 37.18, -26.32

 

CMYK 17 / 50 / 0 / 47

HEX #704487

RGB 112 68 135

HSL 279.4, 0.33%, 0.4%

LAB 36.61, 31.66, -30.16

 

CMYK 30 / 50 / 0 / 47

HEX #5E4487

RGB 94 68 135

HSL 263.28, 0.33%, 0.4%

LAB 34.53, 26.3, -33.59

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 66 / 31 / 40

HEX #983369

RGB 152 51 105

HSL 327.92, 0.5%, 0.4%

LAB 37.96, 47.38, -8.94

 

CMYK 0 / 79 / 37 / 34

HEX #A8236A

RGB 168 35 106

HSL 327.97, 0.66%, 0.4%

LAB 38.84, 57.75, -7.94

 

CMYK 0 / 90 / 42 / 27

HEX #B9126C

RGB 185 18 108

HSL 327.66, 0.82%, 0.4%

LAB 40.94, 65.82, -5.71

 

CMYK 0 / 99 / 46 / 21

HEX #C9026D

RGB 201 2 109

HSL 327.74, 0.98%, 0.4%

LAB 43.6, 71.25, -2.05

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 29 / 13 / 53

HEX #775467

RGB 119 84 103

HSL 327.43, 0.17%, 0.4%

LAB 39.98, 17.79, -5.15

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 26 / 0 / 15 / 54

HEX #567564

RGB 86 117 100

HSL 147.1, 0.15%, 0.4%

LAB 46.47, -15.02, 5.78

 

CMYK 49 / 0 / 26 / 47

HEX #458663

RGB 69 134 99

HSL 147.69, 0.32%, 0.4%

LAB 50.94, -29.4, 12.54

 

CMYK 4 / 50 / 0 / 47

HEX #824487

RGB 130 68 135

HSL 295.52, 0.33%, 0.4%

LAB 38.95, 37.18, -26.32

 

CMYK 0 / 50 / 9 / 47

HEX #87447B

RGB 135 68 123

HSL 310.75, 0.33%, 0.4%

LAB 39.1, 36.47, -18.66

 

CMYK 0 / 50 / 22 / 47

HEX #874469

RGB 135 68 105

HSL 326.87, 0.33%, 0.4%

LAB 38.38, 33.41, -8.56

 

CMYK 0 / 50 / 36 / 47

HEX #874457

RGB 135 68 87

HSL 342.99, 0.33%, 0.4%

LAB 37.79, 30.79, 1.87

 

CMYK 0 / 50 / 49 / 47

HEX #874445

RGB 135 68 69

HSL 359.1, 0.33%, 0.4%

LAB 37.33, 28.64, 12.54

 

CMYK 0 / 50 / 23 / 69

HEX #50283E

RGB 80 40 62

HSL 327, 0.33%, 0.24%

LAB 22.2, 21.9, -5.7

 

CMYK 0 / 50 / 23 / 58

HEX #6C3653

RGB 108 54 83

HSL 327.78, 0.33%, 0.32%

LAB 30.52, 27.91, -6.75

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 50 / 23 / 36

HEX #A3527D

RGB 163 82 125

HSL 328.15, 0.33%, 0.48%

LAB 46.04, 38.74, -8.96

 

CMYK 0 / 41 / 19 / 29

HEX #B46A92

RGB 180 106 146

HSL 327.57, 0.33%, 0.56%

LAB 54.12, 35.01, -9.13

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 17 / 50 / 47

HEX #877044

RGB 135 112 68

HSL 39.4, 0.33%, 0.4%

LAB 48.46, 2.94, 27.74

 

CMYK 50 / 2 / 0 / 47

HEX #448487

RGB 68 132 135

HSL 182.69, 0.33%, 0.4%

LAB 51.24, -19.6, -7.97

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 22 / 0 / 50 / 47

HEX #698744

RGB 105 135 68

HSL 86.87, 0.33%, 0.4%

LAB 52.67, -22.64, 32.41

 

CMYK 50 / 22 / 0 / 47

HEX #446987

RGB 68 105 135

HSL 206.87, 0.33%, 0.4%

LAB 42.89, -4.32, -20.65

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 17 / 50 / 47

HEX #877044

RGB 135 112 68

HSL 39.4, 0.33%, 0.4%

LAB 48.46, 2.94, 27.74

 

CMYK 50 / 0 / 27 / 47

HEX #448762

RGB 68 135 98

HSL 146.87, 0.33%, 0.4%

LAB 51.2, -30.37, 13.47

 

CMYK 50 / 33 / 0 / 47

HEX #445B87

RGB 68 91 135

HSL 219.4, 0.33%, 0.4%

LAB 38.66, 4.31, -27.22

 

CMYK 0 / 50 / 23 / 47

HEX #874468

RGB 135 68 104

HSL 327.76, 0.33%, 0.4%

LAB 38.35, 33.26, -7.99

 

CMYK 0 / 2 / 50 / 47

HEX #878444

RGB 135 132 68

HSL 57.31, 0.33%, 0.4%

LAB 54.1, -8.35, 34.68

 

CMYK 50 / 0 / 27 / 47

HEX #448762

RGB 68 135 98

HSL 146.87, 0.33%, 0.4%

LAB 51.2, -30.37, 13.47

 

CMYK 50 / 47 / 0 / 47

HEX #444787

RGB 68 71 135

HSL 237.31, 0.33%, 0.4%

LAB 32.89, 17.27, -36.34

 

Description

Color code: HEX #874468 | qconv.com Color code: HEX #874468 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 68 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 68 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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