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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #875A1B it is the complementary color #78A5E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #875A1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #875A1B shade: #8C5A16, #9D6C29, #AE7E3C, #BF904F and #D0A262

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #875A1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #875A1B shade: #875A1B, #764808, #653600, #542400 and #431200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #875A1B shade: #885A1A, #883D1A, #881F1A and #881A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #875A1B shade: #885A1A, #88781A, #7A881A, #5D881A and #3F881A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #875A1B shade matches the following richer shades: #885A1A, #955C0D and #A25F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #875A1B shade: #885A1A, #7B5828, #6D5635, #605442 and #53514F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #875A1B shade: #88201A, #883D1A, #885A1A, #88771A and #7B881A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #875A1B shade: #432C0D, #654314, #885A1A, #AA7121 and #CD8828

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #875A1B shade: #875A1B, #32881A and #2E1A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #875A1B shade: #875A1B, #1A885A and #5A1A88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #875A1B shade: #875A1B, #32881A, #1A4888 and #701A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #875A1B shade: #875A1B, #1A8824, #1A4888 and #881A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

Complementary color

CMYK 47 / 28 / 0 / 11

HEX #78A5E4

RGB 120 165 228

HSL 215, 0.67%, 0.68%

LAB 66.9, 1.73, -36.47

 

CMYK 0 / 36 / 84 / 45

HEX #8C5A16

RGB 140 90 22

HSL 34.58, 0.73%, 0.32%

LAB 42.68, 14.94, 44.43

 

CMYK 0 / 31 / 74 / 38

HEX #9D6C29

RGB 157 108 41

HSL 34.66, 0.59%, 0.39%

LAB 49.56, 13.15, 43.65

 

CMYK 0 / 28 / 66 / 32

HEX #AE7E3C

RGB 174 126 60

HSL 34.74, 0.49%, 0.46%

LAB 56.33, 11.67, 42.37

 

CMYK 0 / 25 / 59 / 25

HEX #BF904F

RGB 191 144 79

HSL 34.82, 0.47%, 0.53%

LAB 63, 10.44, 40.96

 

CMYK 0 / 22 / 53 / 18

HEX #D0A262

RGB 208 162 98

HSL 34.91, 0.54%, 0.6%

LAB 69.56, 9.4, 39.55

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 0 / 39 / 93 / 54

HEX #764808

RGB 118 72 8

HSL 34.91, 0.87%, 0.25%

LAB 35.01, 14.84, 41.63

 

CMYK 0 / 47 / 100 / 60

HEX #653600

RGB 101 54 0

HSL 32.08, 1%, 0.2%

LAB 27.86, 17.35, 38.15

 

CMYK 0 / 57 / 100 / 67

HEX #542400

RGB 84 36 0

HSL 25.71, 1%, 0.16%

LAB 20.62, 20.13, 30.1

 

CMYK 0 / 73 / 100 / 74

HEX #431200

RGB 67 18 0

HSL 16.12, 1%, 0.13%

LAB 13.39, 22.64, 20.5

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 55 / 81 / 47

HEX #883D1A

RGB 136 61 26

HSL 19.09, 0.68%, 0.32%

LAB 35.29, 29.8, 35.55

 

CMYK 0 / 77 / 81 / 47

HEX #881F1A

RGB 136 31 26

HSL 2.73, 0.68%, 0.32%

LAB 30.13, 43.56, 30.34

 

CMYK 0 / 81 / 81 / 47

HEX #881A1A

RGB 136 26 26

HSL 0, 0.68%, 0.32%

LAB 29.53, 45.24, 29.72

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 12 / 81 / 47

HEX #88781A

RGB 136 120 26

HSL 51.27, 0.68%, 0.32%

LAB 50.38, -4.11, 49.7

 

CMYK 10 / 0 / 81 / 47

HEX #7A881A

RGB 122 136 26

HSL 67.64, 0.68%, 0.32%

LAB 53.84, -19.21, 52.34

 

CMYK 32 / 0 / 81 / 47

HEX #5D881A

RGB 93 136 26

HSL 83.45, 0.68%, 0.32%

LAB 51.85, -31.54, 49.79

 

CMYK 54 / 0 / 81 / 47

HEX #3F881A

RGB 63 136 26

HSL 99.82, 0.68%, 0.32%

LAB 50.38, -42.17, 47.9

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 38 / 91 / 42

HEX #955C0D

RGB 149 92 13

HSL 34.85, 0.84%, 0.32%

LAB 44.34, 17.68, 49.24

 

CMYK 0 / 41 / 100 / 36

HEX #A25F00

RGB 162 95 0

HSL 35.19, 1%, 0.32%

LAB 46.8, 21.63, 54.97

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 28 / 67 / 52

HEX #7B5828

RGB 123 88 40

HSL 34.7, 0.51%, 0.32%

LAB 40.15, 9.08, 32.85

 

CMYK 0 / 21 / 51 / 57

HEX #6D5635

RGB 109 86 53

HSL 35.36, 0.35%, 0.32%

LAB 38.13, 4.86, 22.74

 

CMYK 0 / 13 / 31 / 62

HEX #605442

RGB 96 84 66

HSL 36, 0.19%, 0.32%

LAB 36.41, 1.82, 12.35

 

CMYK 0 / 2 / 5 / 67

HEX #53514F

RGB 83 81 79

HSL 30, 0.02%, 0.32%

LAB 34.58, 0.4, 1.46

 

CMYK 0 / 76 / 81 / 47

HEX #88201A

RGB 136 32 26

HSL 3.27, 0.68%, 0.32%

LAB 30.26, 43.2, 30.47

 

CMYK 0 / 55 / 81 / 47

HEX #883D1A

RGB 136 61 26

HSL 19.09, 0.68%, 0.32%

LAB 35.29, 29.8, 35.55

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 13 / 81 / 47

HEX #88771A

RGB 136 119 26

HSL 50.73, 0.68%, 0.32%

LAB 50.1, -3.55, 49.44

 

CMYK 10 / 0 / 81 / 47

HEX #7B881A

RGB 123 136 26

HSL 67.09, 0.68%, 0.32%

LAB 53.91, -18.77, 52.44

 

CMYK 0 / 34 / 81 / 74

HEX #432C0D

RGB 67 44 13

HSL 34.44, 0.68%, 0.16%

LAB 20.14, 7.15, 23.41

 

CMYK 0 / 34 / 80 / 60

HEX #654314

RGB 101 67 20

HSL 34.81, 0.67%, 0.24%

LAB 31.42, 10.06, 32.92

 

CMYK 0 / 34 / 81 / 47

HEX #885A1A

RGB 136 90 26

HSL 34.91, 0.68%, 0.32%

LAB 42.19, 13.23, 42.18

 

CMYK 0 / 34 / 81 / 33

HEX #AA7121

RGB 170 113 33

HSL 35.04, 0.67%, 0.4%

LAB 52.36, 15.82, 50.34

 

CMYK 0 / 34 / 80 / 20

HEX #CD8828

RGB 205 136 40

HSL 34.91, 0.67%, 0.48%

LAB 62.29, 18.75, 58.33

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 63 / 0 / 81 / 47

HEX #32881A

RGB 50 136 26

HSL 106.91, 0.68%, 0.32%

LAB 49.93, -45.76, 47.31

 

CMYK 66 / 81 / 0 / 47

HEX #2E1A88

RGB 46 26 136

HSL 250.91, 0.68%, 0.32%

LAB 20.43, 41.4, -57.29

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 81 / 0 / 34 / 47

HEX #1A885A

RGB 26 136 90

HSL 154.91, 0.68%, 0.32%

LAB 50.18, -41.02, 16.45

 

CMYK 34 / 81 / 0 / 47

HEX #5A1A88

RGB 90 26 136

HSL 274.91, 0.68%, 0.32%

LAB 25.83, 47.83, -48.22

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 63 / 0 / 81 / 47

HEX #32881A

RGB 50 136 26

HSL 106.91, 0.68%, 0.32%

LAB 49.93, -45.76, 47.31

 

CMYK 81 / 47 / 0 / 47

HEX #1A4888

RGB 26 72 136

HSL 214.91, 0.68%, 0.32%

LAB 30.95, 9.05, -40.18

 

CMYK 18 / 81 / 0 / 47

HEX #701A88

RGB 112 26 136

HSL 286.91, 0.68%, 0.32%

LAB 29.31, 51.95, -42.41

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 81 / 0 / 74 / 47

HEX #1A8824

RGB 26 136 36

HSL 125.45, 0.68%, 0.32%

LAB 49.44, -49.64, 43.02

 

CMYK 81 / 47 / 0 / 47

HEX #1A4888

RGB 26 72 136

HSL 214.91, 0.68%, 0.32%

LAB 30.95, 9.05, -40.18

 

CMYK 0 / 81 / 7 / 47

HEX #881A7F

RGB 136 26 127

HSL 304.91, 0.68%, 0.32%

LAB 32.93, 55.35, -30.77

 

Description

Color code: HEX #875A1B | qconv.com Color code: HEX #875A1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 90 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 90 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 80 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 80% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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