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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #875B2F it is the complementary color #78A4D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #875B2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #875B2F shade: #8C5B2A, #9D6D3D, #AE7F50, #BF9163 and #D0A376

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #875B2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #875B2F shade: #875B2F, #76491C, #653709, #542500 and #431300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #875B2F shade: #875B2F, #87442F and #872F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #875B2F shade: #875B2F, #87732F, #84872F, #6C872F and #54872F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #875B2F shade matches the following richer shades: #875B2F, #965B20, #A55B12 and #B45B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #875B2F shade: #875B2F, #795B3E, #6A5B4D, #5B5B5C and #4C5B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #875B2F shade: #872F32, #87442F, #875B2F, #87732F and #84872F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #875B2F shade: #4A321A, #694725, #875B2F, #A6703A and #BF854A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #875B2F shade: #875B2F, #4A872F and #382F87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #875B2F shade: #875B2F, #2F875B and #5B2F87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #875B2F shade: #875B2F, #4A872F, #2F5B87 and #6D2F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #875B2F shade: #875B2F, #2F872F, #2F5B87 and #872F87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

Complementary color

CMYK 42 / 21 / 0 / 18

HEX #78A4D0

RGB 120 164 208

HSL 210, 0.48%, 0.64%

LAB 65.82, -3.39, -27.1

 

CMYK 0 / 35 / 70 / 45

HEX #8C5B2A

RGB 140 91 42

HSL 30, 0.54%, 0.36%

LAB 43.1, 15.31, 35.67

 

CMYK 0 / 31 / 61 / 38

HEX #9D6D3D

RGB 157 109 61

HSL 30, 0.44%, 0.43%

LAB 50.03, 13.86, 34.07

 

CMYK 0 / 27 / 54 / 32

HEX #AE7F50

RGB 174 127 80

HSL 30, 0.37%, 0.5%

LAB 56.84, 12.66, 32.51

 

CMYK 0 / 24 / 48 / 25

HEX #BF9163

RGB 191 145 99

HSL 30, 0.42%, 0.57%

LAB 63.53, 11.65, 31.06

 

CMYK 0 / 22 / 43 / 18

HEX #D0A376

RGB 208 163 118

HSL 30, 0.49%, 0.64%

LAB 70.11, 10.8, 29.7

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 38 / 76 / 54

HEX #76491C

RGB 118 73 28

HSL 30, 0.62%, 0.29%

LAB 35.4, 14.98, 33.76

 

CMYK 0 / 46 / 91 / 60

HEX #653709

RGB 101 55 9

HSL 30, 0.84%, 0.22%

LAB 28.16, 17.02, 34.74

 

CMYK 0 / 56 / 100 / 67

HEX #542500

RGB 84 37 0

HSL 26.43, 1%, 0.16%

LAB 20.86, 19.53, 30.36

 

CMYK 0 / 72 / 100 / 74

HEX #431300

RGB 67 19 0

HSL 17.01, 1%, 0.13%

LAB 13.59, 22.11, 20.76

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 50 / 65 / 47

HEX #87442F

RGB 135 68 47

HSL 14.32, 0.48%, 0.36%

LAB 36.91, 26.69, 25.53

 

CMYK 0 / 65 / 65 / 47

HEX #872F2F

RGB 135 47 47

HSL 0, 0.48%, 0.36%

LAB 32.68, 37.64, 20.28

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 15 / 65 / 47

HEX #87732F

RGB 135 115 47

HSL 46.36, 0.48%, 0.36%

LAB 49.03, -0.61, 39.5

 

CMYK 2 / 0 / 65 / 47

HEX #84872F

RGB 132 135 47

HSL 62.05, 0.48%, 0.36%

LAB 54.49, -13.06, 45.28

 

CMYK 20 / 0 / 65 / 47

HEX #6C872F

RGB 108 135 47

HSL 78.41, 0.48%, 0.36%

LAB 52.64, -23.52, 42.76

 

CMYK 38 / 0 / 65 / 47

HEX #54872F

RGB 84 135 47

HSL 94.77, 0.48%, 0.36%

LAB 51.17, -33.03, 40.73

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 39 / 79 / 41

HEX #965B20

RGB 150 91 32

HSL 30, 0.65%, 0.36%

LAB 44.33, 19.31, 42.25

 

CMYK 0 / 45 / 89 / 35

HEX #A55B12

RGB 165 91 18

HSL 29.8, 0.8%, 0.36%

LAB 46.35, 25.5, 50.28

 

CMYK 0 / 49 / 98 / 29

HEX #B45B03

RGB 180 91 3

HSL 29.83, 0.97%, 0.36%

LAB 48.5, 31.65, 56.62

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 25 / 49 / 53

HEX #795B3E

RGB 121 91 62

HSL 29.49, 0.32%, 0.36%

LAB 41.05, 8.34, 21.44

 

CMYK 0 / 14 / 27 / 58

HEX #6A5B4D

RGB 106 91 77

HSL 28.97, 0.16%, 0.36%

LAB 39.72, 3.68, 10.32

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 29 / 15 / 0 / 58

HEX #4C5B6B

RGB 76 91 107

HSL 210.97, 0.17%, 0.36%

LAB 37.99, -1.68, -11.04

 

CMYK 0 / 65 / 63 / 47

HEX #872F32

RGB 135 47 50

HSL 357.95, 0.48%, 0.36%

LAB 32.73, 37.85, 18.44

 

CMYK 0 / 50 / 65 / 47

HEX #87442F

RGB 135 68 47

HSL 14.32, 0.48%, 0.36%

LAB 36.91, 26.69, 25.53

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 15 / 65 / 47

HEX #87732F

RGB 135 115 47

HSL 46.36, 0.48%, 0.36%

LAB 49.03, -0.61, 39.5

 

CMYK 2 / 0 / 65 / 47

HEX #84872F

RGB 132 135 47

HSL 62.05, 0.48%, 0.36%

LAB 54.49, -13.06, 45.28

 

CMYK 0 / 32 / 65 / 71

HEX #4A321A

RGB 74 50 26

HSL 30, 0.48%, 0.2%

LAB 23.04, 7.81, 19.43

 

CMYK 0 / 32 / 65 / 59

HEX #694725

RGB 105 71 37

HSL 30, 0.48%, 0.28%

LAB 33.23, 10.64, 25.97

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 0 / 33 / 65 / 35

HEX #A6703A

RGB 166 112 58

HSL 30, 0.48%, 0.44%

LAB 51.84, 15.9, 38.05

 

CMYK 0 / 30 / 61 / 25

HEX #BF854A

RGB 191 133 74

HSL 30.26, 0.48%, 0.52%

LAB 60.2, 16.13, 40.22

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 45 / 0 / 65 / 47

HEX #4A872F

RGB 74 135 47

HSL 101.59, 0.48%, 0.36%

LAB 50.67, -36.55, 40.04

 

CMYK 59 / 65 / 0 / 47

HEX #382F87

RGB 56 47 135

HSL 246.14, 0.48%, 0.36%

LAB 25.63, 30.34, -48.09

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 65 / 0 / 33 / 47

HEX #2F875B

RGB 47 135 91

HSL 150, 0.48%, 0.36%

LAB 50.32, -36.96, 16.15

 

CMYK 33 / 65 / 0 / 47

HEX #5B2F87

RGB 91 47 135

HSL 270, 0.48%, 0.36%

LAB 29.43, 37.88, -41.76

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 45 / 0 / 65 / 47

HEX #4A872F

RGB 74 135 47

HSL 101.59, 0.48%, 0.36%

LAB 50.67, -36.55, 40.04

 

CMYK 65 / 33 / 0 / 47

HEX #2F5B87

RGB 47 91 135

HSL 210, 0.48%, 0.36%

LAB 37.55, -0.51, -29.04

 

CMYK 19 / 65 / 0 / 47

HEX #6D2F87

RGB 109 47 135

HSL 282.27, 0.48%, 0.36%

LAB 31.88, 42.31, -37.69

 

CMYK 0 / 33 / 65 / 47

HEX #875B2F

RGB 135 91 47

HSL 30, 0.48%, 0.36%

LAB 42.52, 13.36, 32.18

 

CMYK 65 / 0 / 65 / 47

HEX #2F872F

RGB 47 135 47

HSL 120, 0.48%, 0.36%

LAB 49.66, -44.27, 38.64

 

CMYK 65 / 33 / 0 / 47

HEX #2F5B87

RGB 47 91 135

HSL 210, 0.48%, 0.36%

LAB 37.55, -0.51, -29.04

 

CMYK 0 / 65 / 0 / 47

HEX #872F87

RGB 135 47 135

HSL 300, 0.48%, 0.36%

LAB 35.86, 48.96, -31.13

 

Description

Color code: HEX #875B2F | qconv.com Color code: HEX #875B2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 91 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 91 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 65 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 65% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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