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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8763C9 it is the complementary color #789C36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8763C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8763C9 shade: #8C63C4, #9D75D7, #AE87EA, #BF99FD and #D0ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8763C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8763C9 shade: #8763C9, #7651B6, #653FA3, #542D90 and #431B7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8763C9 shade: #8763C9, #A363C9, #BE63C9, #C963B9 and #C9639D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8763C9 shade: #8763C9, #6B63C9 and #6363C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8763C9 shade matches the following richer shades: #8763C9, #8252DA, #7D41EB and #7830FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8763C9 shade: #8763C9, #8C74B8, #9185A7, #969596 and #9BA686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8763C9 shade: #6376C9, #6B63C9, #8763C9, #A263C9 and #BD63C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8763C9 shade: #5D37A2, #6F44BF, #8763C9, #9E81D4 and #B6A0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8763C9 shade: #8763C9, #C96391 and #68C963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8763C9 shade: #8763C9, #C98763 and #63C987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8763C9 shade: #8763C9, #C96391, #A5C963 and #63C99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8763C9 shade: #8763C9, #C96372, #A5C963 and #63C9BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

Complementary color

CMYK 23 / 0 / 65 / 39

HEX #789C36

RGB 120 156 54

HSL 81.18, 0.49%, 0.41%

LAB 59.92, -28.37, 47.72

 

CMYK 29 / 49 / 0 / 23

HEX #8C63C4

RGB 140 99 196

HSL 265.36, 0.45%, 0.58%

LAB 50.08, 36.56, -44.83

 

CMYK 27 / 46 / 0 / 16

HEX #9D75D7

RGB 157 117 215

HSL 264.49, 0.55%, 0.65%

LAB 56.88, 35.63, -44.77

 

CMYK 26 / 42 / 0 / 8

HEX #AE87EA

RGB 174 135 234

HSL 263.64, 0.7%, 0.72%

LAB 63.56, 34.76, -44.72

 

CMYK 25 / 40 / 0 / 1

HEX #BF99FD

RGB 191 153 253

HSL 262.8, 0.96%, 0.8%

LAB 70.14, 33.95, -44.69

 

CMYK 18 / 33 / 0 / 0

HEX #D0ABFF

RGB 208 171 255

HSL 266.43, 1%, 0.84%

LAB 75.92, 29.41, -36.65

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 35 / 55 / 0 / 29

HEX #7651B6

RGB 118 81 182

HSL 261.98, 0.41%, 0.52%

LAB 42.93, 37.59, -48.23

 

CMYK 38 / 61 / 0 / 36

HEX #653FA3

RGB 101 63 163

HSL 262.8, 0.44%, 0.44%

LAB 35.92, 38.72, -48.34

 

CMYK 42 / 69 / 0 / 44

HEX #542D90

RGB 84 45 144

HSL 263.64, 0.52%, 0.37%

LAB 28.84, 39.82, -48.33

 

CMYK 46 / 78 / 0 / 51

HEX #431B7D

RGB 67 27 125

HSL 264.49, 0.64%, 0.3%

LAB 21.79, 40.61, -48.02

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 19 / 51 / 0 / 21

HEX #A363C9

RGB 163 99 201

HSL 277.65, 0.49%, 0.59%

LAB 52.87, 43.99, -43.12

 

CMYK 5 / 51 / 0 / 21

HEX #BE63C9

RGB 190 99 201

HSL 293.53, 0.49%, 0.59%

LAB 56.18, 51.46, -37.68

 

CMYK 0 / 51 / 8 / 21

HEX #C963B9

RGB 201 99 185

HSL 309.41, 0.49%, 0.59%

LAB 56.92, 51.76, -27.25

 

CMYK 0 / 51 / 22 / 21

HEX #C9639D

RGB 201 99 157

HSL 325.88, 0.49%, 0.59%

LAB 55.86, 47.38, -12.66

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 47 / 51 / 0 / 21

HEX #6B63C9

RGB 107 99 201

HSL 244.71, 0.49%, 0.59%

LAB 47.32, 29.66, -52.28

 

CMYK 51 / 51 / 0 / 21

HEX #6363C9

RGB 99 99 201

HSL 240, 0.49%, 0.59%

LAB 46.7, 27.87, -53.31

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 40 / 62 / 0 / 15

HEX #8252DA

RGB 130 82 218

HSL 261.18, 0.65%, 0.59%

LAB 46.77, 49.29, -62.8

 

CMYK 47 / 72 / 0 / 8

HEX #7D41EB

RGB 125 65 235

HSL 261.18, 0.81%, 0.59%

LAB 44.43, 61.34, -76.27

 

CMYK 52 / 81 / 0 / 1

HEX #7830FC

RGB 120 48 252

HSL 261.18, 0.97%, 0.59%

LAB 42.97, 71.96, -88.26

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 24 / 37 / 0 / 28

HEX #8C74B8

RGB 140 116 184

HSL 261.18, 0.32%, 0.59%

LAB 53.52, 23.71, -32.51

 

CMYK 13 / 20 / 0 / 35

HEX #9185A7

RGB 145 133 167

HSL 261.18, 0.16%, 0.59%

LAB 57.64, 11.43, -16.36

 

CMYK 0 / 1 / 0 / 41

HEX #969596

RGB 150 149 150

HSL 300, 0%, 0.59%

LAB 61.81, 0.56, -0.4

 

CMYK 7 / 0 / 19 / 35

HEX #9BA686

RGB 155 166 134

HSL 80.63, 0.15%, 0.59%

LAB 66.49, -9.71, 15.29

 

CMYK 51 / 41 / 0 / 21

HEX #6376C9

RGB 99 118 201

HSL 228.82, 0.49%, 0.59%

LAB 51.64, 16.21, -45.43

 

CMYK 47 / 51 / 0 / 21

HEX #6B63C9

RGB 107 99 201

HSL 244.71, 0.49%, 0.59%

LAB 47.32, 29.66, -52.28

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 19 / 51 / 0 / 21

HEX #A263C9

RGB 162 99 201

HSL 277.06, 0.49%, 0.59%

LAB 52.75, 43.72, -43.31

 

CMYK 6 / 51 / 0 / 21

HEX #BD63C9

RGB 189 99 201

HSL 292.94, 0.49%, 0.59%

LAB 56.05, 51.18, -37.89

 

CMYK 43 / 66 / 0 / 36

HEX #5D37A2

RGB 93 55 162

HSL 261.31, 0.49%, 0.43%

LAB 33.28, 41.18, -52.05

 

CMYK 42 / 64 / 0 / 25

HEX #6F44BF

RGB 111 68 191

HSL 260.98, 0.49%, 0.51%

LAB 40.04, 45.72, -58.21

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 25 / 39 / 0 / 17

HEX #9E81D4

RGB 158 129 212

HSL 260.96, 0.49%, 0.67%

LAB 59.64, 28.33, -38.73

 

CMYK 18 / 28 / 0 / 13

HEX #B6A0DE

RGB 182 160 222

HSL 261.29, 0.48%, 0.75%

LAB 69.73, 20.33, -28.45

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 0 / 51 / 28 / 21

HEX #C96391

RGB 201 99 145

HSL 332.94, 0.49%, 0.59%

LAB 55.47, 45.7, -6.24

 

CMYK 48 / 0 / 51 / 21

HEX #68C963

RGB 104 201 99

HSL 117.06, 0.49%, 0.59%

LAB 73.3, -48.88, 42.02

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 0 / 33 / 51 / 21

HEX #C98763

RGB 201 135 99

HSL 21.18, 0.49%, 0.59%

LAB 62.21, 21.29, 29.58

 

CMYK 51 / 0 / 33 / 21

HEX #63C987

RGB 99 201 135

HSL 141.18, 0.49%, 0.59%

LAB 73.66, -44.5, 24.11

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 0 / 51 / 28 / 21

HEX #C96391

RGB 201 99 145

HSL 332.94, 0.49%, 0.59%

LAB 55.47, 45.7, -6.24

 

CMYK 18 / 0 / 51 / 21

HEX #A5C963

RGB 165 201 99

HSL 81.18, 0.49%, 0.59%

LAB 76.48, -28.17, 46.62

 

CMYK 51 / 0 / 23 / 21

HEX #63C99B

RGB 99 201 155

HSL 152.94, 0.49%, 0.59%

LAB 74.06, -40.53, 14.02

 

CMYK 33 / 51 / 0 / 21

HEX #8763C9

RGB 135 99 201

HSL 261.18, 0.49%, 0.59%

LAB 49.85, 36.52, -48.1

 

CMYK 0 / 51 / 43 / 21

HEX #C96372

RGB 201 99 114

HSL 351.18, 0.49%, 0.59%

LAB 54.61, 41.97, 10.76

 

CMYK 18 / 0 / 51 / 21

HEX #A5C963

RGB 165 201 99

HSL 81.18, 0.49%, 0.59%

LAB 76.48, -28.17, 46.62

 

CMYK 51 / 0 / 7 / 21

HEX #63C9BA

RGB 99 201 186

HSL 171.18, 0.49%, 0.59%

LAB 74.81, -33.38, -1.62

 

Description

Color code: HEX #8763C9 | qconv.com Color code: HEX #8763C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 99 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 99 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 51 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 51% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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