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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876BBE it is the complementary color #789441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876BBE shade: #8C6BB9, #9D7DCC, #AE8FDF, #BFA1F2 and #D0B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876BBE shade: #876BBE, #7659AB, #654798, #543585 and #432372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876BBE shade: #866ABD, #9C6ABD, #B36ABD, #BD6AB1 and #BD6A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876BBE shade: #866ABD, #6F6ABD and #6A6ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876BBE shade matches the following richer shades: #866ABD, #8058CE, #7B47E0 and #7536F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876BBE shade: #866ABD, #8B7BAC, #918C9B, #979E89 and #9CAF78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876BBE shade: #6A7ABD, #6F6ABD, #856ABD, #9C6ABD and #B26ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876BBE shade: #5D4194, #6F4DB0, #866ABD, #9D86CA and #B4A3D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876BBE shade: #876BBE, #BD6A91 and #6FBD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876BBE shade: #876BBE, #BD856A and #6ABD85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876BBE shade: #876BBE, #BD6A91, #A1BD6A and #6ABD96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876BBE shade: #876BBE, #BD6A78, #A1BD6A and #6ABDAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

Complementary color

CMYK 19 / 0 / 56 / 42

HEX #789441

RGB 120 148 65

HSL 80.24, 0.39%, 0.42%

LAB 57.61, -23.46, 40.06

 

CMYK 24 / 42 / 0 / 27

HEX #8C6BB9

RGB 140 107 185

HSL 265.38, 0.36%, 0.57%

LAB 51.37, 29.22, -36.44

 

CMYK 23 / 39 / 0 / 20

HEX #9D7DCC

RGB 157 125 204

HSL 264.3, 0.44%, 0.65%

LAB 58.22, 28.41, -36.44

 

CMYK 22 / 36 / 0 / 13

HEX #AE8FDF

RGB 174 143 223

HSL 263.25, 0.56%, 0.72%

LAB 64.94, 27.67, -36.47

 

CMYK 21 / 33 / 0 / 5

HEX #BFA1F2

RGB 191 161 242

HSL 262.22, 0.76%, 0.79%

LAB 71.54, 27, -36.52

 

CMYK 18 / 30 / 0 / 0

HEX #D0B3FF

RGB 208 179 255

HSL 262.89, 1%, 0.85%

LAB 77.8, 25.05, -33.74

 

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

CMYK 31 / 48 / 0 / 33

HEX #7659AB

RGB 118 89 171

HSL 261.22, 0.33%, 0.51%

LAB 44.14, 29.98, -39.84

 

CMYK 34 / 53 / 0 / 40

HEX #654798

RGB 101 71 152

HSL 262.22, 0.36%, 0.44%

LAB 37, 31.03, -39.97

 

CMYK 37 / 60 / 0 / 48

HEX #543585

RGB 84 53 133

HSL 263.25, 0.43%, 0.36%

LAB 29.72, 32.18, -40.09

 

CMYK 41 / 69 / 0 / 55

HEX #432372

RGB 67 35 114

HSL 264.3, 0.53%, 0.29%

LAB 22.34, 33.31, -40.1

 

CMYK 29 / 44 / 0 / 26

HEX #866ABD

RGB 134 106 189

HSL 260.24, 0.39%, 0.58%

LAB 50.75, 29.08, -39.78

 

CMYK 17 / 44 / 0 / 26

HEX #9C6ABD

RGB 156 106 189

HSL 276.14, 0.39%, 0.58%

LAB 53, 35.46, -36.07

 

CMYK 5 / 44 / 0 / 26

HEX #B36ABD

RGB 179 106 189

HSL 292.77, 0.39%, 0.58%

LAB 55.65, 42.33, -31.74

 

CMYK 0 / 44 / 6 / 26

HEX #BD6AB1

RGB 189 106 177

HSL 308.67, 0.39%, 0.58%

LAB 56.39, 43.18, -23.6

 

CMYK 0 / 44 / 19 / 26

HEX #BD6A9A

RGB 189 106 154

HSL 325.3, 0.39%, 0.58%

LAB 55.54, 39.36, -11.55

 

CMYK 29 / 44 / 0 / 26

HEX #866ABD

RGB 134 106 189

HSL 260.24, 0.39%, 0.58%

LAB 50.75, 29.08, -39.78

 

CMYK 41 / 44 / 0 / 26

HEX #6F6ABD

RGB 111 106 189

HSL 243.61, 0.39%, 0.58%

LAB 48.71, 22.83, -43.13

 

CMYK 44 / 44 / 0 / 26

HEX #6A6ABD

RGB 106 106 189

HSL 240, 0.39%, 0.58%

LAB 48.32, 21.56, -43.78

 

CMYK 29 / 44 / 0 / 26

HEX #866ABD

RGB 134 106 189

HSL 260.24, 0.39%, 0.58%

LAB 50.75, 29.08, -39.78

 

CMYK 38 / 57 / 0 / 19

HEX #8058CE

RGB 128 88 206

HSL 260.34, 0.55%, 0.58%

LAB 47.01, 42.38, -55.56

 

CMYK 45 / 68 / 0 / 12

HEX #7B47E0

RGB 123 71 224

HSL 260.39, 0.71%, 0.58%

LAB 44.37, 55.25, -70.13

 

CMYK 51 / 78 / 0 / 5

HEX #7536F1

RGB 117 54 241

HSL 260.21, 0.87%, 0.58%

LAB 42.42, 66.56, -83

 

CMYK 29 / 44 / 0 / 26

HEX #866ABD

RGB 134 106 189

HSL 260.24, 0.39%, 0.58%

LAB 50.75, 29.08, -39.78

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 6 / 10 / 0 / 39

HEX #918C9B

RGB 145 140 155

HSL 260, 0.07%, 0.58%

LAB 59.11, 4.84, -7.29

 

CMYK 4 / 0 / 13 / 38

HEX #979E89

RGB 151 158 137

HSL 80, 0.1%, 0.58%

LAB 64.03, -6.41, 10.12

 

CMYK 11 / 0 / 31 / 31

HEX #9CAF78

RGB 156 175 120

HSL 80.73, 0.26%, 0.58%

LAB 68.81, -16.18, 26.08

 

CMYK 44 / 35 / 0 / 26

HEX #6A7ABD

RGB 106 122 189

HSL 228.43, 0.39%, 0.58%

LAB 52.57, 11.84, -37.06

 

CMYK 41 / 44 / 0 / 26

HEX #6F6ABD

RGB 111 106 189

HSL 243.61, 0.39%, 0.58%

LAB 48.71, 22.83, -43.13

 

CMYK 30 / 44 / 0 / 26

HEX #856ABD

RGB 133 106 189

HSL 259.52, 0.39%, 0.58%

LAB 50.65, 28.8, -39.94

 

CMYK 17 / 44 / 0 / 26

HEX #9C6ABD

RGB 156 106 189

HSL 276.14, 0.39%, 0.58%

LAB 53, 35.46, -36.07

 

CMYK 6 / 44 / 0 / 26

HEX #B26ABD

RGB 178 106 189

HSL 292.05, 0.39%, 0.58%

LAB 55.53, 42.03, -31.94

 

CMYK 37 / 56 / 0 / 42

HEX #5D4194

RGB 93 65 148

HSL 260.24, 0.39%, 0.42%

LAB 34.49, 31.45, -41.61

 

CMYK 37 / 56 / 0 / 31

HEX #6F4DB0

RGB 111 77 176

HSL 260.61, 0.39%, 0.5%

LAB 40.93, 36.57, -47.96

 

CMYK 29 / 44 / 0 / 26

HEX #866ABD

RGB 134 106 189

HSL 260.24, 0.39%, 0.58%

LAB 50.75, 29.08, -39.78

 

CMYK 22 / 34 / 0 / 21

HEX #9D86CA

RGB 157 134 202

HSL 260.29, 0.39%, 0.66%

LAB 60.32, 22.77, -32.04

 

CMYK 16 / 24 / 0 / 16

HEX #B4A3D6

RGB 180 163 214

HSL 260, 0.38%, 0.74%

LAB 70, 16.26, -23.64

 

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A91

RGB 189 106 145

HSL 331.81, 0.39%, 0.58%

LAB 55.25, 38, -6.74

 

CMYK 41 / 0 / 44 / 26

HEX #6FBD6A

RGB 111 189 106

HSL 116.39, 0.39%, 0.58%

LAB 70.05, -40.77, 34.53

 

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

CMYK 0 / 30 / 44 / 26

HEX #BD856A

RGB 189 133 106

HSL 19.52, 0.39%, 0.58%

LAB 60.46, 18.19, 23.13

 

CMYK 44 / 0 / 30 / 26

HEX #6ABD85

RGB 106 189 133

HSL 139.52, 0.39%, 0.58%

LAB 70.28, -37.74, 20.62

 

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A91

RGB 189 106 145

HSL 331.81, 0.39%, 0.58%

LAB 55.25, 38, -6.74

 

CMYK 15 / 0 / 44 / 26

HEX #A1BD6A

RGB 161 189 106

HSL 80.24, 0.39%, 0.58%

LAB 72.9, -23.12, 38.73

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 29 / 44 / 0 / 25

HEX #876BBE

RGB 135 107 190

HSL 260.24, 0.39%, 0.58%

LAB 51.13, 29.03, -39.74

 

CMYK 0 / 44 / 37 / 26

HEX #BD6A78

RGB 189 106 120

HSL 349.88, 0.39%, 0.58%

LAB 54.54, 34.61, 6.89

 

CMYK 15 / 0 / 44 / 26

HEX #A1BD6A

RGB 161 189 106

HSL 80.24, 0.39%, 0.58%

LAB 72.9, -23.12, 38.73

 

CMYK 44 / 0 / 7 / 26

HEX #6ABDAF

RGB 106 189 175

HSL 169.88, 0.39%, 0.58%

LAB 71.25, -28.69, -0.81

 

Description

Color code: HEX #876BBE | qconv.com Color code: HEX #876BBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 107 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 107 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 44 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 44% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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