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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876C25 it is the complementary color #7893DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876C25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876C25 shade: #8C6C20, #9D7E33, #AE9046, #BFA259 and #D0B46C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876C25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876C25 shade: #876C25, #765A12, #654800, #543600 and #432400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876C25 shade: #886C25, #885225, #883725 and #882525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876C25 shade: #886C25, #888725, #6E8825, #538825 and #388825

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876C25 shade matches the following richer shades: #886C25, #967317 and #A47909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876C25 shade: #886C25, #7A6633, #6C6041, #5E594F and #50535D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876C25 shade: #883725, #885125, #886C25, #888625 and #6F8825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876C25 shade: #473913, #67521C, #886C25, #A8862E and #C8A037

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876C25 shade: #876C25, #2D8825 and #442588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876C25 shade: #876C25, #25886C and #6C2588

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876C25 shade: #876C25, #2D8825, #254188 and #7F2588

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876C25 shade: #876C25, #25883A, #254188 and #882572

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

Complementary color

CMYK 45 / 33 / 0 / 15

HEX #7893DA

RGB 120 147 218

HSL 223.47, 0.57%, 0.66%

LAB 61.59, 9.13, -39.24

 

CMYK 0 / 23 / 77 / 45

HEX #8C6C20

RGB 140 108 32

HSL 42.22, 0.63%, 0.34%

LAB 47.5, 4.86, 44.9

 

CMYK 0 / 20 / 68 / 38

HEX #9D7E33

RGB 157 126 51

HSL 42.45, 0.51%, 0.41%

LAB 54.37, 3.49, 44.04

 

CMYK 0 / 17 / 60 / 32

HEX #AE9046

RGB 174 144 70

HSL 42.69, 0.43%, 0.48%

LAB 61.12, 2.37, 42.85

 

CMYK 0 / 15 / 53 / 25

HEX #BFA259

RGB 191 162 89

HSL 42.94, 0.44%, 0.55%

LAB 67.75, 1.46, 41.55

 

CMYK 0 / 13 / 48 / 18

HEX #D0B46C

RGB 208 180 108

HSL 43.2, 0.52%, 0.62%

LAB 74.28, 0.69, 40.26

 

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

CMYK 0 / 24 / 85 / 54

HEX #765A12

RGB 118 90 18

HSL 43.2, 0.74%, 0.27%

LAB 39.93, 4.33, 42.43

 

CMYK 0 / 29 / 100 / 60

HEX #654800

RGB 101 72 0

HSL 42.77, 1%, 0.2%

LAB 32.7, 6.27, 41.76

 

CMYK 0 / 36 / 100 / 67

HEX #543600

RGB 84 54 0

HSL 38.57, 1%, 0.16%

LAB 25.33, 8.89, 34.94

 

CMYK 0 / 46 / 100 / 74

HEX #432400

RGB 67 36 0

HSL 32.24, 1%, 0.13%

LAB 17.71, 11.73, 25.98

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 40 / 73 / 47

HEX #885225

RGB 136 82 37

HSL 27.27, 0.57%, 0.34%

LAB 40.25, 18.45, 35.01

 

CMYK 0 / 60 / 73 / 47

HEX #883725

RGB 136 55 37

HSL 10.91, 0.57%, 0.34%

LAB 34.19, 33.47, 28.29

 

CMYK 0 / 73 / 73 / 47

HEX #882525

RGB 136 37 37

HSL 0, 0.57%, 0.34%

LAB 31.09, 41.77, 24.7

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 1 / 73 / 47

HEX #888725

RGB 136 135 37

HSL 59.39, 0.57%, 0.34%

LAB 54.76, -11.86, 49.8

 

CMYK 19 / 0 / 73 / 47

HEX #6E8825

RGB 110 136 37

HSL 75.76, 0.57%, 0.34%

LAB 53.01, -23.89, 47.39

 

CMYK 39 / 0 / 73 / 47

HEX #538825

RGB 83 136 37

HSL 92.12, 0.57%, 0.34%

LAB 51.36, -34.69, 45.19

 

CMYK 59 / 0 / 73 / 47

HEX #388825

RGB 56 136 37

HSL 108.48, 0.57%, 0.34%

LAB 50.2, -43.38, 43.63

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 23 / 85 / 41

HEX #967317

RGB 150 115 23

HSL 43.46, 0.73%, 0.34%

LAB 50.46, 5.18, 51.32

 

CMYK 0 / 26 / 95 / 36

HEX #A47909

RGB 164 121 9

HSL 43.35, 0.9%, 0.34%

LAB 53.59, 7.97, 57.9

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 16 / 58 / 52

HEX #7A6633

RGB 122 102 51

HSL 43.1, 0.41%, 0.34%

LAB 44.06, 1.19, 31.43

 

CMYK 0 / 11 / 40 / 58

HEX #6C6041

RGB 108 96 65

HSL 43.26, 0.25%, 0.34%

LAB 41.11, -0.17, 19.48

 

CMYK 0 / 5 / 16 / 63

HEX #5E594F

RGB 94 89 79

HSL 40, 0.09%, 0.34%

LAB 38, 0.08, 6.51

 

CMYK 14 / 11 / 0 / 64

HEX #50535D

RGB 80 83 93

HSL 226.15, 0.08%, 0.34%

LAB 35.37, 1.11, -6.22

 

CMYK 0 / 60 / 73 / 47

HEX #883725

RGB 136 55 37

HSL 10.91, 0.57%, 0.34%

LAB 34.19, 33.47, 28.29

 

CMYK 0 / 40 / 73 / 47

HEX #885125

RGB 136 81 37

HSL 26.67, 0.57%, 0.34%

LAB 40, 19.03, 34.74

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 1 / 73 / 47

HEX #888625

RGB 136 134 37

HSL 58.79, 0.57%, 0.34%

LAB 54.47, -11.32, 49.52

 

CMYK 18 / 0 / 73 / 47

HEX #6F8825

RGB 111 136 37

HSL 75.15, 0.57%, 0.34%

LAB 53.08, -23.46, 47.49

 

CMYK 0 / 20 / 73 / 72

HEX #473913

RGB 71 57 19

HSL 43.85, 0.58%, 0.18%

LAB 24.68, 1.13, 25.28

 

CMYK 0 / 20 / 73 / 60

HEX #67521C

RGB 103 82 28

HSL 43.2, 0.57%, 0.26%

LAB 35.99, 2.28, 33.78

 

CMYK 0 / 21 / 73 / 47

HEX #886C25

RGB 136 108 37

HSL 43.03, 0.57%, 0.34%

LAB 47.1, 3.24, 42.18

 

CMYK 0 / 20 / 73 / 34

HEX #A8862E

RGB 168 134 46

HSL 43.28, 0.57%, 0.42%

LAB 57.63, 3.7, 50.03

 

CMYK 0 / 20 / 73 / 22

HEX #C8A037

RGB 200 160 55

HSL 43.45, 0.57%, 0.5%

LAB 67.8, 4.15, 57.56

 

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

CMYK 67 / 0 / 73 / 47

HEX #2D8825

RGB 45 136 37

HSL 115.15, 0.57%, 0.34%

LAB 49.86, -46.11, 43.17

 

CMYK 50 / 73 / 0 / 47

HEX #442588

RGB 68 37 136

HSL 258.79, 0.57%, 0.34%

LAB 24.73, 38.79, -50.14

 

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

CMYK 73 / 0 / 21 / 47

HEX #25886C

RGB 37 136 108

HSL 163.03, 0.57%, 0.34%

LAB 50.79, -35.14, 6.98

 

CMYK 21 / 73 / 0 / 47

HEX #6C2588

RGB 108 37 136

HSL 283.03, 0.57%, 0.34%

LAB 30.13, 46.95, -41.13

 

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

CMYK 67 / 0 / 73 / 47

HEX #2D8825

RGB 45 136 37

HSL 115.15, 0.57%, 0.34%

LAB 49.86, -46.11, 43.17

 

CMYK 73 / 52 / 0 / 47

HEX #254188

RGB 37 65 136

HSL 223.03, 0.57%, 0.34%

LAB 29.29, 15.33, -42.84

 

CMYK 7 / 73 / 0 / 47

HEX #7F2588

RGB 127 37 136

HSL 294.55, 0.57%, 0.34%

LAB 33.16, 51.25, -36.1

 

CMYK 0 / 20 / 73 / 47

HEX #876C25

RGB 135 108 37

HSL 43.47, 0.57%, 0.34%

LAB 46.99, 2.78, 42.04

 

CMYK 73 / 0 / 57 / 47

HEX #25883A

RGB 37 136 58

HSL 132.73, 0.57%, 0.34%

LAB 49.87, -45.29, 33.47

 

CMYK 73 / 52 / 0 / 47

HEX #254188

RGB 37 65 136

HSL 223.03, 0.57%, 0.34%

LAB 29.29, 15.33, -42.84

 

CMYK 0 / 73 / 16 / 47

HEX #882572

RGB 136 37 114

HSL 313.33, 0.57%, 0.34%

LAB 33.5, 49.75, -21.68

 

Description

Color code: HEX #876C25 | qconv.com Color code: HEX #876C25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 108 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 108 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 73 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 73% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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