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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876FD4 it is the complementary color #78902B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876FD4 shade: #8C6FCF, #9D81E2, #AE93F5, #BFA5FF and #D0B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876FD4 shade: #876FD4, #765DC1, #654BAE, #54399B and #432788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876FD4 shade: #856DD3, #A16DD3, #BC6DD3, #D36DCE and #D36DB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876FD4 shade: #856DD3 and #6D6DD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876FD4 shade matches the following richer shades: #856DD3, #7D5EE2 and #754FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876FD4 shade: #856DD3, #8D7CC4, #958CB5, #9D9BA5 and #A5AA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876FD4 shade: #6D8CD3, #6D71D3, #856DD3, #A06DD3 and #BB6DD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876FD4 shade: #5536B7, #6B4DCA, #856DD3, #A08DDD and #BAADE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876FD4 shade: #876FD4, #D36DA7 and #7ED36D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876FD4 shade: #876FD4, #D3856D and #6DD385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876FD4 shade: #876FD4, #D36DA7, #BBD36D and #6DD399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876FD4 shade: #876FD4, #D36D88, #BBD36D and #6DD3B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

Complementary color

CMYK 17 / 0 / 70 / 44

HEX #78902B

RGB 120 144 43

HSL 74.26, 0.54%, 0.37%

LAB 56.2, -23.26, 48.45

 

CMYK 32 / 46 / 0 / 19

HEX #8C6FCF

RGB 140 111 207

HSL 258.13, 0.5%, 0.62%

LAB 53.44, 32.45, -45.79

 

CMYK 31 / 43 / 0 / 11

HEX #9D81E2

RGB 157 129 226

HSL 257.32, 0.63%, 0.7%

LAB 60.21, 31.52, -45.66

 

CMYK 29 / 40 / 0 / 4

HEX #AE93F5

RGB 174 147 245

HSL 256.53, 0.83%, 0.77%

LAB 66.87, 30.68, -45.57

 

CMYK 25 / 35 / 0 / 0

HEX #BFA5FF

RGB 191 165 255

HSL 257.33, 1%, 0.82%

LAB 73.03, 27.78, -41.26

 

CMYK 18 / 28 / 0 / 0

HEX #D0B7FF

RGB 208 183 255

HSL 260.83, 1%, 0.86%

LAB 78.75, 22.87, -32.27

 

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

CMYK 39 / 52 / 0 / 24

HEX #765DC1

RGB 118 93 193

HSL 255, 0.45%, 0.56%

LAB 46.35, 33.56, -49.17

 

CMYK 42 / 57 / 0 / 32

HEX #654BAE

RGB 101 75 174

HSL 255.76, 0.4%, 0.49%

LAB 39.33, 34.79, -49.39

 

CMYK 46 / 63 / 0 / 39

HEX #54399B

RGB 84 57 155

HSL 256.53, 0.46%, 0.42%

LAB 32.21, 36.13, -49.6

 

CMYK 51 / 71 / 0 / 47

HEX #432788

RGB 67 39 136

HSL 257.32, 0.55%, 0.34%

LAB 25.02, 37.5, -49.67

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 24 / 48 / 0 / 17

HEX #A16DD3

RGB 161 109 211

HSL 270.59, 0.54%, 0.63%

LAB 55.3, 40.25, -44.98

 

CMYK 11 / 48 / 0 / 17

HEX #BC6DD3

RGB 188 109 211

HSL 286.47, 0.54%, 0.63%

LAB 58.35, 47.75, -39.96

 

CMYK 0 / 48 / 2 / 17

HEX #D36DCE

RGB 211 109 206

HSL 302.94, 0.54%, 0.63%

LAB 60.99, 53.36, -32.79

 

CMYK 0 / 48 / 15 / 17

HEX #D36DB3

RGB 211 109 179

HSL 318.82, 0.54%, 0.63%

LAB 59.93, 48.89, -19.09

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 48 / 48 / 0 / 17

HEX #6D6DD3

RGB 109 109 211

HSL 240, 0.54%, 0.63%

LAB 50.56, 27.07, -52.8

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 45 / 58 / 0 / 11

HEX #7D5EE2

RGB 125 94 226

HSL 254.09, 0.69%, 0.63%

LAB 49.32, 43.8, -63.23

 

CMYK 52 / 67 / 0 / 5

HEX #754FF2

RGB 117 79 242

HSL 253.99, 0.86%, 0.63%

LAB 46.69, 55.02, -76.55

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 28 / 37 / 0 / 23

HEX #8D7CC4

RGB 141 124 196

HSL 254.17, 0.38%, 0.63%

LAB 56.15, 22.31, -35.25

 

CMYK 18 / 23 / 0 / 29

HEX #958CB5

RGB 149 140 181

HSL 253.17, 0.22%, 0.63%

LAB 60.32, 11.89, -20.23

 

CMYK 5 / 6 / 0 / 35

HEX #9D9BA5

RGB 157 155 165

HSL 252, 0.05%, 0.63%

LAB 64.43, 2.68, -4.96

 

CMYK 3 / 0 / 12 / 33

HEX #A5AA96

RGB 165 170 150

HSL 75, 0.11%, 0.63%

LAB 68.72, -5.42, 9.7

 

CMYK 48 / 34 / 0 / 17

HEX #6D8CD3

RGB 109 140 211

HSL 221.76, 0.54%, 0.63%

LAB 58.71, 8.46, -39.89

 

CMYK 48 / 46 / 0 / 17

HEX #6D71D3

RGB 109 113 211

HSL 237.65, 0.54%, 0.63%

LAB 51.57, 24.65, -51.19

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 24 / 48 / 0 / 17

HEX #A06DD3

RGB 160 109 211

HSL 270, 0.54%, 0.63%

LAB 55.19, 39.98, -45.16

 

CMYK 11 / 48 / 0 / 17

HEX #BB6DD3

RGB 187 109 211

HSL 285.88, 0.54%, 0.63%

LAB 58.23, 47.47, -40.16

 

CMYK 54 / 70 / 0 / 28

HEX #5536B7

RGB 85 54 183

HSL 254.42, 0.54%, 0.46%

LAB 33.96, 46.26, -63.52

 

CMYK 47 / 62 / 0 / 21

HEX #6B4DCA

RGB 107 77 202

HSL 254.4, 0.54%, 0.55%

LAB 42.3, 42.97, -60.95

 

CMYK 37 / 48 / 0 / 17

HEX #856DD3

RGB 133 109 211

HSL 254.12, 0.54%, 0.63%

LAB 52.54, 32.85, -49.53

 

CMYK 28 / 36 / 0 / 13

HEX #A08DDD

RGB 160 141 221

HSL 254.25, 0.54%, 0.71%

LAB 63.13, 24.24, -38.28

 

CMYK 19 / 25 / 0 / 10

HEX #BAADE6

RGB 186 173 230

HSL 253.68, 0.53%, 0.79%

LAB 73.57, 16.13, -26.89

 

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

CMYK 0 / 48 / 21 / 17

HEX #D36DA7

RGB 211 109 167

HSL 325.88, 0.54%, 0.63%

LAB 59.5, 47.07, -12.83

 

CMYK 40 / 0 / 48 / 17

HEX #7ED36D

RGB 126 211 109

HSL 110, 0.54%, 0.63%

LAB 77.36, -45.19, 42.36

 

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

CMYK 0 / 37 / 48 / 17

HEX #D3856D

RGB 211 133 109

HSL 14.12, 0.54%, 0.63%

LAB 63.12, 27.36, 25.46

 

CMYK 48 / 0 / 37 / 17

HEX #6DD385

RGB 109 211 133

HSL 134.12, 0.54%, 0.63%

LAB 77, -46.51, 29.69

 

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

CMYK 0 / 48 / 21 / 17

HEX #D36DA7

RGB 211 109 167

HSL 325.88, 0.54%, 0.63%

LAB 59.5, 47.07, -12.83

 

CMYK 11 / 0 / 48 / 17

HEX #BBD36D

RGB 187 211 109

HSL 74.12, 0.54%, 0.63%

LAB 80.88, -23.48, 47.48

 

CMYK 48 / 0 / 27 / 17

HEX #6DD399

RGB 109 211 153

HSL 145.88, 0.54%, 0.63%

LAB 77.36, -42.86, 19.75

 

CMYK 36 / 48 / 0 / 17

HEX #876FD4

RGB 135 111 212

HSL 254.26, 0.54%, 0.63%

LAB 53.25, 32.46, -48.96

 

CMYK 0 / 48 / 36 / 17

HEX #D36D88

RGB 211 109 136

HSL 344.12, 0.54%, 0.63%

LAB 58.57, 42.93, 3.72

 

CMYK 11 / 0 / 48 / 17

HEX #BBD36D

RGB 187 211 109

HSL 74.12, 0.54%, 0.63%

LAB 80.88, -23.48, 47.48

 

CMYK 48 / 0 / 13 / 17

HEX #6DD3B8

RGB 109 211 184

HSL 164.12, 0.54%, 0.63%

LAB 78.05, -36.24, 4.22

 

Description

Color code: HEX #876FD4 | qconv.com Color code: HEX #876FD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 111 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 111 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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