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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8777BF it is the complementary color #788840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8777BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8777BF shade: #8C77BA, #9D89CD, #AE9BE0, #BFADF3 and #D0BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8777BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8777BF shade: #8777BF, #7665AC, #655399, #544186 and #432F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8777BF shade: #8777BF, #9A77BF, #AE77BF, #BF77BD and #BF77A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8777BF shade: #8777BF and #7777BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8777BF shade matches the following richer shades: #8777BF, #7E67CF, #7557DF and #6C47EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8777BF shade: #8777BF, #9087AF, #99979F, #A2A88F and #ABB87E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8777BF shade: #778EBF, #777BBF, #8777BF, #9A77BF and #AD77BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8777BF shade: #5B499B, #6E5BB2, #8777BF, #A093CC and #B9AFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8777BF shade: #8777BF, #BF77A1 and #84BF77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8777BF shade: #8777BF, #BF8777 and #77BF87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8777BF shade: #8777BF, #BF77A1, #AFBF77 and #77BF95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8777BF shade: #8777BF, #BF778C, #AFBF77 and #77BFAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

Complementary color

CMYK 12 / 0 / 53 / 47

HEX #788840

RGB 120 136 64

HSL 73.33, 0.36%, 0.39%

LAB 54, -17.4, 36.33

 

CMYK 25 / 36 / 0 / 27

HEX #8C77BA

RGB 140 119 186

HSL 258.81, 0.33%, 0.6%

LAB 54.36, 22.44, -32.35

 

CMYK 23 / 33 / 0 / 20

HEX #9D89CD

RGB 157 137 205

HSL 257.65, 0.4%, 0.67%

LAB 61.19, 21.76, -32.38

 

CMYK 22 / 31 / 0 / 12

HEX #AE9BE0

RGB 174 155 224

HSL 256.52, 0.53%, 0.74%

LAB 67.89, 21.14, -32.44

 

CMYK 21 / 29 / 0 / 5

HEX #BFADF3

RGB 191 173 243

HSL 255.43, 0.74%, 0.82%

LAB 74.47, 20.58, -32.53

 

CMYK 18 / 25 / 0 / 0

HEX #D0BFFF

RGB 208 191 255

HSL 255.94, 1%, 0.87%

LAB 80.68, 18.52, -29.31

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 31 / 41 / 0 / 33

HEX #7665AC

RGB 118 101 172

HSL 254.37, 0.3%, 0.54%

LAB 47.15, 23.04, -35.67

 

CMYK 34 / 46 / 0 / 40

HEX #655399

RGB 101 83 153

HSL 255.43, 0.3%, 0.46%

LAB 40, 23.98, -35.8

 

CMYK 37 / 51 / 0 / 47

HEX #544186

RGB 84 65 134

HSL 256.52, 0.35%, 0.39%

LAB 32.67, 25.06, -35.99

 

CMYK 42 / 59 / 0 / 55

HEX #432F73

RGB 67 47 115

HSL 257.65, 0.42%, 0.32%

LAB 25.15, 26.32, -36.2

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 9 / 38 / 0 / 25

HEX #AE77BF

RGB 174 119 191

HSL 285.83, 0.36%, 0.61%

LAB 57.99, 34.1, -29.29

 

CMYK 0 / 38 / 1 / 25

HEX #BF77BD

RGB 191 119 189

HSL 301.67, 0.36%, 0.61%

LAB 59.84, 39.07, -25.15

 

CMYK 0 / 38 / 12 / 25

HEX #BF77A9

RGB 191 119 169

HSL 318.33, 0.36%, 0.61%

LAB 59.1, 35.51, -14.84

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 38 / 38 / 0 / 25

HEX #7777BF

RGB 119 119 191

HSL 240, 0.36%, 0.61%

LAB 52.81, 17.69, -37.76

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 39 / 50 / 0 / 19

HEX #7E67CF

RGB 126 103 207

HSL 253.27, 0.52%, 0.61%

LAB 50.26, 33.52, -50.92

 

CMYK 48 / 61 / 0 / 13

HEX #7557DF

RGB 117 87 223

HSL 253.24, 0.68%, 0.61%

LAB 46.88, 45.29, -65.52

 

CMYK 55 / 70 / 0 / 6

HEX #6C47EF

RGB 108 71 239

HSL 253.21, 0.84%, 0.61%

LAB 44.13, 56.94, -79.09

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 18 / 23 / 0 / 31

HEX #9087AF

RGB 144 135 175

HSL 253.5, 0.2%, 0.61%

LAB 58.37, 11.75, -19.83

 

CMYK 4 / 5 / 0 / 38

HEX #99979F

RGB 153 151 159

HSL 255, 0.04%, 0.61%

LAB 62.85, 2.29, -3.94

 

CMYK 4 / 0 / 15 / 34

HEX #A2A88F

RGB 162 168 143

HSL 74.4, 0.13%, 0.61%

LAB 67.78, -6.65, 12.2

 

CMYK 7 / 0 / 32 / 28

HEX #ABB87E

RGB 171 184 126

HSL 73.45, 0.29%, 0.61%

LAB 72.53, -14.2, 28.03

 

CMYK 38 / 26 / 0 / 25

HEX #778EBF

RGB 119 142 191

HSL 220.83, 0.36%, 0.61%

LAB 59, 4.12, -28.11

 

CMYK 38 / 36 / 0 / 25

HEX #777BBF

RGB 119 123 191

HSL 236.67, 0.36%, 0.61%

LAB 53.87, 15.29, -36.11

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 19 / 38 / 0 / 25

HEX #9A77BF

RGB 154 119 191

HSL 269.17, 0.36%, 0.61%

LAB 55.91, 27.9, -32.69

 

CMYK 9 / 38 / 0 / 25

HEX #AD77BF

RGB 173 119 191

HSL 285, 0.36%, 0.61%

LAB 57.88, 33.78, -29.47

 

CMYK 41 / 53 / 0 / 39

HEX #5B499B

RGB 91 73 155

HSL 253.17, 0.36%, 0.45%

LAB 36.66, 28.05, -42.39

 

CMYK 38 / 49 / 0 / 30

HEX #6E5BB2

RGB 110 91 178

HSL 253.1, 0.36%, 0.53%

LAB 44.25, 28.53, -43.83

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 22 / 28 / 0 / 20

HEX #A093CC

RGB 160 147 204

HSL 253.68, 0.36%, 0.69%

LAB 63.92, 16.72, -27.58

 

CMYK 15 / 19 / 0 / 15

HEX #B9AFD9

RGB 185 175 217

HSL 254.29, 0.36%, 0.77%

LAB 73.54, 11.86, -19.87

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 0 / 38 / 16 / 25

HEX #BF77A1

RGB 191 119 161

HSL 325, 0.36%, 0.61%

LAB 58.83, 34.18, -10.65

 

CMYK 31 / 0 / 38 / 25

HEX #84BF77

RGB 132 191 119

HSL 109.17, 0.36%, 0.61%

LAB 71.89, -32.92, 30.41

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 0 / 29 / 38 / 25

HEX #BF8777

RGB 191 135 119

HSL 13.33, 0.36%, 0.61%

LAB 61.43, 19.38, 17.16

 

CMYK 38 / 0 / 29 / 25

HEX #77BF87

RGB 119 191 135

HSL 133.33, 0.36%, 0.61%

LAB 71.51, -34.46, 21.32

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 0 / 38 / 16 / 25

HEX #BF77A1

RGB 191 119 161

HSL 325, 0.36%, 0.61%

LAB 58.83, 34.18, -10.65

 

CMYK 8 / 0 / 38 / 25

HEX #AFBF77

RGB 175 191 119

HSL 73.33, 0.36%, 0.61%

LAB 74.64, -17.12, 34.51

 

CMYK 38 / 0 / 22 / 25

HEX #77BF95

RGB 119 191 149

HSL 145, 0.36%, 0.61%

LAB 71.79, -31.81, 14.19

 

CMYK 29 / 38 / 0 / 25

HEX #8777BF

RGB 135 119 191

HSL 253.33, 0.36%, 0.61%

LAB 54.14, 22.22, -35.59

 

CMYK 0 / 38 / 27 / 25

HEX #BF778C

RGB 191 119 140

HSL 342.5, 0.36%, 0.61%

LAB 58.19, 30.98, 0.54

 

CMYK 8 / 0 / 38 / 25

HEX #AFBF77

RGB 175 191 119

HSL 73.33, 0.36%, 0.61%

LAB 74.64, -17.12, 34.51

 

CMYK 38 / 0 / 10 / 25

HEX #77BFAB

RGB 119 191 171

HSL 163.33, 0.36%, 0.61%

LAB 72.31, -27.15, 2.98

 

Description

Color code: HEX #8777BF | qconv.com Color code: HEX #8777BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 119 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 119 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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