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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8777C4 it is the complementary color #78883B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8777C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8777C4 shade: #8C77BF, #9D89D2, #AE9BE5, #BFADF8 and #D0BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8777C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8777C4 shade: #8777C4, #7665B1, #65539E, #54418B and #432F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8777C4 shade: #8878C3, #9C78C3, #B078C3, #C378C2 and #C378AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8777C4 shade: #8878C3 and #7878C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8777C4 shade matches the following richer shades: #8878C3, #7E68D3, #7558E3 and #6C49F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8777C4 shade: #8878C3, #9187B4, #9A97A4, #A3A794 and #ACB785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8777C4 shade: #7891C3, #787DC3, #8778C3, #9B78C3 and #AF78C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8777C4 shade: #5A47A2, #6E5BB7, #8878C3, #A194D0 and #BAB1DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8777C4 shade: #8777C4, #C378A5 and #87C378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8777C4 shade: #8777C4, #C38778 and #78C387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8777C4 shade: #8777C4, #C378A5, #B4C378 and #78C396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8777C4 shade: #8777C4, #C3788E, #B4C378 and #78C3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

Complementary color

CMYK 12 / 0 / 57 / 47

HEX #78883B

RGB 120 136 59

HSL 72.47, 0.39%, 0.38%

LAB 53.94, -17.89, 38.77

 

CMYK 27 / 38 / 0 / 25

HEX #8C77BF

RGB 140 119 191

HSL 257.5, 0.36%, 0.61%

LAB 54.59, 23.69, -34.86

 

CMYK 25 / 35 / 0 / 18

HEX #9D89D2

RGB 157 137 210

HSL 256.44, 0.45%, 0.68%

LAB 61.41, 22.97, -34.85

 

CMYK 24 / 32 / 0 / 10

HEX #AE9BE5

RGB 174 155 229

HSL 255.41, 0.59%, 0.75%

LAB 68.09, 22.32, -34.88

 

CMYK 23 / 30 / 0 / 3

HEX #BFADF8

RGB 191 173 248

HSL 254.4, 0.84%, 0.83%

LAB 74.66, 21.73, -34.94

 

CMYK 18 / 25 / 0 / 0

HEX #D0BFFF

RGB 208 191 255

HSL 255.94, 1%, 0.87%

LAB 80.68, 18.52, -29.31

 

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

CMYK 33 / 43 / 0 / 31

HEX #7665B1

RGB 118 101 177

HSL 253.42, 0.33%, 0.55%

LAB 47.41, 24.38, -38.19

 

CMYK 36 / 47 / 0 / 38

HEX #65539E

RGB 101 83 158

HSL 254.4, 0.31%, 0.47%

LAB 40.28, 25.38, -38.36

 

CMYK 40 / 53 / 0 / 45

HEX #54418B

RGB 84 65 139

HSL 255.41, 0.36%, 0.4%

LAB 32.98, 26.52, -38.57

 

CMYK 44 / 61 / 0 / 53

HEX #432F78

RGB 67 47 120

HSL 256.44, 0.44%, 0.33%

LAB 25.51, 27.84, -38.8

 

CMYK 30 / 38 / 0 / 24

HEX #8878C3

RGB 136 120 195

HSL 252.8, 0.38%, 0.62%

LAB 54.67, 22.95, -37.04

 

CMYK 20 / 38 / 0 / 24

HEX #9C78C3

RGB 156 120 195

HSL 268.8, 0.38%, 0.62%

LAB 56.53, 28.86, -33.99

 

CMYK 10 / 38 / 0 / 24

HEX #B078C3

RGB 176 120 195

HSL 284.8, 0.38%, 0.62%

LAB 58.61, 34.99, -30.6

 

CMYK 0 / 38 / 1 / 24

HEX #C378C2

RGB 195 120 194

HSL 300.8, 0.38%, 0.62%

LAB 60.72, 40.73, -26.59

 

CMYK 0 / 38 / 11 / 24

HEX #C378AE

RGB 195 120 174

HSL 316.8, 0.38%, 0.62%

LAB 59.97, 37.17, -16.34

 

CMYK 30 / 38 / 0 / 24

HEX #8878C3

RGB 136 120 195

HSL 252.8, 0.38%, 0.62%

LAB 54.67, 22.95, -37.04

 

CMYK 38 / 38 / 0 / 24

HEX #7878C3

RGB 120 120 195

HSL 240, 0.38%, 0.62%

LAB 53.35, 18.48, -39.2

 

CMYK 30 / 38 / 0 / 24

HEX #8878C3

RGB 136 120 195

HSL 252.8, 0.38%, 0.62%

LAB 54.67, 22.95, -37.04

 

CMYK 40 / 51 / 0 / 17

HEX #7E68D3

RGB 126 104 211

HSL 252.34, 0.55%, 0.62%

LAB 50.73, 34.04, -52.45

 

CMYK 48 / 61 / 0 / 11

HEX #7558E3

RGB 117 88 227

HSL 252.52, 0.71%, 0.62%

LAB 47.38, 45.86, -66.98

 

CMYK 55 / 70 / 0 / 5

HEX #6C49F2

RGB 108 73 242

HSL 252.43, 0.87%, 0.62%

LAB 44.75, 56.76, -79.76

 

CMYK 30 / 38 / 0 / 24

HEX #8878C3

RGB 136 120 195

HSL 252.8, 0.38%, 0.62%

LAB 54.67, 22.95, -37.04

 

CMYK 19 / 25 / 0 / 29

HEX #9187B4

RGB 145 135 180

HSL 253.33, 0.23%, 0.62%

LAB 58.64, 13.24, -22.26

 

CMYK 6 / 8 / 0 / 36

HEX #9A97A4

RGB 154 151 164

HSL 253.85, 0.07%, 0.62%

LAB 63.08, 3.66, -6.41

 

CMYK 2 / 0 / 11 / 35

HEX #A3A794

RGB 163 167 148

HSL 72.63, 0.1%, 0.62%

LAB 67.7, -4.89, 9.34

 

CMYK 6 / 0 / 27 / 28

HEX #ACB785

RGB 172 183 133

HSL 73.2, 0.26%, 0.62%

LAB 72.45, -12.32, 24.21

 

CMYK 38 / 26 / 0 / 24

HEX #7891C3

RGB 120 145 195

HSL 220, 0.38%, 0.62%

LAB 60.05, 3.76, -28.74

 

CMYK 38 / 36 / 0 / 24

HEX #787DC3

RGB 120 125 195

HSL 236, 0.38%, 0.62%

LAB 54.66, 15.5, -37.15

 

CMYK 31 / 38 / 0 / 24

HEX #8778C3

RGB 135 120 195

HSL 252, 0.38%, 0.62%

LAB 54.58, 22.66, -37.18

 

CMYK 21 / 38 / 0 / 24

HEX #9B78C3

RGB 155 120 195

HSL 268, 0.38%, 0.62%

LAB 56.43, 28.56, -34.16

 

CMYK 10 / 38 / 0 / 24

HEX #AF78C3

RGB 175 120 195

HSL 284, 0.38%, 0.62%

LAB 58.5, 34.68, -30.78

 

CMYK 44 / 56 / 0 / 36

HEX #5A47A2

RGB 90 71 162

HSL 252.53, 0.39%, 0.46%

LAB 36.53, 31.12, -46.81

 

CMYK 40 / 50 / 0 / 28

HEX #6E5BB7

RGB 110 91 183

HSL 252.39, 0.39%, 0.54%

LAB 44.54, 29.95, -46.29

 

CMYK 30 / 38 / 0 / 24

HEX #8878C3

RGB 136 120 195

HSL 252.8, 0.38%, 0.62%

LAB 54.67, 22.95, -37.04

 

CMYK 23 / 29 / 0 / 18

HEX #A194D0

RGB 161 148 208

HSL 253, 0.39%, 0.7%

LAB 64.41, 17.4, -29.04

 

CMYK 16 / 20 / 0 / 13

HEX #BAB1DD

RGB 186 177 221

HSL 252.27, 0.39%, 0.78%

LAB 74.26, 11.95, -20.95

 

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

CMYK 0 / 38 / 15 / 24

HEX #C378A5

RGB 195 120 165

HSL 324, 0.38%, 0.62%

LAB 59.66, 35.67, -11.65

 

CMYK 31 / 0 / 38 / 24

HEX #87C378

RGB 135 195 120

HSL 108, 0.38%, 0.62%

LAB 73.24, -33.62, 31.69

 

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

CMYK 0 / 31 / 38 / 24

HEX #C38778

RGB 195 135 120

HSL 12, 0.38%, 0.62%

LAB 61.9, 21.1, 17.32

 

CMYK 38 / 0 / 31 / 24

HEX #78C387

RGB 120 195 135

HSL 132, 0.38%, 0.62%

LAB 72.74, -36, 23.01

 

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

CMYK 0 / 38 / 15 / 24

HEX #C378A5

RGB 195 120 165

HSL 324, 0.38%, 0.62%

LAB 59.66, 35.67, -11.65

 

CMYK 8 / 0 / 38 / 24

HEX #B4C378

RGB 180 195 120

HSL 72, 0.38%, 0.62%

LAB 76.12, -17.07, 35.98

 

CMYK 38 / 0 / 23 / 24

HEX #78C396

RGB 120 195 150

HSL 144, 0.38%, 0.62%

LAB 73.04, -33.2, 15.4

 

CMYK 31 / 39 / 0 / 23

HEX #8777C4

RGB 135 119 196

HSL 252.47, 0.39%, 0.62%

LAB 54.38, 23.51, -38.07

 

CMYK 0 / 38 / 27 / 24

HEX #C3788E

RGB 195 120 142

HSL 342.4, 0.38%, 0.62%

LAB 58.96, 32.18, 0.56

 

CMYK 8 / 0 / 38 / 24

HEX #B4C378

RGB 180 195 120

HSL 72, 0.38%, 0.62%

LAB 76.12, -17.07, 35.98

 

CMYK 38 / 0 / 11 / 24

HEX #78C3AD

RGB 120 195 173

HSL 162.4, 0.38%, 0.62%

LAB 73.57, -28.37, 3.73

 

Description

Color code: HEX #8777C4 | qconv.com Color code: HEX #8777C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 119 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 119 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 39 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 39% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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