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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #877820 it is the complementary color #7887DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #877820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #877820 shade: #8C781B, #9D8A2E, #AE9C41, #BFAE54 and #D0C067

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #877820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #877820 shade: #877820, #76660D, #655400, #544200 and #433000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #877820 shade: #88791F, #885C1F, #88401F, #88241F and #881F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #877820 shade: #88791F, #7B881F, #5F881F, #43881F and #26881F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #877820 shade matches the following richer shades: #88791F, #958212 and #A38C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #877820 shade: #88791F, #7A6F2D, #6D653B, #5F5C48 and #515256

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #877820 shade: #88411F, #885C1F, #88781F, #7C881F and #60881F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #877820 shade: #453D10, #665B18, #88791F, #A99627 and #CBB42F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #877820 shade: #877820, #1F8825 and #4E1F88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #877820 shade: #877820, #1F8878 and #781F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #877820 shade: #877820, #1F8825, #1F2F88 and #881F83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #877820 shade: #877820, #1F8844, #1F2F88 and #881F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

Complementary color

CMYK 46 / 39 / 0 / 13

HEX #7887DF

RGB 120 135 223

HSL 231.26, 0.62%, 0.67%

LAB 58.65, 17.65, -46.65

 

CMYK 0 / 14 / 81 / 45

HEX #8C781B

RGB 140 120 27

HSL 49.38, 0.68%, 0.33%

LAB 50.79, -2.2, 49.87

 

CMYK 0 / 12 / 71 / 38

HEX #9D8A2E

RGB 157 138 46

HSL 49.73, 0.55%, 0.4%

LAB 57.6, -3.48, 49.64

 

CMYK 0 / 10 / 63 / 32

HEX #AE9C41

RGB 174 156 65

HSL 50.09, 0.46%, 0.47%

LAB 64.29, -4.51, 48.79

 

CMYK 0 / 9 / 56 / 25

HEX #BFAE54

RGB 191 174 84

HSL 50.47, 0.46%, 0.54%

LAB 70.86, -5.35, 47.68

 

CMYK 0 / 8 / 50 / 18

HEX #D0C067

RGB 208 192 103

HSL 50.86, 0.53%, 0.61%

LAB 77.33, -6.04, 46.49

 

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

CMYK 0 / 14 / 89 / 54

HEX #76660D

RGB 118 102 13

HSL 50.86, 0.8%, 0.26%

LAB 43.34, -2.88, 46.89

 

CMYK 0 / 17 / 100 / 60

HEX #655400

RGB 101 84 0

HSL 49.9, 1%, 0.2%

LAB 36.19, -1.04, 44.18

 

CMYK 0 / 21 / 100 / 67

HEX #544200

RGB 84 66 0

HSL 47.14, 1%, 0.16%

LAB 28.85, 1.28, 38.01

 

CMYK 0 / 28 / 100 / 74

HEX #433000

RGB 67 48 0

HSL 42.99, 1%, 0.13%

LAB 21.23, 3.8, 30.02

 

CMYK 0 / 11 / 77 / 47

HEX #88791F

RGB 136 121 31

HSL 51.43, 0.63%, 0.33%

LAB 50.7, -4.46, 48.2

 

CMYK 0 / 32 / 77 / 47

HEX #885C1F

RGB 136 92 31

HSL 34.86, 0.63%, 0.33%

LAB 42.74, 12.27, 40.52

 

CMYK 0 / 53 / 77 / 47

HEX #88401F

RGB 136 64 31

HSL 18.86, 0.63%, 0.33%

LAB 35.98, 28.38, 33.64

 

CMYK 0 / 74 / 77 / 47

HEX #88241F

RGB 136 36 31

HSL 2.86, 0.63%, 0.33%

LAB 30.87, 41.88, 28.14

 

CMYK 0 / 77 / 77 / 47

HEX #881F1F

RGB 136 31 31

HSL 0, 0.63%, 0.33%

LAB 30.19, 43.76, 27.39

 

CMYK 0 / 11 / 77 / 47

HEX #88791F

RGB 136 121 31

HSL 51.43, 0.63%, 0.33%

LAB 50.7, -4.46, 48.2

 

CMYK 10 / 0 / 77 / 47

HEX #7B881F

RGB 123 136 31

HSL 67.43, 0.63%, 0.33%

LAB 53.94, -18.54, 50.83

 

CMYK 30 / 0 / 77 / 47

HEX #5F881F

RGB 95 136 31

HSL 83.43, 0.63%, 0.33%

LAB 52, -30.47, 48.3

 

CMYK 51 / 0 / 77 / 47

HEX #43881F

RGB 67 136 31

HSL 99.43, 0.63%, 0.33%

LAB 50.57, -40.61, 46.43

 

CMYK 72 / 0 / 77 / 47

HEX #26881F

RGB 38 136 31

HSL 116, 0.63%, 0.33%

LAB 49.64, -48.07, 45.2

 

CMYK 0 / 11 / 77 / 47

HEX #88791F

RGB 136 121 31

HSL 51.43, 0.63%, 0.33%

LAB 50.7, -4.46, 48.2

 

CMYK 0 / 13 / 88 / 42

HEX #958212

RGB 149 130 18

HSL 51.3, 0.78%, 0.33%

LAB 54.45, -3.87, 56.01

 

CMYK 0 / 14 / 98 / 36

HEX #A38C04

RGB 163 140 4

HSL 51.32, 0.95%, 0.33%

LAB 58.56, -3.14, 62.35

 

CMYK 0 / 11 / 77 / 47

HEX #88791F

RGB 136 121 31

HSL 51.43, 0.63%, 0.33%

LAB 50.7, -4.46, 48.2

 

CMYK 0 / 9 / 63 / 52

HEX #7A6F2D

RGB 122 111 45

HSL 51.43, 0.46%, 0.33%

LAB 46.57, -4.5, 37.41

 

CMYK 0 / 7 / 46 / 57

HEX #6D653B

RGB 109 101 59

HSL 50.4, 0.3%, 0.33%

LAB 42.57, -3.39, 24.87

 

CMYK 0 / 3 / 24 / 63

HEX #5F5C48

RGB 95 92 72

HSL 52.17, 0.14%, 0.33%

LAB 38.82, -2.51, 11.97

 

CMYK 6 / 5 / 0 / 66

HEX #515256

RGB 81 82 86

HSL 228, 0.03%, 0.33%

LAB 34.91, 0.48, -2.48

 

CMYK 0 / 52 / 77 / 47

HEX #88411F

RGB 136 65 31

HSL 19.43, 0.63%, 0.33%

LAB 36.2, 27.83, 33.87

 

CMYK 0 / 32 / 77 / 47

HEX #885C1F

RGB 136 92 31

HSL 34.86, 0.63%, 0.33%

LAB 42.74, 12.27, 40.52

 

CMYK 0 / 12 / 77 / 47

HEX #88781F

RGB 136 120 31

HSL 50.86, 0.63%, 0.33%

LAB 50.41, -3.9, 47.93

 

CMYK 9 / 0 / 77 / 47

HEX #7C881F

RGB 124 136 31

HSL 66.86, 0.63%, 0.33%

LAB 54.02, -18.1, 50.93

 

CMYK 29 / 0 / 77 / 47

HEX #60881F

RGB 96 136 31

HSL 82.86, 0.63%, 0.33%

LAB 52.06, -30.07, 48.38

 

CMYK 0 / 12 / 77 / 73

HEX #453D10

RGB 69 61 16

HSL 50.94, 0.62%, 0.17%

LAB 25.68, -2.67, 27.82

 

CMYK 0 / 11 / 76 / 60

HEX #665B18

RGB 102 91 24

HSL 51.54, 0.62%, 0.25%

LAB 38.5, -3.82, 38.12

 

CMYK 0 / 11 / 77 / 47

HEX #88791F

RGB 136 121 31

HSL 51.43, 0.63%, 0.33%

LAB 50.7, -4.46, 48.2

 

CMYK 0 / 11 / 77 / 34

HEX #A99627

RGB 169 150 39

HSL 51.23, 0.63%, 0.41%

LAB 61.99, -4.94, 56.99

 

CMYK 0 / 11 / 77 / 20

HEX #CBB42F

RGB 203 180 47

HSL 51.15, 0.62%, 0.49%

LAB 73.25, -5.49, 65.81

 

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

CMYK 77 / 0 / 73 / 47

HEX #1F8825

RGB 31 136 37

HSL 123.43, 0.63%, 0.33%

LAB 49.54, -48.8, 42.74

 

CMYK 43 / 77 / 0 / 47

HEX #4E1F88

RGB 78 31 136

HSL 266.86, 0.63%, 0.33%

LAB 24.88, 43.6, -49.84

 

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

CMYK 77 / 0 / 12 / 47

HEX #1F8878

RGB 31 136 120

HSL 170.86, 0.63%, 0.33%

LAB 50.99, -32.71, 0.28

 

CMYK 12 / 77 / 0 / 47

HEX #781F88

RGB 120 31 136

HSL 290.86, 0.63%, 0.33%

LAB 31.23, 51.89, -39.26

 

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

CMYK 77 / 0 / 73 / 47

HEX #1F8825

RGB 31 136 37

HSL 123.43, 0.63%, 0.33%

LAB 49.54, -48.8, 42.74

 

CMYK 77 / 65 / 0 / 47

HEX #1F2F88

RGB 31 47 136

HSL 230.86, 0.63%, 0.33%

LAB 24.01, 26.93, -51.45

 

CMYK 0 / 77 / 4 / 47

HEX #881F83

RGB 136 31 131

HSL 302.86, 0.63%, 0.33%

LAB 33.67, 54.52, -32.09

 

CMYK 0 / 11 / 76 / 47

HEX #877820

RGB 135 120 32

HSL 51.26, 0.62%, 0.33%

LAB 50.32, -4.32, 47.42

 

CMYK 77 / 0 / 50 / 47

HEX #1F8844

RGB 31 136 68

HSL 141.14, 0.63%, 0.33%

LAB 49.88, -44.71, 28.26

 

CMYK 77 / 65 / 0 / 47

HEX #1F2F88

RGB 31 47 136

HSL 230.86, 0.63%, 0.33%

LAB 24.01, 26.93, -51.45

 

CMYK 0 / 77 / 27 / 47

HEX #881F63

RGB 136 31 99

HSL 321.14, 0.63%, 0.33%

LAB 32.07, 49.74, -14.32

 

Description

Color code: HEX #877820 | qconv.com Color code: HEX #877820 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 120 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 120 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 76 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 76% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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