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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8778A7 it is the complementary color #788758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8778A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8778A7 shade: #8C78A2, #9D8AB5, #AE9CC8, #BFAEDB and #D0C0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8778A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8778A7 shade: #8778A7, #766694, #655481, #54426E and #43305B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8778A7 shade: #8677A6, #9277A6, #9F77A6, #A677A0 and #A67793

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8778A7 shade: #8677A6, #7977A6 and #7777A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8778A7 shade matches the following richer shades: #8677A6, #7F65B8, #7952CA, #7240DC and #6C2EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8778A7 shade: #8677A6, #8C8994, #939B82, #99AD6F and #A0BF5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8778A7 shade: #7781A6, #7977A6, #8677A6, #9277A6 and #9F77A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8778A7 shade: #5D507A, #706093, #8677A6, #9C90B6 and #B2A9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8778A7 shade: #8778A7, #A6778E and #7BA677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8778A7 shade: #8778A7, #A68677 and #77A686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8778A7 shade: #8778A7, #A6778E, #97A677 and #77A68F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8778A7 shade: #8778A7, #A6777F, #97A677 and #77A69D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

Complementary color

CMYK 11 / 0 / 35 / 47

HEX #788758

RGB 120 135 88

HSL 79.15, 0.21%, 0.44%

LAB 54.05, -13.92, 23.51

 

CMYK 14 / 26 / 0 / 36

HEX #8C78A2

RGB 140 120 162

HSL 268.57, 0.18%, 0.55%

LAB 53.62, 16.18, -19.64

 

CMYK 13 / 24 / 0 / 29

HEX #9D8AB5

RGB 157 138 181

HSL 266.51, 0.23%, 0.63%

LAB 60.5, 15.67, -19.9

 

CMYK 13 / 22 / 0 / 22

HEX #AE9CC8

RGB 174 156 200

HSL 264.55, 0.29%, 0.7%

LAB 67.24, 15.2, -20.16

 

CMYK 13 / 21 / 0 / 14

HEX #BFAEDB

RGB 191 174 219

HSL 262.67, 0.38%, 0.77%

LAB 73.84, 14.77, -20.45

 

CMYK 13 / 19 / 0 / 7

HEX #D0C0EE

RGB 208 192 238

HSL 260.87, 0.58%, 0.84%

LAB 80.34, 14.37, -20.74

 

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

CMYK 20 / 31 / 0 / 42

HEX #766694

RGB 118 102 148

HSL 260.87, 0.18%, 0.49%

LAB 46.3, 16.28, -22.84

 

CMYK 22 / 35 / 0 / 49

HEX #655481

RGB 101 84 129

HSL 262.67, 0.21%, 0.42%

LAB 39.06, 16.95, -22.74

 

CMYK 24 / 40 / 0 / 57

HEX #54426E

RGB 84 66 110

HSL 264.55, 0.25%, 0.35%

LAB 31.59, 17.73, -22.69

 

CMYK 26 / 47 / 0 / 64

HEX #43305B

RGB 67 48 91

HSL 266.51, 0.31%, 0.27%

LAB 23.88, 18.66, -22.68

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 12 / 28 / 0 / 35

HEX #9277A6

RGB 146 119 166

HSL 274.47, 0.21%, 0.56%

LAB 54.09, 19.67, -21.19

 

CMYK 4 / 28 / 0 / 35

HEX #9F77A6

RGB 159 119 166

HSL 291.06, 0.21%, 0.56%

LAB 55.4, 24.06, -19.07

 

CMYK 0 / 28 / 4 / 35

HEX #A677A0

RGB 166 119 160

HSL 307.66, 0.21%, 0.56%

LAB 55.93, 25.29, -14.73

 

CMYK 0 / 28 / 11 / 35

HEX #A67793

RGB 166 119 147

HSL 324.26, 0.21%, 0.56%

LAB 55.49, 22.91, -7.84

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 27 / 28 / 0 / 35

HEX #7977A6

RGB 121 119 166

HSL 242.55, 0.21%, 0.56%

LAB 51.85, 11.55, -24.82

 

CMYK 28 / 28 / 0 / 35

HEX #7777A6

RGB 119 119 166

HSL 240, 0.21%, 0.56%

LAB 51.69, 10.93, -25.09

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 31 / 45 / 0 / 28

HEX #7F65B8

RGB 127 101 184

HSL 258.8, 0.37%, 0.56%

LAB 48.61, 28.77, -40.31

 

CMYK 40 / 59 / 0 / 21

HEX #7952CA

RGB 121 82 202

HSL 259.5, 0.53%, 0.56%

LAB 44.75, 43.1, -56.93

 

CMYK 48 / 71 / 0 / 14

HEX #7240DC

RGB 114 64 220

HSL 259.23, 0.69%, 0.56%

LAB 41.86, 56.14, -71.99

 

CMYK 55 / 81 / 0 / 7

HEX #6C2EEE

RGB 108 46 238

HSL 259.38, 0.85%, 0.56%

LAB 40.11, 67.9, -85.14

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 5 / 7 / 0 / 42

HEX #8C8994

RGB 140 137 148

HSL 256.36, 0.05%, 0.56%

LAB 57.66, 3.31, -5.47

 

CMYK 5 / 0 / 16 / 39

HEX #939B82

RGB 147 155 130

HSL 79.2, 0.11%, 0.56%

LAB 62.72, -7.5, 12.15

 

CMYK 12 / 0 / 36 / 32

HEX #99AD6F

RGB 153 173 111

HSL 79.35, 0.27%, 0.56%

LAB 67.88, -17.56, 29.61

 

CMYK 16 / 0 / 51 / 25

HEX #A0BF5D

RGB 160 191 93

HSL 78.98, 0.43%, 0.56%

LAB 73.24, -25.9, 45.55

 

CMYK 28 / 22 / 0 / 35

HEX #7781A6

RGB 119 129 166

HSL 227.23, 0.21%, 0.56%

LAB 54.42, 5.02, -20.88

 

CMYK 27 / 28 / 0 / 35

HEX #7977A6

RGB 121 119 166

HSL 242.55, 0.21%, 0.56%

LAB 51.85, 11.55, -24.82

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 12 / 28 / 0 / 35

HEX #9277A6

RGB 146 119 166

HSL 274.47, 0.21%, 0.56%

LAB 54.09, 19.67, -21.19

 

CMYK 4 / 28 / 0 / 35

HEX #9F77A6

RGB 159 119 166

HSL 291.06, 0.21%, 0.56%

LAB 55.4, 24.06, -19.07

 

CMYK 24 / 34 / 0 / 52

HEX #5D507A

RGB 93 80 122

HSL 258.57, 0.21%, 0.4%

LAB 36.87, 14.99, -21.89

 

CMYK 24 / 35 / 0 / 42

HEX #706093

RGB 112 96 147

HSL 258.82, 0.21%, 0.48%

LAB 44.11, 17.72, -25.68

 

CMYK 19 / 28 / 0 / 35

HEX #8677A6

RGB 134 119 166

HSL 259.15, 0.21%, 0.56%

LAB 52.97, 15.71, -23.01

 

CMYK 14 / 21 / 0 / 29

HEX #9C90B6

RGB 156 144 182

HSL 258.95, 0.21%, 0.64%

LAB 61.99, 12.13, -18.2

 

CMYK 10 / 15 / 0 / 22

HEX #B2A9C6

RGB 178 169 198

HSL 258.62, 0.2%, 0.72%

LAB 70.81, 8.86, -13.62

 

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

CMYK 0 / 28 / 14 / 35

HEX #A6778E

RGB 166 119 142

HSL 330.64, 0.21%, 0.56%

LAB 55.33, 22.05, -5.17

 

CMYK 26 / 0 / 28 / 35

HEX #7BA677

RGB 123 166 119

HSL 114.89, 0.21%, 0.56%

LAB 64.01, -23.94, 19.77

 

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

CMYK 0 / 19 / 28 / 35

HEX #A68677

RGB 166 134 119

HSL 19.15, 0.21%, 0.56%

LAB 58.5, 9.91, 12.69

 

CMYK 28 / 0 / 19 / 35

HEX #77A686

RGB 119 166 134

HSL 139.15, 0.21%, 0.56%

LAB 64.09, -22.55, 11.58

 

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

CMYK 0 / 28 / 14 / 35

HEX #A6778E

RGB 166 119 142

HSL 330.64, 0.21%, 0.56%

LAB 55.33, 22.05, -5.17

 

CMYK 9 / 0 / 28 / 35

HEX #97A677

RGB 151 166 119

HSL 79.15, 0.21%, 0.56%

LAB 65.89, -13.58, 22.64

 

CMYK 28 / 0 / 14 / 35

HEX #77A68F

RGB 119 166 143

HSL 150.64, 0.21%, 0.56%

LAB 64.3, -20.73, 6.87

 

CMYK 19 / 28 / 0 / 35

HEX #8778A7

RGB 135 120 167

HSL 259.15, 0.21%, 0.56%

LAB 53.36, 15.68, -22.98

 

CMYK 0 / 28 / 23 / 35

HEX #A6777F

RGB 166 119 127

HSL 349.79, 0.21%, 0.56%

LAB 54.9, 19.61, 2.94

 

CMYK 9 / 0 / 28 / 35

HEX #97A677

RGB 151 166 119

HSL 79.15, 0.21%, 0.56%

LAB 65.89, -13.58, 22.64

 

CMYK 28 / 0 / 5 / 35

HEX #77A69D

RGB 119 166 157

HSL 168.51, 0.21%, 0.56%

LAB 64.67, -17.68, -0.42

 

Description

Color code: HEX #8778A7 | qconv.com Color code: HEX #8778A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 120 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 120 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 28 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 28% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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