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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87713A it is the complementary color #788EC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87713A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87713A shade: #8C7135, #9D8348, #AE955B, #BFA76E and #D0B981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87713A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87713A shade: #87713A, #765F27, #654D14, #543B01 and #432900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87713A shade: #87713A, #875C3A, #87473A and #873A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87713A shade: #87713A, #87863A, #73873A, #5F873A and #4A873A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87713A shade matches the following richer shades: #87713A, #97782A, #A77E1A and #B6850B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87713A shade: #87713A, #776A49, #686459, #585D69 and #485678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87713A shade: #87473A, #875B3A, #87703A, #87853A and #75873A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87713A shade: #4D4121, #6A592D, #87713A, #A48946 and #B89E5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87713A shade: #87713A, #41873A and #513A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87713A shade: #87713A, #3A8770 and #703A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87713A shade: #87713A, #41873A, #3A5187 and #7F3A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87713A shade: #87713A, #3A8749, #3A5187 and #873A78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

Complementary color

CMYK 39 / 28 / 0 / 23

HEX #788EC5

RGB 120 142 197

HSL 222.86, 0.4%, 0.62%

LAB 59.32, 6.05, -31.01

 

CMYK 0 / 19 / 62 / 45

HEX #8C7135

RGB 140 113 53

HSL 41.38, 0.45%, 0.38%

LAB 49.06, 3.27, 36.67

 

CMYK 0 / 17 / 54 / 38

HEX #9D8348

RGB 157 131 72

HSL 41.65, 0.37%, 0.45%

LAB 55.96, 2.28, 35.31

 

CMYK 0 / 14 / 48 / 32

HEX #AE955B

RGB 174 149 91

HSL 41.93, 0.34%, 0.52%

LAB 62.72, 1.48, 33.96

 

CMYK 0 / 13 / 42 / 25

HEX #BFA76E

RGB 191 167 110

HSL 42.22, 0.39%, 0.59%

LAB 69.36, 0.82, 32.66

 

CMYK 0 / 11 / 38 / 18

HEX #D0B981

RGB 208 185 129

HSL 42.53, 0.46%, 0.66%

LAB 75.88, 0.26, 31.43

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 19 / 67 / 54

HEX #765F27

RGB 118 95 39

HSL 42.53, 0.5%, 0.31%

LAB 41.5, 2.48, 34.7

 

CMYK 0 / 24 / 80 / 60

HEX #654D14

RGB 101 77 20

HSL 42.22, 0.67%, 0.24%

LAB 34.24, 3.9, 35.67

 

CMYK 0 / 30 / 99 / 67

HEX #543B01

RGB 84 59 1

HSL 41.93, 0.98%, 0.17%

LAB 26.78, 5.74, 35.85

 

CMYK 0 / 39 / 100 / 74

HEX #432900

RGB 67 41 0

HSL 36.72, 1%, 0.13%

LAB 19.14, 8.43, 27.66

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 32 / 57 / 47

HEX #875C3A

RGB 135 92 58

HSL 26.49, 0.4%, 0.38%

LAB 42.93, 13.66, 26.5

 

CMYK 0 / 47 / 57 / 47

HEX #87473A

RGB 135 71 58

HSL 10.13, 0.4%, 0.38%

LAB 37.78, 25.88, 19.97

 

CMYK 0 / 57 / 57 / 47

HEX #873A3A

RGB 135 58 58

HSL 0, 0.4%, 0.38%

LAB 34.97, 33, 16.29

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 1 / 57 / 47

HEX #87863A

RGB 135 134 58

HSL 59.22, 0.4%, 0.38%

LAB 54.56, -10.35, 40.29

 

CMYK 15 / 0 / 57 / 47

HEX #73873A

RGB 115 135 58

HSL 75.58, 0.4%, 0.38%

LAB 53.25, -19.59, 38.37

 

CMYK 30 / 0 / 57 / 47

HEX #5F873A

RGB 95 135 58

HSL 91.17, 0.4%, 0.38%

LAB 51.91, -27.75, 36.47

 

CMYK 45 / 0 / 57 / 47

HEX #4A873A

RGB 74 135 58

HSL 107.53, 0.4%, 0.38%

LAB 50.79, -35.32, 34.88

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 0 / 25 / 84 / 35

HEX #A77E1A

RGB 167 126 26

HSL 42.55, 0.73%, 0.38%

LAB 55.29, 6.91, 55.26

 

CMYK 0 / 27 / 94 / 29

HEX #B6850B

RGB 182 133 11

HSL 42.81, 0.89%, 0.38%

LAB 58.74, 9.52, 62.28

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 11 / 39 / 53

HEX #776A49

RGB 119 106 73

HSL 43.04, 0.24%, 0.38%

LAB 45.24, -0.11, 20.42

 

CMYK 0 / 4 / 14 / 59

HEX #686459

RGB 104 100 89

HSL 44, 0.08%, 0.38%

LAB 42.43, -0.53, 6.8

 

CMYK 16 / 11 / 0 / 59

HEX #585D69

RGB 88 93 105

HSL 222.35, 0.09%, 0.38%

LAB 39.45, 0.81, -7.5

 

CMYK 40 / 28 / 0 / 53

HEX #485678

RGB 72 86 120

HSL 222.5, 0.25%, 0.38%

LAB 36.72, 3.89, -21.03

 

CMYK 0 / 47 / 57 / 47

HEX #87473A

RGB 135 71 58

HSL 10.13, 0.4%, 0.38%

LAB 37.78, 25.88, 19.97

 

CMYK 0 / 33 / 57 / 47

HEX #875B3A

RGB 135 91 58

HSL 25.71, 0.4%, 0.38%

LAB 42.67, 14.25, 26.18

 

CMYK 0 / 17 / 57 / 47

HEX #87703A

RGB 135 112 58

HSL 42.08, 0.4%, 0.38%

LAB 48.32, 1.98, 33.04

 

CMYK 0 / 1 / 57 / 47

HEX #87853A

RGB 135 133 58

HSL 58.44, 0.4%, 0.38%

LAB 54.27, -9.81, 39.96

 

CMYK 13 / 0 / 57 / 47

HEX #75873A

RGB 117 135 58

HSL 74.03, 0.4%, 0.38%

LAB 53.4, -18.74, 38.58

 

CMYK 0 / 16 / 57 / 70

HEX #4D4121

RGB 77 65 33

HSL 43.64, 0.4%, 0.22%

LAB 28.03, 0.34, 21.28

 

CMYK 0 / 16 / 58 / 58

HEX #6A592D

RGB 106 89 45

HSL 43.28, 0.4%, 0.3%

LAB 38.55, 0.84, 27.77

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 16 / 57 / 36

HEX #A48946

RGB 164 137 70

HSL 42.77, 0.4%, 0.46%

LAB 58.25, 1.85, 39.25

 

CMYK 0 / 14 / 51 / 28

HEX #B89E5B

RGB 184 158 91

HSL 43.23, 0.4%, 0.54%

LAB 66.06, 0.83, 38.31

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 52 / 0 / 57 / 47

HEX #41873A

RGB 65 135 58

HSL 114.55, 0.4%, 0.38%

LAB 50.4, -38.15, 34.32

 

CMYK 40 / 57 / 0 / 47

HEX #513A87

RGB 81 58 135

HSL 257.92, 0.4%, 0.38%

LAB 30.7, 28.94, -39.78

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 57 / 0 / 17 / 47

HEX #3A8770

RGB 58 135 112

HSL 162.08, 0.4%, 0.38%

LAB 51.15, -29.63, 5.26

 

CMYK 17 / 57 / 0 / 47

HEX #703A87

RGB 112 58 135

HSL 282.08, 0.4%, 0.38%

LAB 34.44, 37.33, -33.59

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 52 / 0 / 57 / 47

HEX #41873A

RGB 65 135 58

HSL 114.55, 0.4%, 0.38%

LAB 50.4, -38.15, 34.32

 

CMYK 57 / 40 / 0 / 47

HEX #3A5187

RGB 58 81 135

HSL 222.08, 0.4%, 0.38%

LAB 35.07, 8.28, -32.91

 

CMYK 6 / 57 / 0 / 47

HEX #7F3A87

RGB 127 58 135

HSL 293.77, 0.4%, 0.38%

LAB 36.53, 41.58, -30.14

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 57 / 0 / 46 / 47

HEX #3A8749

RGB 58 135 73

HSL 131.69, 0.4%, 0.38%

LAB 50.34, -37.87, 26.3

 

CMYK 57 / 40 / 0 / 47

HEX #3A5187

RGB 58 81 135

HSL 222.08, 0.4%, 0.38%

LAB 35.07, 8.28, -32.91

 

CMYK 0 / 57 / 11 / 47

HEX #873A78

RGB 135 58 120

HSL 311.69, 0.4%, 0.38%

LAB 36.99, 41.16, -20.05

 

Description

Color code: HEX #87713A | qconv.com Color code: HEX #87713A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 113 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 113 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 57 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 57% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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