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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8780B1 it is the complementary color #787F4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8780B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8780B1 shade: #8C80AC, #9D92BF, #AEA4D2, #BFB6E5 and #D0C8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8780B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8780B1 shade: #8780B1, #766E9E, #655C8B, #544A78 and #433865

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8780B1 shade: #8780B1, #9480B1, #A180B1, #AF80B1 and #B180A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8780B1 shade: #8780B1 and #8080B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8780B1 shade matches the following richer shades: #8780B1, #7B70C1, #6F5FD2, #644FE2 and #583EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8780B1 shade: #8780B1, #9391A0, #9FA190, #AAB27F and #B6C26F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8780B1 shade: #8094B1, #8087B1, #8780B1, #9480B1 and #A180B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8780B1 shade: #5C548A, #6F66A1, #8780B1, #9F9AC1 and #B7B3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8780B1 shade: #8780B1, #B180A1 and #8DB180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8780B1 shade: #8780B1, #B18780 and #80B187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8780B1 shade: #8780B1, #B180A1, #AAB180 and #80B190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8780B1 shade: #8780B1, #B18092, #AAB180 and #80B19F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

Complementary color

CMYK 6 / 0 / 39 / 50

HEX #787F4E

RGB 120 127 78

HSL 68.57, 0.24%, 0.4%

LAB 51.52, -10.94, 25.78

 

CMYK 19 / 26 / 0 / 33

HEX #8C80AC

RGB 140 128 172

HSL 256.36, 0.21%, 0.59%

LAB 56.08, 13.8, -21.65

 

CMYK 18 / 24 / 0 / 25

HEX #9D92BF

RGB 157 146 191

HSL 254.67, 0.26%, 0.66%

LAB 62.92, 13.34, -21.85

 

CMYK 17 / 22 / 0 / 18

HEX #AEA4D2

RGB 174 164 210

HSL 253.04, 0.34%, 0.73%

LAB 69.61, 12.91, -22.08

 

CMYK 17 / 21 / 0 / 10

HEX #BFB6E5

RGB 191 182 229

HSL 251.49, 0.47%, 0.81%

LAB 76.19, 12.52, -22.32

 

CMYK 16 / 19 / 0 / 3

HEX #D0C8F8

RGB 208 200 248

HSL 250, 0.77%, 0.88%

LAB 82.64, 12.16, -22.58

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 25 / 30 / 0 / 38

HEX #766E9E

RGB 118 110 158

HSL 250, 0.2%, 0.53%

LAB 48.85, 13.95, -24.81

 

CMYK 27 / 34 / 0 / 45

HEX #655C8B

RGB 101 92 139

HSL 251.49, 0.2%, 0.45%

LAB 41.67, 14.58, -24.76

 

CMYK 30 / 38 / 0 / 53

HEX #544A78

RGB 84 74 120

HSL 253.04, 0.24%, 0.38%

LAB 34.27, 15.32, -24.78

 

CMYK 34 / 45 / 0 / 60

HEX #433865

RGB 67 56 101

HSL 254.67, 0.29%, 0.31%

LAB 26.62, 16.22, -24.86

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 16 / 28 / 0 / 31

HEX #9480B1

RGB 148 128 177

HSL 264.49, 0.24%, 0.6%

LAB 56.99, 17.57, -23.06

 

CMYK 9 / 28 / 0 / 31

HEX #A180B1

RGB 161 128 177

HSL 280.41, 0.24%, 0.6%

LAB 58.22, 21.86, -21.07

 

CMYK 1 / 28 / 0 / 31

HEX #AF80B1

RGB 175 128 177

HSL 297.55, 0.24%, 0.6%

LAB 59.64, 26.57, -18.77

 

CMYK 0 / 28 / 6 / 31

HEX #B180A6

RGB 177 128 166

HSL 313.47, 0.24%, 0.6%

LAB 59.47, 25.17, -12.72

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 28 / 28 / 0 / 31

HEX #8080B1

RGB 128 128 177

HSL 240, 0.24%, 0.6%

LAB 55.28, 11.22, -25.84

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 36 / 42 / 0 / 24

HEX #7B70C1

RGB 123 112 193

HSL 248.15, 0.4%, 0.6%

LAB 51.44, 23.53, -41.05

 

CMYK 47 / 55 / 0 / 18

HEX #6F5FD2

RGB 111 95 210

HSL 248.35, 0.56%, 0.6%

LAB 47.26, 35.63, -57.53

 

CMYK 56 / 65 / 0 / 11

HEX #644FE2

RGB 100 79 226

HSL 248.57, 0.72%, 0.6%

LAB 43.93, 47.63, -72.08

 

CMYK 64 / 74 / 0 / 5

HEX #583EF3

RGB 88 62 243

HSL 248.62, 0.88%, 0.6%

LAB 41.2, 60.09, -86.22

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 8 / 9 / 0 / 37

HEX #9391A0

RGB 147 145 160

HSL 248, 0.07%, 0.6%

LAB 60.77, 3.75, -7.64

 

CMYK 1 / 0 / 11 / 37

HEX #9FA190

RGB 159 161 144

HSL 67.06, 0.08%, 0.6%

LAB 65.65, -3.83, 8.6

 

CMYK 4 / 0 / 29 / 30

HEX #AAB27F

RGB 170 178 127

HSL 69.41, 0.25%, 0.6%

LAB 70.82, -11.34, 25.2

 

CMYK 6 / 0 / 43 / 24

HEX #B6C26F

RGB 182 194 111

HSL 68.67, 0.4%, 0.6%

LAB 75.87, -16.82, 40.26

 

CMYK 28 / 16 / 0 / 31

HEX #8094B1

RGB 128 148 177

HSL 215.51, 0.24%, 0.6%

LAB 60.73, -0.33, -17.49

 

CMYK 28 / 24 / 0 / 31

HEX #8087B1

RGB 128 135 177

HSL 231.43, 0.24%, 0.6%

LAB 57.16, 7.12, -22.93

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 16 / 28 / 0 / 31

HEX #9480B1

RGB 148 128 177

HSL 264.49, 0.24%, 0.6%

LAB 56.99, 17.57, -23.06

 

CMYK 9 / 28 / 0 / 31

HEX #A180B1

RGB 161 128 177

HSL 280.41, 0.24%, 0.6%

LAB 58.22, 21.86, -21.07

 

CMYK 33 / 39 / 0 / 46

HEX #5C548A

RGB 92 84 138

HSL 248.89, 0.24%, 0.44%

LAB 38.64, 16.5, -28.94

 

CMYK 31 / 37 / 0 / 37

HEX #6F66A1

RGB 111 102 161

HSL 249.15, 0.24%, 0.52%

LAB 46.25, 17.42, -30.67

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 18 / 20 / 0 / 24

HEX #9F9AC1

RGB 159 154 193

HSL 247.69, 0.24%, 0.68%

LAB 65.23, 9.9, -19.44

 

CMYK 12 / 14 / 0 / 18

HEX #B7B3D0

RGB 183 179 208

HSL 248.28, 0.24%, 0.76%

LAB 74.1, 7.12, -14.12

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 0 / 28 / 9 / 31

HEX #B180A1

RGB 177 128 161

HSL 319.59, 0.24%, 0.6%

LAB 59.3, 24.27, -10.1

 

CMYK 20 / 0 / 28 / 31

HEX #8DB180

RGB 141 177 128

HSL 104.08, 0.24%, 0.6%

LAB 68.51, -21.56, 21.19

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 0 / 24 / 28 / 31

HEX #B18780

RGB 177 135 128

HSL 8.57, 0.24%, 0.6%

LAB 60.1, 15.02, 9.97

 

CMYK 28 / 0 / 24 / 31

HEX #80B187

RGB 128 177 135

HSL 128.57, 0.24%, 0.6%

LAB 67.86, -24.87, 16.37

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 0 / 28 / 9 / 31

HEX #B180A1

RGB 177 128 161

HSL 319.59, 0.24%, 0.6%

LAB 59.3, 24.27, -10.1

 

CMYK 4 / 0 / 28 / 31

HEX #AAB180

RGB 170 177 128

HSL 68.57, 0.24%, 0.6%

LAB 70.56, -10.68, 24.32

 

CMYK 28 / 0 / 19 / 31

HEX #80B190

RGB 128 177 144

HSL 139.59, 0.24%, 0.6%

LAB 68.06, -23.17, 11.72

 

CMYK 24 / 28 / 0 / 31

HEX #8780B1

RGB 135 128 177

HSL 248.57, 0.24%, 0.6%

LAB 55.85, 13.4, -24.91

 

CMYK 0 / 28 / 18 / 31

HEX #B18092

RGB 177 128 146

HSL 337.96, 0.24%, 0.6%

LAB 58.85, 21.71, -2.16

 

CMYK 4 / 0 / 28 / 31

HEX #AAB180

RGB 170 177 128

HSL 68.57, 0.24%, 0.6%

LAB 70.56, -10.68, 24.32

 

CMYK 28 / 0 / 10 / 31

HEX #80B19F

RGB 128 177 159

HSL 157.96, 0.24%, 0.6%

LAB 68.41, -20.12, 3.98

 

Description

Color code: HEX #8780B1 | qconv.com Color code: HEX #8780B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 128 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 128 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 28 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 28% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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