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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #878DC2 it is the complementary color #78723D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #878DC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #878DC2 shade: #8C8DBD, #9D9FD0, #AEB1E3, #BFC3F6 and #D0D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #878DC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #878DC2 shade: #878DC2, #767BAF, #65699C, #545789 and #434576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #878DC2 shade: #888EC3, #9288C3, #A288C3, #B188C3 and #C188C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #878DC2 shade: #888EC3 and #8888C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #878DC2 shade matches the following richer shades: #888EC3, #7982D1, #6B77E0, #5C6BEE and #4E60FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #878DC2 shade: #888EC3, #9699B4, #A5A5A6, #B3B097 and #C2BC89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #878DC2 shade: #88AEC3, #889EC3, #888FC3, #9188C3 and #A088C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #878DC2 shade: #535BA5, #6C74B5, #888EC3, #A3A8D1 and #BFC2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #878DC2 shade: #878DC2, #C388BE and #A6C388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #878DC2 shade: #878DC2, #C3888F and #8FC388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #878DC2 shade: #878DC2, #C388BE, #C3BC88 and #88C38D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #878DC2 shade: #878DC2, #C388AC, #C3BC88 and #88C39E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

Complementary color

CMYK 0 / 5 / 49 / 53

HEX #78723D

RGB 120 114 61

HSL 53.9, 0.33%, 0.35%

LAB 47.45, -5.68, 30.03

 

CMYK 26 / 25 / 0 / 26

HEX #8C8DBD

RGB 140 141 189

HSL 238.78, 0.27%, 0.65%

LAB 60.16, 10.36, -25.07

 

CMYK 25 / 24 / 0 / 18

HEX #9D9FD0

RGB 157 159 208

HSL 237.65, 0.35%, 0.72%

LAB 66.91, 9.94, -25.22

 

CMYK 23 / 22 / 0 / 11

HEX #AEB1E3

RGB 174 177 227

HSL 236.6, 0.49%, 0.79%

LAB 73.54, 9.57, -25.39

 

CMYK 22 / 21 / 0 / 4

HEX #BFC3F6

RGB 191 195 246

HSL 235.64, 0.75%, 0.86%

LAB 80.04, 9.22, -25.59

 

CMYK 18 / 16 / 0 / 0

HEX #D0D5FF

RGB 208 213 255

HSL 233.62, 1%, 0.91%

LAB 86.12, 6.72, -21.03

 

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

CMYK 33 / 30 / 0 / 31

HEX #767BAF

RGB 118 123 175

HSL 234.74, 0.26%, 0.57%

LAB 53.07, 10.62, -28.16

 

CMYK 35 / 33 / 0 / 39

HEX #65699C

RGB 101 105 156

HSL 235.64, 0.22%, 0.5%

LAB 46, 11.22, -28.16

 

CMYK 39 / 36 / 0 / 46

HEX #545789

RGB 84 87 137

HSL 236.6, 0.24%, 0.43%

LAB 38.74, 11.93, -28.23

 

CMYK 43 / 42 / 0 / 54

HEX #434576

RGB 67 69 118

HSL 237.65, 0.28%, 0.36%

LAB 31.25, 12.81, -28.38

 

CMYK 30 / 27 / 0 / 24

HEX #888EC3

RGB 136 142 195

HSL 233.9, 0.33%, 0.65%

LAB 60.36, 10.08, -28.18

 

CMYK 25 / 30 / 0 / 24

HEX #9288C3

RGB 146 136 195

HSL 250.17, 0.33%, 0.65%

LAB 59.58, 16.57, -29.32

 

CMYK 17 / 30 / 0 / 24

HEX #A288C3

RGB 162 136 195

HSL 266.44, 0.33%, 0.65%

LAB 60.98, 21.55, -27.03

 

CMYK 9 / 30 / 0 / 24

HEX #B188C3

RGB 177 136 195

HSL 281.69, 0.33%, 0.65%

LAB 62.42, 26.36, -24.7

 

CMYK 1 / 30 / 0 / 24

HEX #C188C3

RGB 193 136 195

HSL 297.97, 0.33%, 0.65%

LAB 64.07, 31.58, -22.03

 

CMYK 30 / 27 / 0 / 24

HEX #888EC3

RGB 136 142 195

HSL 233.9, 0.33%, 0.65%

LAB 60.36, 10.08, -28.18

 

CMYK 30 / 30 / 0 / 24

HEX #8888C3

RGB 136 136 195

HSL 240, 0.33%, 0.65%

LAB 58.77, 13.57, -30.63

 

CMYK 30 / 27 / 0 / 24

HEX #888EC3

RGB 136 142 195

HSL 233.9, 0.33%, 0.65%

LAB 60.36, 10.08, -28.18

 

CMYK 42 / 38 / 0 / 18

HEX #7982D1

RGB 121 130 209

HSL 233.86, 0.49%, 0.65%

LAB 56.72, 16.77, -41.84

 

CMYK 52 / 47 / 0 / 12

HEX #6B77E0

RGB 107 119 224

HSL 233.85, 0.65%, 0.65%

LAB 53.71, 24.58, -55.12

 

CMYK 61 / 55 / 0 / 7

HEX #5C6BEE

RGB 92 107 238

HSL 233.84, 0.81%, 0.65%

LAB 50.64, 33.54, -67.96

 

CMYK 69 / 62 / 0 / 1

HEX #4E60FC

RGB 78 96 252

HSL 233.79, 0.97%, 0.65%

LAB 48.28, 42.85, -79.66

 

CMYK 30 / 27 / 0 / 24

HEX #888EC3

RGB 136 142 195

HSL 233.9, 0.33%, 0.65%

LAB 60.36, 10.08, -28.18

 

CMYK 17 / 15 / 0 / 29

HEX #9699B4

RGB 150 153 180

HSL 234, 0.17%, 0.65%

LAB 63.8, 4.6, -14.37

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 0 / 2 / 16 / 30

HEX #B3B097

RGB 179 176 151

HSL 53.57, 0.16%, 0.65%

LAB 71.47, -3.25, 13.2

 

CMYK 0 / 3 / 29 / 24

HEX #C2BC89

RGB 194 188 137

HSL 53.68, 0.32%, 0.65%

LAB 75.6, -5.87, 26.63

 

CMYK 30 / 11 / 0 / 24

HEX #88AEC3

RGB 136 174 195

HSL 201.36, 0.33%, 0.65%

LAB 69.07, -7.84, -14.88

 

CMYK 30 / 19 / 0 / 24

HEX #889EC3

RGB 136 158 195

HSL 217.63, 0.33%, 0.65%

LAB 64.67, 0.97, -21.56

 

CMYK 30 / 27 / 0 / 24

HEX #888FC3

RGB 136 143 195

HSL 232.88, 0.33%, 0.65%

LAB 60.62, 9.51, -27.77

 

CMYK 26 / 30 / 0 / 24

HEX #9188C3

RGB 145 136 195

HSL 249.15, 0.33%, 0.65%

LAB 59.5, 16.27, -29.45

 

CMYK 18 / 30 / 0 / 24

HEX #A088C3

RGB 160 136 195

HSL 264.41, 0.33%, 0.65%

LAB 60.8, 20.92, -27.33

 

CMYK 50 / 45 / 0 / 35

HEX #535BA5

RGB 83 91 165

HSL 234.15, 0.33%, 0.49%

LAB 41.28, 17.81, -41.04

 

CMYK 40 / 36 / 0 / 29

HEX #6C74B5

RGB 108 116 181

HSL 233.42, 0.33%, 0.57%

LAB 50.7, 13.64, -35.38

 

CMYK 30 / 27 / 0 / 24

HEX #888EC3

RGB 136 142 195

HSL 233.9, 0.33%, 0.65%

LAB 60.36, 10.08, -28.18

 

CMYK 22 / 20 / 0 / 18

HEX #A3A8D1

RGB 163 168 209

HSL 233.48, 0.33%, 0.73%

LAB 69.75, 6.99, -21.4

 

CMYK 14 / 13 / 0 / 13

HEX #BFC2DE

RGB 191 194 222

HSL 234.19, 0.32%, 0.81%

LAB 79, 4.52, -14.28

 

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

CMYK 0 / 30 / 3 / 24

HEX #C388BE

RGB 195 136 190

HSL 305.08, 0.33%, 0.65%

LAB 64.1, 31.3, -19.15

 

CMYK 15 / 0 / 30 / 24

HEX #A6C388

RGB 166 195 136

HSL 89.49, 0.33%, 0.65%

LAB 75.4, -20.25, 26.52

 

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

CMYK 0 / 30 / 27 / 24

HEX #C3888F

RGB 195 136 143

HSL 352.88, 0.33%, 0.65%

LAB 62.67, 23.56, 5.36

 

CMYK 27 / 0 / 30 / 24

HEX #8FC388

RGB 143 195 136

HSL 112.88, 0.33%, 0.65%

LAB 73.96, -28.42, 24.34

 

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

CMYK 0 / 30 / 3 / 24

HEX #C388BE

RGB 195 136 190

HSL 305.08, 0.33%, 0.65%

LAB 64.1, 31.3, -19.15

 

CMYK 0 / 4 / 30 / 24

HEX #C3BC88

RGB 195 188 136

HSL 52.88, 0.33%, 0.65%

LAB 75.67, -5.61, 27.26

 

CMYK 30 / 0 / 28 / 24

HEX #88C38D

RGB 136 195 141

HSL 125.08, 0.33%, 0.65%

LAB 73.67, -29.91, 21.22

 

CMYK 30 / 27 / 0 / 24

HEX #878DC2

RGB 135 141 194

HSL 233.9, 0.33%, 0.65%

LAB 59.98, 10.11, -28.21

 

CMYK 0 / 30 / 12 / 24

HEX #C388AC

RGB 195 136 172

HSL 323.39, 0.33%, 0.65%

LAB 63.5, 28.1, -9.9

 

CMYK 0 / 4 / 30 / 24

HEX #C3BC88

RGB 195 188 136

HSL 52.88, 0.33%, 0.65%

LAB 75.67, -5.61, 27.26

 

CMYK 30 / 0 / 19 / 24

HEX #88C39E

RGB 136 195 158

HSL 142.37, 0.33%, 0.65%

LAB 74.02, -26.78, 12.59

 

Description

Color code: HEX #878DC2 | qconv.com Color code: HEX #878DC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 141 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 141 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 27 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 27% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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