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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #878E7A it is the complementary color #787185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #878E7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #878E7A shade: #8C8E75, #9DA088, #AEB29B, #BFC4AE and #D0D6C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #878E7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #878E7A shade: #878E7A, #767C67, #656A54, #545841 and #43462E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #878E7A shade: #878E7A, #8C8E7A, #8E8A7A, #8E857A and #8E807A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #878E7A shade: #878E7A, #828E7A, #7C8E7A, #7A8E7D and #7A8E83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #878E7A shade matches the following richer shades: #878E7A, #8DA267, #93B653, #99C93F and #9FDD2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #878E7A shade: #878E7A, #817A8E, #7B66A2, #7552B6 and #6F3FCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #878E7A shade: #8E8A7A, #8C8E7A, #878E7A, #828E7A and #7D8E7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #878E7A shade: #5D6254, #727867, #878E7A, #9BA191 and #AFB4A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #878E7A shade: #878E7A, #7A8E85 and #8D7A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #878E7A shade: #878E7A, #7A878E and #8E7A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #878E7A shade: #878E7A, #7A8E85, #817A8E and #8E7A83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #878E7A shade: #878E7A, #7A8E8B, #817A8E and #8E7A7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

Complementary color

CMYK 10 / 15 / 0 / 48

HEX #787185

RGB 120 113 133

HSL 261, 0.08%, 0.48%

LAB 48.88, 6.86, -9.99

 

CMYK 1 / 0 / 18 / 44

HEX #8C8E75

RGB 140 142 117

HSL 64.8, 0.1%, 0.51%

LAB 58.23, -5.26, 13.1

 

CMYK 2 / 0 / 15 / 37

HEX #9DA088

RGB 157 160 136

HSL 67.5, 0.11%, 0.58%

LAB 65.03, -5.4, 12.16

 

CMYK 2 / 0 / 13 / 30

HEX #AEB29B

RGB 174 178 155

HSL 70.43, 0.13%, 0.65%

LAB 71.69, -5.52, 11.28

 

CMYK 3 / 0 / 11 / 23

HEX #BFC4AE

RGB 191 196 174

HSL 73.64, 0.16%, 0.73%

LAB 78.24, -5.63, 10.45

 

CMYK 3 / 0 / 10 / 16

HEX #D0D6C1

RGB 208 214 193

HSL 77.14, 0.2%, 0.8%

LAB 84.67, -5.74, 9.66

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 5 / 0 / 17 / 51

HEX #767C67

RGB 118 124 103

HSL 77.14, 0.09%, 0.45%

LAB 50.97, -6.27, 10.72

 

CMYK 5 / 0 / 21 / 58

HEX #656A54

RGB 101 106 84

HSL 73.64, 0.12%, 0.37%

LAB 43.82, -6.18, 11.73

 

CMYK 5 / 0 / 26 / 65

HEX #545841

RGB 84 88 65

HSL 70.43, 0.15%, 0.3%

LAB 36.45, -6.06, 12.84

 

CMYK 4 / 0 / 34 / 73

HEX #43462E

RGB 67 70 46

HSL 67.5, 0.21%, 0.23%

LAB 28.83, -5.9, 14.09

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 1 / 0 / 14 / 44

HEX #8C8E7A

RGB 140 142 122

HSL 66, 0.08%, 0.52%

LAB 58.35, -4.42, 10.42

 

CMYK 0 / 3 / 14 / 44

HEX #8E8A7A

RGB 142 138 122

HSL 48, 0.08%, 0.52%

LAB 57.4, -1.41, 9.1

 

CMYK 0 / 6 / 14 / 44

HEX #8E857A

RGB 142 133 122

HSL 33, 0.08%, 0.52%

LAB 56.02, 1.4, 7.14

 

CMYK 0 / 10 / 14 / 44

HEX #8E807A

RGB 142 128 122

HSL 18, 0.08%, 0.52%

LAB 54.65, 4.25, 5.18

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 8 / 0 / 14 / 44

HEX #828E7A

RGB 130 142 122

HSL 96, 0.08%, 0.52%

LAB 57.56, -8.25, 9.19

 

CMYK 13 / 0 / 14 / 44

HEX #7C8E7A

RGB 124 142 122

HSL 114, 0.08%, 0.52%

LAB 57.11, -10.49, 8.5

 

CMYK 14 / 0 / 12 / 44

HEX #7A8E7D

RGB 122 142 125

HSL 129, 0.08%, 0.52%

LAB 57.04, -10.65, 6.66

 

CMYK 14 / 0 / 8 / 44

HEX #7A8E83

RGB 122 142 131

HSL 147, 0.08%, 0.52%

LAB 57.19, -9.45, 3.45

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 13 / 0 / 36 / 36

HEX #8DA267

RGB 141 162 103

HSL 81.36, 0.24%, 0.52%

LAB 63.74, -17.67, 28.3

 

CMYK 19 / 0 / 54 / 29

HEX #93B653

RGB 147 182 83

HSL 81.21, 0.4%, 0.52%

LAB 69.67, -27.63, 45.9

 

CMYK 24 / 0 / 69 / 21

HEX #99C93F

RGB 153 201 63

HSL 80.87, 0.56%, 0.52%

LAB 75.39, -35.82, 60.89

 

CMYK 28 / 0 / 81 / 13

HEX #9FDD2B

RGB 159 221 43

HSL 80.9, 0.72%, 0.52%

LAB 81.43, -43.44, 73.22

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 9 / 14 / 0 / 44

HEX #817A8E

RGB 129 122 142

HSL 261, 0.08%, 0.52%

LAB 52.44, 6.76, -9.86

 

CMYK 24 / 37 / 0 / 36

HEX #7B66A2

RGB 123 102 162

HSL 261, 0.24%, 0.52%

LAB 47.39, 21.35, -29.39

 

CMYK 36 / 55 / 0 / 29

HEX #7552B6

RGB 117 82 182

HSL 261, 0.41%, 0.52%

LAB 43.05, 36.77, -48.05

 

CMYK 45 / 69 / 0 / 21

HEX #6F3FCA

RGB 111 63 202

HSL 260.72, 0.57%, 0.52%

LAB 39.91, 51.32, -64.82

 

CMYK 0 / 3 / 14 / 44

HEX #8E8A7A

RGB 142 138 122

HSL 48, 0.08%, 0.52%

LAB 57.4, -1.41, 9.1

 

CMYK 1 / 0 / 14 / 44

HEX #8C8E7A

RGB 140 142 122

HSL 66, 0.08%, 0.52%

LAB 58.35, -4.42, 10.42

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 8 / 0 / 14 / 44

HEX #828E7A

RGB 130 142 122

HSL 96, 0.08%, 0.52%

LAB 57.56, -8.25, 9.19

 

CMYK 12 / 0 / 14 / 44

HEX #7D8E7A

RGB 125 142 122

HSL 111, 0.08%, 0.52%

LAB 57.18, -10.12, 8.61

 

CMYK 5 / 0 / 14 / 62

HEX #5D6254

RGB 93 98 84

HSL 81.43, 0.08%, 0.36%

LAB 40.74, -4.79, 7.31

 

CMYK 5 / 0 / 14 / 53

HEX #727867

RGB 114 120 103

HSL 81.18, 0.08%, 0.44%

LAB 49.48, -5.58, 8.57

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 4 / 0 / 10 / 37

HEX #9BA191

RGB 155 161 145

HSL 82.5, 0.08%, 0.6%

LAB 65.36, -5.14, 7.59

 

CMYK 3 / 0 / 7 / 29

HEX #AFB4A7

RGB 175 180 167

HSL 83.08, 0.08%, 0.68%

LAB 72.59, -4.15, 6.01

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 14 / 0 / 6 / 44

HEX #7A8E85

RGB 122 142 133

HSL 153, 0.08%, 0.52%

LAB 57.25, -9.04, 2.38

 

CMYK 1 / 14 / 0 / 44

HEX #8D7A8E

RGB 141 122 142

HSL 297, 0.08%, 0.52%

LAB 53.53, 11.09, -8.12

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 14 / 5 / 0 / 44

HEX #7A878E

RGB 122 135 142

HSL 201, 0.08%, 0.52%

LAB 55.5, -3.2, -5.36

 

CMYK 0 / 14 / 5 / 44

HEX #8E7A87

RGB 142 122 135

HSL 321, 0.08%, 0.52%

LAB 53.41, 10.09, -4.21

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 14 / 0 / 6 / 44

HEX #7A8E85

RGB 122 142 133

HSL 153, 0.08%, 0.52%

LAB 57.25, -9.04, 2.38

 

CMYK 9 / 14 / 0 / 44

HEX #817A8E

RGB 129 122 142

HSL 261, 0.08%, 0.52%

LAB 52.44, 6.76, -9.86

 

CMYK 0 / 14 / 8 / 44

HEX #8E7A83

RGB 142 122 131

HSL 333, 0.08%, 0.52%

LAB 53.29, 9.33, -2.05

 

CMYK 5 / 0 / 14 / 44

HEX #878E7A

RGB 135 142 122

HSL 81, 0.08%, 0.52%

LAB 57.94, -6.35, 9.79

 

CMYK 14 / 0 / 2 / 44

HEX #7A8E8B

RGB 122 142 139

HSL 171, 0.08%, 0.52%

LAB 57.41, -7.78, -0.82

 

CMYK 9 / 14 / 0 / 44

HEX #817A8E

RGB 129 122 142

HSL 261, 0.08%, 0.52%

LAB 52.44, 6.76, -9.86

 

CMYK 0 / 14 / 12 / 44

HEX #8E7A7D

RGB 142 122 125

HSL 351, 0.08%, 0.52%

LAB 53.11, 8.23, 1.21

 

Description

Color code: HEX #878E7A | qconv.com Color code: HEX #878E7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 142 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 142 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 14 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 14% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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