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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #879517 it is the complementary color #786AE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #879517. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #879517 shade: #8C9512, #9DA725, #AEB938, #BFCB4B and #D0DD5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #879517. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #879517 shade: #879517, #768304, #657100, #545F00 and #434D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #879517 shade: #879517, #958117, #955F17, #953D17 and #951B17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #879517 shade: #879517, #659517, #439517, #219517 and #17952F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #879517 shade matches the following richer shades: #879517 and #92A409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #879517 shade: #879517, #7D8725, #727933, #676B41 and #5C5D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #879517 shade: #955F17, #958017, #899517, #679517 and #459517

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #879517 shade: #474E0C, #677211, #879517, #A8B91C and #C8DC23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #879517 shade: #879517, #17953D and #701795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #879517 shade: #879517, #178995 and #951789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #879517 shade: #879517, #17953D, #241795 and #951770

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #879517 shade: #879517, #179563, #241795 and #95174A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

Complementary color

CMYK 48 / 54 / 0 / 9

HEX #786AE8

RGB 120 106 232

HSL 246.67, 0.73%, 0.66%

LAB 51.98, 37.54, -62.34

 

CMYK 6 / 0 / 88 / 42

HEX #8C9512

RGB 140 149 18

HSL 64.12, 0.78%, 0.33%

LAB 59.08, -18.16, 59.47

 

CMYK 6 / 0 / 78 / 35

HEX #9DA725

RGB 157 167 37

HSL 64.62, 0.64%, 0.4%

LAB 65.7, -19.24, 60.69

 

CMYK 6 / 0 / 70 / 27

HEX #AEB938

RGB 174 185 56

HSL 65.12, 0.54%, 0.47%

LAB 72.22, -20.1, 60.8

 

CMYK 6 / 0 / 63 / 20

HEX #BFCB4B

RGB 191 203 75

HSL 65.63, 0.55%, 0.55%

LAB 78.63, -20.79, 60.3

 

CMYK 6 / 0 / 57 / 13

HEX #D0DD5E

RGB 208 221 94

HSL 66.14, 0.65%, 0.62%

LAB 84.96, -21.35, 59.49

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 10 / 0 / 97 / 49

HEX #768304

RGB 118 131 4

HSL 66.14, 0.94%, 0.26%

LAB 51.94, -19.04, 55.61

 

CMYK 11 / 0 / 100 / 56

HEX #657100

RGB 101 113 0

HSL 66.37, 1%, 0.22%

LAB 45.05, -17.49, 50.62

 

CMYK 12 / 0 / 100 / 63

HEX #545F00

RGB 84 95 0

HSL 66.95, 1%, 0.19%

LAB 37.97, -15.81, 44.73

 

CMYK 13 / 0 / 100 / 70

HEX #434D00

RGB 67 77 0

HSL 67.79, 1%, 0.15%

LAB 30.64, -14.09, 38.63

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 0 / 13 / 85 / 42

HEX #958117

RGB 149 129 23

HSL 50.48, 0.73%, 0.34%

LAB 54.19, -3.17, 54.47

 

CMYK 0 / 36 / 85 / 42

HEX #955F17

RGB 149 95 23

HSL 34.29, 0.73%, 0.34%

LAB 45.13, 16.22, 46.66

 

CMYK 0 / 59 / 85 / 42

HEX #953D17

RGB 149 61 23

HSL 18.1, 0.73%, 0.34%

LAB 37.46, 34.99, 39.84

 

CMYK 0 / 82 / 85 / 42

HEX #951B17

RGB 149 27 23

HSL 1.9, 0.73%, 0.34%

LAB 32.34, 48.88, 35.13

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 32 / 0 / 85 / 42

HEX #659517

RGB 101 149 23

HSL 82.86, 0.73%, 0.34%

LAB 56.41, -34.5, 54.95

 

CMYK 55 / 0 / 85 / 42

HEX #439517

RGB 67 149 23

HSL 99.05, 0.73%, 0.34%

LAB 54.81, -46.19, 52.92

 

CMYK 78 / 0 / 85 / 42

HEX #219517

RGB 33 149 23

HSL 115.24, 0.73%, 0.34%

LAB 53.9, -53.78, 51.75

 

CMYK 85 / 0 / 68 / 42

HEX #17952F

RGB 23 149 47

HSL 131.43, 0.73%, 0.34%

LAB 53.9, -53.19, 43.16

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 11 / 0 / 95 / 36

HEX #92A409

RGB 146 164 9

HSL 66.97, 0.9%, 0.34%

LAB 63.9, -23.29, 65.02

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 7 / 0 / 73 / 47

HEX #7D8725

RGB 125 135 37

HSL 66.12, 0.57%, 0.34%

LAB 53.84, -16.82, 48.59

 

CMYK 6 / 0 / 58 / 53

HEX #727933

RGB 114 121 51

HSL 66, 0.41%, 0.34%

LAB 48.87, -13.23, 36.81

 

CMYK 4 / 0 / 39 / 58

HEX #676B41

RGB 103 107 65

HSL 65.71, 0.24%, 0.34%

LAB 43.92, -8.79, 23.04

 

CMYK 1 / 0 / 15 / 64

HEX #5C5D4F

RGB 92 93 79

HSL 64.29, 0.08%, 0.34%

LAB 39.02, -3.17, 7.92

 

CMYK 0 / 36 / 85 / 42

HEX #955F17

RGB 149 95 23

HSL 34.29, 0.73%, 0.34%

LAB 45.13, 16.22, 46.66

 

CMYK 0 / 14 / 85 / 42

HEX #958017

RGB 149 128 23

HSL 50, 0.73%, 0.34%

LAB 53.91, -2.62, 54.23

 

CMYK 8 / 0 / 85 / 42

HEX #899517

RGB 137 149 23

HSL 65.71, 0.73%, 0.34%

LAB 58.86, -19.35, 58.03

 

CMYK 31 / 0 / 85 / 42

HEX #679517

RGB 103 149 23

HSL 81.9, 0.73%, 0.34%

LAB 56.53, -33.71, 55.09

 

CMYK 54 / 0 / 85 / 42

HEX #459517

RGB 69 149 23

HSL 98.1, 0.73%, 0.34%

LAB 54.89, -45.61, 53.01

 

CMYK 9 / 0 / 85 / 69

HEX #474E0C

RGB 71 78 12

HSL 66.36, 0.73%, 0.18%

LAB 31.38, -12.14, 35.07

 

CMYK 10 / 0 / 85 / 55

HEX #677211

RGB 103 114 17

HSL 66.8, 0.74%, 0.26%

LAB 45.58, -16.61, 47.13

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 9 / 0 / 85 / 27

HEX #A8B91C

RGB 168 185 28

HSL 66.5, 0.74%, 0.42%

LAB 71.63, -23.79, 68.58

 

CMYK 9 / 0 / 84 / 14

HEX #C8DC23

RGB 200 220 35

HSL 66.49, 0.73%, 0.5%

LAB 83.75, -27.1, 78.15

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 85 / 0 / 59 / 42

HEX #17953D

RGB 23 149 61

HSL 138.1, 0.73%, 0.34%

LAB 54.04, -51.47, 36.87

 

CMYK 25 / 85 / 0 / 42

HEX #701795

RGB 112 23 149

HSL 282.38, 0.73%, 0.34%

LAB 29.98, 55.49, -49.38

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 85 / 8 / 0 / 42

HEX #178995

RGB 23 137 149

HSL 185.71, 0.73%, 0.34%

LAB 52.11, -25.05, -14.93

 

CMYK 0 / 85 / 8 / 42

HEX #951789

RGB 149 23 137

HSL 305.71, 0.73%, 0.34%

LAB 35.61, 60.43, -32.59

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 85 / 0 / 59 / 42

HEX #17953D

RGB 23 149 61

HSL 138.1, 0.73%, 0.34%

LAB 54.04, -51.47, 36.87

 

CMYK 76 / 85 / 0 / 42

HEX #241795

RGB 36 23 149

HSL 246.19, 0.73%, 0.34%

LAB 20.67, 46, -65.02

 

CMYK 0 / 85 / 25 / 42

HEX #951770

RGB 149 23 112

HSL 317.62, 0.73%, 0.34%

LAB 34.34, 56.93, -18.93

 

CMYK 9 / 0 / 85 / 42

HEX #879517

RGB 135 149 23

HSL 66.67, 0.73%, 0.34%

LAB 58.7, -20.23, 57.83

 

CMYK 85 / 0 / 34 / 42

HEX #179563

RGB 23 149 99

HSL 156.19, 0.73%, 0.34%

LAB 54.63, -44.53, 17.45

 

CMYK 76 / 85 / 0 / 42

HEX #241795

RGB 36 23 149

HSL 246.19, 0.73%, 0.34%

LAB 20.67, 46, -65.02

 

CMYK 0 / 85 / 50 / 42

HEX #95174A

RGB 149 23 74

HSL 335.71, 0.73%, 0.34%

LAB 32.91, 52.83, 3.49

 

Description

Color code: HEX #879517 | qconv.com Color code: HEX #879517 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 149 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 149 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 85 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 85% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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