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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #879AC3 it is the complementary color #78653C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #879AC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #879AC3 shade: #8C9ABE, #9DACD1, #AEBEE4, #BFD0F7 and #D0E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #879AC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #879AC3 shade: #879AC3, #7688B0, #65769D, #54648A and #435277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #879AC3 shade: #889AC3, #888BC3, #9588C3, #A588C3 and #B588C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #879AC3 shade: #889AC3, #888BC3 and #8888C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #879AC3 shade matches the following richer shades: #889AC3, #7995D1, #6B90E0, #5C8BEE and #4E85FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #879AC3 shade: #889AC3, #96A0B4, #A5A5A6, #B3AA97 and #C2B089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #879AC3 shade: #88BAC3, #88AAC3, #889AC3, #888BC3 and #9588C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #879AC3 shade: #536DA5, #6C83B5, #889AC3, #A3B2D1 and #BFC9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #879AC3 shade: #879AC3, #BC88C3 and #B2C388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #879AC3 shade: #879AC3, #C3889A and #9AC388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #879AC3 shade: #879AC3, #BC88C3, #C3B088 and #8FC388

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #879AC3 shade: #879AC3, #C388B8, #C3B088 and #88C393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

Complementary color

CMYK 0 / 16 / 50 / 53

HEX #78653C

RGB 120 101 60

HSL 41, 0.33%, 0.35%

LAB 43.69, 1.73, 25.94

 

CMYK 26 / 19 / 0 / 25

HEX #8C9ABE

RGB 140 154 190

HSL 223.2, 0.28%, 0.65%

LAB 63.68, 3.19, -20.25

 

CMYK 25 / 18 / 0 / 18

HEX #9DACD1

RGB 157 172 209

HSL 222.69, 0.36%, 0.72%

LAB 70.37, 2.93, -20.5

 

CMYK 24 / 17 / 0 / 11

HEX #AEBEE4

RGB 174 190 228

HSL 222.22, 0.5%, 0.79%

LAB 76.94, 2.69, -20.76

 

CMYK 23 / 16 / 0 / 3

HEX #BFD0F7

RGB 191 208 247

HSL 221.79, 0.78%, 0.86%

LAB 83.39, 2.48, -21.03

 

CMYK 18 / 11 / 0 / 0

HEX #D0E2FF

RGB 208 226 255

HSL 217.02, 1%, 0.91%

LAB 89.4, -0.1, -16.07

 

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

CMYK 33 / 23 / 0 / 31

HEX #7688B0

RGB 118 136 176

HSL 221.38, 0.27%, 0.58%

LAB 56.68, 3.25, -23.17

 

CMYK 36 / 25 / 0 / 38

HEX #65769D

RGB 101 118 157

HSL 221.79, 0.22%, 0.51%

LAB 49.69, 3.63, -23.04

 

CMYK 39 / 28 / 0 / 46

HEX #54648A

RGB 84 100 138

HSL 222.22, 0.24%, 0.44%

LAB 42.51, 4.08, -22.95

 

CMYK 44 / 31 / 0 / 53

HEX #435277

RGB 67 82 119

HSL 222.69, 0.28%, 0.36%

LAB 35.12, 4.65, -22.93

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 30 / 29 / 0 / 24

HEX #888BC3

RGB 136 139 195

HSL 236.95, 0.33%, 0.65%

LAB 59.56, 11.82, -29.41

 

CMYK 24 / 30 / 0 / 24

HEX #9588C3

RGB 149 136 195

HSL 253.22, 0.33%, 0.65%

LAB 59.83, 17.49, -28.91

 

CMYK 15 / 30 / 0 / 24

HEX #A588C3

RGB 165 136 195

HSL 269.49, 0.33%, 0.65%

LAB 61.26, 22.51, -26.58

 

CMYK 7 / 30 / 0 / 24

HEX #B588C3

RGB 181 136 195

HSL 285.76, 0.33%, 0.65%

LAB 62.82, 27.66, -24.05

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 30 / 29 / 0 / 24

HEX #888BC3

RGB 136 139 195

HSL 236.95, 0.33%, 0.65%

LAB 59.56, 11.82, -29.41

 

CMYK 30 / 30 / 0 / 24

HEX #8888C3

RGB 136 136 195

HSL 240, 0.33%, 0.65%

LAB 58.77, 13.57, -30.63

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 42 / 29 / 0 / 18

HEX #7995D1

RGB 121 149 209

HSL 220.91, 0.49%, 0.65%

LAB 61.79, 5.64, -33.89

 

CMYK 52 / 36 / 0 / 12

HEX #6B90E0

RGB 107 144 224

HSL 221.03, 0.65%, 0.65%

LAB 60.3, 9.63, -44.66

 

CMYK 61 / 42 / 0 / 7

HEX #5C8BEE

RGB 92 139 238

HSL 220.68, 0.81%, 0.65%

LAB 58.89, 14.09, -54.7

 

CMYK 69 / 47 / 0 / 1

HEX #4E85FC

RGB 78 133 252

HSL 221.03, 0.97%, 0.65%

LAB 57.49, 20.25, -64.73

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 17 / 11 / 0 / 29

HEX #96A0B4

RGB 150 160 180

HSL 220, 0.17%, 0.65%

LAB 65.69, 0.69, -11.54

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 0 / 5 / 16 / 30

HEX #B3AA97

RGB 179 170 151

HSL 40.71, 0.16%, 0.65%

LAB 69.87, -0.02, 10.95

 

CMYK 0 / 9 / 29 / 24

HEX #C2B089

RGB 194 176 137

HSL 41.05, 0.32%, 0.65%

LAB 72.45, 0.48, 22.36

 

CMYK 30 / 5 / 0 / 24

HEX #88BAC3

RGB 136 186 195

HSL 189.15, 0.33%, 0.65%

LAB 72.42, -14.21, -9.86

 

CMYK 30 / 13 / 0 / 24

HEX #88AAC3

RGB 136 170 195

HSL 205.42, 0.33%, 0.65%

LAB 67.96, -5.67, -16.55

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 30 / 29 / 0 / 24

HEX #888BC3

RGB 136 139 195

HSL 236.95, 0.33%, 0.65%

LAB 59.56, 11.82, -29.41

 

CMYK 24 / 30 / 0 / 24

HEX #9588C3

RGB 149 136 195

HSL 253.22, 0.33%, 0.65%

LAB 59.83, 17.49, -28.91

 

CMYK 50 / 34 / 0 / 35

HEX #536DA5

RGB 83 109 165

HSL 220.98, 0.33%, 0.49%

LAB 46.3, 6.54, -33.09

 

CMYK 40 / 28 / 0 / 29

HEX #6C83B5

RGB 108 131 181

HSL 221.1, 0.33%, 0.57%

LAB 54.82, 4.69, -28.95

 

CMYK 30 / 21 / 0 / 24

HEX #889AC3

RGB 136 154 195

HSL 221.69, 0.33%, 0.65%

LAB 63.58, 3.22, -23.23

 

CMYK 22 / 15 / 0 / 18

HEX #A3B2D1

RGB 163 178 209

HSL 220.43, 0.33%, 0.73%

LAB 72.38, 1.48, -17.4

 

CMYK 14 / 9 / 0 / 13

HEX #BFC9DE

RGB 191 201 222

HSL 220.65, 0.32%, 0.81%

LAB 80.81, 0.79, -11.58

 

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

CMYK 4 / 30 / 0 / 24

HEX #BC88C3

RGB 188 136 195

HSL 292.88, 0.33%, 0.65%

LAB 63.54, 29.94, -22.89

 

CMYK 9 / 0 / 30 / 24

HEX #B2C388

RGB 178 195 136

HSL 77.29, 0.33%, 0.65%

LAB 76.24, -15.77, 27.79

 

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

CMYK 0 / 30 / 21 / 24

HEX #C3889A

RGB 195 136 154

HSL 341.69, 0.33%, 0.65%

LAB 62.96, 25.19, -0.47

 

CMYK 21 / 0 / 30 / 24

HEX #9AC388

RGB 154 195 136

HSL 101.69, 0.33%, 0.65%

LAB 74.62, -24.59, 25.34

 

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

CMYK 4 / 30 / 0 / 24

HEX #BC88C3

RGB 188 136 195

HSL 292.88, 0.33%, 0.65%

LAB 63.54, 29.94, -22.89

 

CMYK 0 / 10 / 30 / 24

HEX #C3B088

RGB 195 176 136

HSL 40.68, 0.33%, 0.65%

LAB 72.52, 0.74, 23.01

 

CMYK 27 / 0 / 30 / 24

HEX #8FC388

RGB 143 195 136

HSL 112.88, 0.33%, 0.65%

LAB 73.96, -28.42, 24.34

 

CMYK 31 / 21 / 0 / 24

HEX #879AC3

RGB 135 154 195

HSL 221, 0.33%, 0.65%

LAB 63.51, 2.92, -23.34

 

CMYK 0 / 30 / 6 / 24

HEX #C388B8

RGB 195 136 184

HSL 311.19, 0.33%, 0.65%

LAB 63.89, 30.2, -16.09

 

CMYK 0 / 10 / 30 / 24

HEX #C3B088

RGB 195 176 136

HSL 40.68, 0.33%, 0.65%

LAB 72.52, 0.74, 23.01

 

CMYK 30 / 0 / 25 / 24

HEX #88C393

RGB 136 195 147

HSL 131.19, 0.33%, 0.65%

LAB 73.79, -28.85, 18.17

 

Description

Color code: HEX #879AC3 | qconv.com Color code: HEX #879AC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 154 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 154 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 21 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 21% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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