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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881989 it is the complementary color #77E676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881989 shade: #8D1984, #9E2B97, #AF3DAA, #C04FBD and #D161D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881989 shade: #881989, #770776, #660063, #550050 and #44003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881989 shade: #881989, #89196C, #89194E, #89192F and #891919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881989 shade: #881989, #6A1989, #4C1989, #2D1989 and #191989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881989 shade matches the following richer shades: #881989 and #950C97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881989 shade: #881989, #7B267C, #6E336F, #614062 and #554E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881989 shade: #4B1989, #691989, #881989, #89196D and #89194F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881989 shade: #430C44, #661267, #881989, #AB1FAC and #CE26CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881989 shade: #881989, #892D19 and #19895A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881989 shade: #881989, #898819 and #198988

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881989 shade: #881989, #892D19, #1B8919 and #197589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881989 shade: #881989, #894F19, #1B8919 and #195389

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

Complementary color

CMYK 48 / 0 / 49 / 10

HEX #77E676

RGB 119 230 118

HSL 119.46, 0.69%, 0.68%

LAB 82.82, -53.85, 44.72

 

CMYK 0 / 82 / 6 / 45

HEX #8D1984

RGB 141 25 132

HSL 304.66, 0.7%, 0.33%

LAB 34.03, 57.5, -32.09

 

CMYK 0 / 73 / 4 / 38

HEX #9E2B97

RGB 158 43 151

HSL 303.65, 0.57%, 0.39%

LAB 39.97, 58.86, -34.17

 

CMYK 0 / 65 / 3 / 31

HEX #AF3DAA

RGB 175 61 170

HSL 302.63, 0.48%, 0.46%

LAB 46.11, 59.33, -35.66

 

CMYK 0 / 59 / 2 / 25

HEX #C04FBD

RGB 192 79 189

HSL 301.59, 0.47%, 0.53%

LAB 52.37, 59.27, -36.75

 

CMYK 0 / 54 / 0 / 18

HEX #D161D0

RGB 209 97 208

HSL 300.54, 0.55%, 0.6%

LAB 58.66, 58.9, -37.59

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 94 / 1 / 53

HEX #770776

RGB 119 7 118

HSL 300.54, 0.89%, 0.25%

LAB 27.8, 54.54, -33.44

 

CMYK 0 / 100 / 3 / 60

HEX #660063

RGB 102 0 99

HSL 301.76, 1%, 0.2%

LAB 22.74, 49.65, -29.4

 

CMYK 0 / 100 / 6 / 67

HEX #550050

RGB 85 0 80

HSL 303.53, 1%, 0.17%

LAB 17.97, 43.34, -24.5

 

CMYK 0 / 100 / 10 / 73

HEX #44003D

RGB 68 0 61

HSL 306.18, 1%, 0.13%

LAB 13.02, 36.8, -19.35

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 82 / 21 / 46

HEX #89196C

RGB 137 25 108

HSL 315.54, 0.69%, 0.32%

LAB 32.03, 53.04, -20.15

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 82 / 66 / 46

HEX #89192F

RGB 137 25 47

HSL 348.21, 0.69%, 0.32%

LAB 29.96, 46.87, 16.88

 

CMYK 0 / 82 / 82 / 46

HEX #891919

RGB 137 25 25

HSL 0, 0.69%, 0.32%

LAB 29.62, 45.82, 30.48

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 23 / 82 / 0 / 46

HEX #6A1989

RGB 106 25 137

HSL 283.39, 0.69%, 0.32%

LAB 28.29, 51.33, -44.74

 

CMYK 45 / 82 / 0 / 46

HEX #4C1989

RGB 76 25 137

HSL 267.32, 0.69%, 0.32%

LAB 23.8, 46.15, -52.25

 

CMYK 67 / 82 / 0 / 46

HEX #2D1989

RGB 45 25 137

HSL 250.71, 0.69%, 0.32%

LAB 20.28, 42.1, -58.17

 

CMYK 82 / 82 / 0 / 46

HEX #191989

RGB 25 25 137

HSL 240, 0.69%, 0.32%

LAB 18.83, 40.44, -60.61

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 1 / 92 / 0 / 41

HEX #950C97

RGB 149 12 151

HSL 299.14, 0.85%, 0.32%

LAB 35.77, 64.6, -40.95

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 1 / 69 / 0 / 51

HEX #7B267C

RGB 123 38 124

HSL 299.3, 0.53%, 0.32%

LAB 31.93, 47.69, -30.62

 

CMYK 1 / 54 / 0 / 56

HEX #6E336F

RGB 110 51 111

HSL 299, 0.37%, 0.32%

LAB 31.42, 35.4, -23.35

 

CMYK 1 / 35 / 0 / 62

HEX #614062

RGB 97 64 98

HSL 298.24, 0.21%, 0.32%

LAB 32.01, 20.68, -14.3

 

CMYK 0 / 8 / 0 / 67

HEX #554E55

RGB 85 78 85

HSL 300, 0.04%, 0.32%

LAB 34.06, 4.36, -3.07

 

CMYK 45 / 82 / 0 / 46

HEX #4B1989

RGB 75 25 137

HSL 266.79, 0.69%, 0.32%

LAB 23.66, 45.99, -52.48

 

CMYK 23 / 82 / 0 / 46

HEX #691989

RGB 105 25 137

HSL 282.86, 0.69%, 0.32%

LAB 28.13, 51.14, -45.01

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 82 / 20 / 46

HEX #89196D

RGB 137 25 109

HSL 315, 0.69%, 0.32%

LAB 32.07, 53.18, -20.72

 

CMYK 0 / 82 / 42 / 46

HEX #89194F

RGB 137 25 79

HSL 331.07, 0.69%, 0.32%

LAB 30.83, 49.52, -3.14

 

CMYK 1 / 82 / 0 / 73

HEX #430C44

RGB 67 12 68

HSL 298.93, 0.7%, 0.16%

LAB 14.81, 33.38, -21.46

 

CMYK 1 / 83 / 0 / 60

HEX #661267

RGB 102 18 103

HSL 299.29, 0.7%, 0.24%

LAB 24.44, 46.12, -29.31

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 1 / 82 / 0 / 33

HEX #AB1FAC

RGB 171 31 172

HSL 299.57, 0.69%, 0.4%

LAB 42.18, 68.43, -43.12

 

CMYK 0 / 82 / 0 / 19

HEX #CE26CF

RGB 206 38 207

HSL 299.64, 0.69%, 0.48%

LAB 50.7, 78.91, -49.63

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 67 / 82 / 46

HEX #892D19

RGB 137 45 25

HSL 10.71, 0.69%, 0.32%

LAB 32.4, 38.16, 33.28

 

CMYK 82 / 0 / 34 / 46

HEX #19895A

RGB 25 137 90

HSL 154.82, 0.69%, 0.32%

LAB 50.49, -41.54, 16.88

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 1 / 82 / 46

HEX #898819

RGB 137 136 25

HSL 59.46, 0.69%, 0.32%

LAB 55.07, -12.47, 54.21

 

CMYK 82 / 0 / 1 / 46

HEX #198988

RGB 25 137 136

HSL 179.46, 0.69%, 0.32%

LAB 51.7, -29.06, -8

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 67 / 82 / 46

HEX #892D19

RGB 137 45 25

HSL 10.71, 0.69%, 0.32%

LAB 32.4, 38.16, 33.28

 

CMYK 80 / 0 / 82 / 46

HEX #1B8919

RGB 27 137 25

HSL 118.93, 0.69%, 0.32%

LAB 49.73, -50.69, 47.25

 

CMYK 82 / 15 / 0 / 46

HEX #197589

RGB 25 117 137

HSL 190.71, 0.69%, 0.32%

LAB 45.27, -18.4, -18.31

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 42 / 82 / 46

HEX #894F19

RGB 137 79 25

HSL 28.93, 0.69%, 0.32%

LAB 39.55, 20.07, 40.18

 

CMYK 80 / 0 / 82 / 46

HEX #1B8919

RGB 27 137 25

HSL 118.93, 0.69%, 0.32%

LAB 49.73, -50.69, 47.25

 

CMYK 82 / 39 / 0 / 46

HEX #195389

RGB 25 83 137

HSL 208.93, 0.69%, 0.32%

LAB 34.39, 1.99, -35.3

 

Description

Color code: HEX #881989 | qconv.com Color code: HEX #881989 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 25 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 25 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 82 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 82% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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