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Color name
HEX #881C98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881C98 it is the complementary color #77E367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881C98 shade: #8D1C93, #9E2EA6, #AF40B9, #C052CC and #D164DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881C98 shade: #881C98, #770A85, #660072, #55005F and #44004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881C98 shade: #861B96, #961B85, #961B64, #961B43 and #961B21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881C98 shade: #861B96, #651B96, #441B96, #231B96 and #1B1B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881C98 shade matches the following richer shades: #861B96 and #910DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881C98 shade: #861B96, #7C2A88, #713879, #66466B and #5C555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881C98 shade: #441B96, #651B96, #861B96, #961B86 and #961B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881C98 shade: #480E51, #671573, #861B96, #A622B9 and #C22CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881C98 shade: #881C98, #96231B and #1B9655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881C98 shade: #881C98, #96861B and #1B9686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881C98 shade: #881C98, #96231B, #2C961B and #1B8E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881C98 shade: #881C98, #96481B, #2C961B and #1B6996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

Complementary color

CMYK 48 / 0 / 55 / 11

HEX #77E367

RGB 119 227 103

HSL 112.26, 0.69%, 0.65%

LAB 81.75, -54.54, 50.46

 

CMYK 4 / 81 / 0 / 42

HEX #8D1C93

RGB 141 28 147

HSL 296.97, 0.68%, 0.34%

LAB 35.2, 59.16, -39.48

 

CMYK 5 / 72 / 0 / 35

HEX #9E2EA6

RGB 158 46 166

HSL 296, 0.57%, 0.42%

LAB 41.18, 60.35, -41.27

 

CMYK 5 / 65 / 0 / 27

HEX #AF40B9

RGB 175 64 185

HSL 295.04, 0.49%, 0.49%

LAB 47.34, 60.72, -42.53

 

CMYK 6 / 60 / 0 / 20

HEX #C052CC

RGB 192 82 204

HSL 294.1, 0.54%, 0.56%

LAB 53.6, 60.6, -43.43

 

CMYK 6 / 55 / 0 / 13

HEX #D164DF

RGB 209 100 223

HSL 293.17, 0.66%, 0.63%

LAB 59.89, 60.19, -44.12

 

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

CMYK 11 / 92 / 0 / 48

HEX #770A85

RGB 119 10 133

HSL 293.17, 0.86%, 0.28%

LAB 28.99, 56.58, -41.01

 

CMYK 11 / 100 / 0 / 55

HEX #660072

RGB 102 0 114

HSL 293.68, 1%, 0.22%

LAB 23.8, 52.18, -37.46

 

CMYK 11 / 100 / 0 / 63

HEX #55005F

RGB 85 0 95

HSL 293.68, 1%, 0.19%

LAB 19.05, 45.93, -32.87

 

CMYK 11 / 100 / 0 / 70

HEX #44004C

RGB 68 0 76

HSL 293.68, 1%, 0.15%

LAB 14.12, 39.45, -28.12

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 0 / 82 / 11 / 41

HEX #961B85

RGB 150 27 133

HSL 308.29, 0.69%, 0.35%

LAB 35.91, 59.08, -29.63

 

CMYK 0 / 82 / 33 / 41

HEX #961B64

RGB 150 27 100

HSL 324.39, 0.69%, 0.35%

LAB 34.37, 54.69, -11.21

 

CMYK 0 / 82 / 55 / 41

HEX #961B43

RGB 150 27 67

HSL 340.49, 0.69%, 0.35%

LAB 33.29, 51.48, 8.65

 

CMYK 0 / 82 / 78 / 41

HEX #961B21

RGB 150 27 33

HSL 357.07, 0.69%, 0.35%

LAB 32.65, 49.51, 29.7

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 33 / 82 / 0 / 41

HEX #651B96

RGB 101 27 150

HSL 276.1, 0.69%, 0.35%

LAB 28.78, 52.58, -52.02

 

CMYK 55 / 82 / 0 / 41

HEX #441B96

RGB 68 27 150

HSL 260, 0.69%, 0.35%

LAB 24.37, 47.65, -59.42

 

CMYK 77 / 82 / 0 / 41

HEX #231B96

RGB 35 27 150

HSL 243.9, 0.69%, 0.35%

LAB 21.37, 44.34, -64.47

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 12 / 92 / 0 / 35

HEX #910DA5

RGB 145 13 165

HSL 292.11, 0.85%, 0.35%

LAB 36.03, 66.08, -49.05

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 9 / 69 / 0 / 47

HEX #7C2A88

RGB 124 42 136

HSL 292.34, 0.53%, 0.35%

LAB 33.39, 48.53, -35.77

 

CMYK 7 / 54 / 0 / 53

HEX #713879

RGB 113 56 121

HSL 292.62, 0.37%, 0.35%

LAB 33.39, 35.65, -26.53

 

CMYK 5 / 35 / 0 / 58

HEX #66466B

RGB 102 70 107

HSL 291.89, 0.21%, 0.35%

LAB 34.53, 20.75, -16.08

 

CMYK 1 / 9 / 0 / 64

HEX #5C555D

RGB 92 85 93

HSL 292.5, 0.04%, 0.35%

LAB 37.05, 4.51, -3.61

 

CMYK 55 / 82 / 0 / 41

HEX #441B96

RGB 68 27 150

HSL 260, 0.69%, 0.35%

LAB 24.37, 47.65, -59.42

 

CMYK 33 / 82 / 0 / 41

HEX #651B96

RGB 101 27 150

HSL 276.1, 0.69%, 0.35%

LAB 28.78, 52.58, -52.02

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 0 / 82 / 11 / 41

HEX #961B86

RGB 150 27 134

HSL 307.8, 0.69%, 0.35%

LAB 35.96, 59.23, -30.17

 

CMYK 0 / 82 / 33 / 41

HEX #961B65

RGB 150 27 101

HSL 323.9, 0.69%, 0.35%

LAB 34.41, 54.81, -11.79

 

CMYK 11 / 83 / 0 / 68

HEX #480E51

RGB 72 14 81

HSL 291.94, 0.71%, 0.19%

LAB 16.92, 36.46, -27

 

CMYK 10 / 82 / 0 / 55

HEX #671573

RGB 103 21 115

HSL 292.34, 0.69%, 0.27%

LAB 25.74, 47.63, -34.98

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 10 / 82 / 0 / 27

HEX #A622B9

RGB 166 34 185

HSL 292.45, 0.69%, 0.43%

LAB 42.39, 68.91, -50.52

 

CMYK 10 / 80 / 0 / 15

HEX #C22CD8

RGB 194 44 216

HSL 292.33, 0.69%, 0.51%

LAB 49.77, 76.73, -56.38

 

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

CMYK 0 / 77 / 82 / 41

HEX #96231B

RGB 150 35 27

HSL 3.9, 0.69%, 0.35%

LAB 33.49, 46.76, 34.09

 

CMYK 82 / 0 / 43 / 41

HEX #1B9655

RGB 27 150 85

HSL 148.29, 0.69%, 0.35%

LAB 54.76, -47.41, 25.35

 

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

CMYK 0 / 11 / 82 / 41

HEX #96861B

RGB 150 134 27

HSL 52.2, 0.69%, 0.35%

LAB 55.7, -5.34, 54.61

 

CMYK 82 / 0 / 11 / 41

HEX #1B9686

RGB 27 150 134

HSL 172.2, 0.69%, 0.35%

LAB 55.85, -35.6, -0.7

 

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

CMYK 0 / 77 / 82 / 41

HEX #96231B

RGB 150 35 27

HSL 3.9, 0.69%, 0.35%

LAB 33.49, 46.76, 34.09

 

CMYK 71 / 0 / 82 / 41

HEX #2C961B

RGB 44 150 27

HSL 111.71, 0.69%, 0.35%

LAB 54.48, -51.96, 51.23

 

CMYK 82 / 5 / 0 / 41

HEX #1B8E96

RGB 27 142 150

HSL 183.9, 0.69%, 0.35%

LAB 53.79, -26.9, -12.96

 

CMYK 11 / 82 / 0 / 40

HEX #881C98

RGB 136 28 152

HSL 292.26, 0.69%, 0.35%

LAB 34.66, 59.05, -43.45

 

CMYK 0 / 52 / 82 / 41

HEX #96481B

RGB 150 72 27

HSL 21.95, 0.69%, 0.35%

LAB 39.91, 29.76, 40.3

 

CMYK 71 / 0 / 82 / 41

HEX #2C961B

RGB 44 150 27

HSL 111.71, 0.69%, 0.35%

LAB 54.48, -51.96, 51.23

 

CMYK 82 / 30 / 0 / 41

HEX #1B6996

RGB 27 105 150

HSL 201.95, 0.69%, 0.35%

LAB 42.06, -6.53, -31.04

 

Description

Color code: HEX #881C98 | qconv.com Color code: HEX #881C98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 28 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 28 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 82 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 82% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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