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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88249C it is the complementary color #77DB63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88249C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88249C shade: #8D2497, #9E36AA, #AF48BD, #C05AD0 and #D16CE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88249C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88249C shade: #88249C, #771289, #660076, #550063 and #440050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88249C shade: #89239D, #9D2391, #9D2370, #9D234F and #9D232E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88249C shade: #89239D, #68239D, #47239D, #26239D and #23239D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88249C shade matches the following richer shades: #89239D, #9414AD and #9E04BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88249C shade: #89239D, #7F338E, #74437E, #6A526E and #5F625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88249C shade: #48239D, #69239D, #89239D, #9D2391 and #9D2371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88249C shade: #4F145A, #6C1C7C, #89239D, #A62BBF and #BB40D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88249C shade: #88249C, #9D2723 and #239D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88249C shade: #88249C, #9D8923 and #239D89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88249C shade: #88249C, #9D2723, #389D23 and #23999D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88249C shade: #88249C, #9D4C23, #389D23 and #23759D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

Complementary color

CMYK 46 / 0 / 55 / 14

HEX #77DB63

RGB 119 219 99

HSL 110, 0.63%, 0.62%

LAB 79.32, -51.83, 49.42

 

CMYK 7 / 76 / 0 / 41

HEX #8D2497

RGB 141 36 151

HSL 294.78, 0.61%, 0.37%

LAB 36.29, 57.44, -40.19

 

CMYK 7 / 68 / 0 / 33

HEX #9E36AA

RGB 158 54 170

HSL 293.79, 0.52%, 0.44%

LAB 42.48, 58.06, -41.59

 

CMYK 7 / 62 / 0 / 26

HEX #AF48BD

RGB 175 72 189

HSL 292.82, 0.47%, 0.51%

LAB 48.79, 58.05, -42.56

 

CMYK 8 / 57 / 0 / 18

HEX #C05AD0

RGB 192 90 208

HSL 291.86, 0.56%, 0.58%

LAB 55.15, 57.69, -43.27

 

CMYK 8 / 52 / 0 / 11

HEX #D16CE3

RGB 209 108 227

HSL 290.92, 0.68%, 0.66%

LAB 61.5, 57.13, -43.81

 

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

CMYK 13 / 87 / 0 / 46

HEX #771289

RGB 119 18 137

HSL 290.92, 0.77%, 0.3%

LAB 29.81, 55.7, -42.17

 

CMYK 14 / 100 / 0 / 54

HEX #660076

RGB 102 0 118

HSL 291.86, 1%, 0.23%

LAB 24.11, 52.89, -39.54

 

CMYK 14 / 100 / 0 / 61

HEX #550063

RGB 85 0 99

HSL 291.52, 1%, 0.19%

LAB 19.36, 46.66, -35.02

 

CMYK 15 / 100 / 0 / 69

HEX #440050

RGB 68 0 80

HSL 291, 1%, 0.16%

LAB 14.45, 40.21, -30.34

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 0 / 78 / 8 / 38

HEX #9D2391

RGB 157 35 145

HSL 305.9, 0.64%, 0.38%

LAB 38.58, 60.24, -32.73

 

CMYK 0 / 78 / 29 / 38

HEX #9D2370

RGB 157 35 112

HSL 322.13, 0.64%, 0.38%

LAB 37, 55.61, -14.71

 

CMYK 0 / 78 / 50 / 38

HEX #9D234F

RGB 157 35 79

HSL 338.36, 0.64%, 0.38%

LAB 35.86, 52.07, 4.67

 

CMYK 0 / 78 / 71 / 38

HEX #9D232E

RGB 157 35 46

HSL 354.59, 0.64%, 0.38%

LAB 35.14, 49.77, 24.89

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 34 / 78 / 0 / 38

HEX #68239D

RGB 104 35 157

HSL 273.93, 0.64%, 0.38%

LAB 30.83, 51.71, -52.94

 

CMYK 55 / 78 / 0 / 38

HEX #47239D

RGB 71 35 157

HSL 257.7, 0.64%, 0.38%

LAB 26.67, 46.37, -59.92

 

CMYK 76 / 78 / 0 / 38

HEX #26239D

RGB 38 35 157

HSL 241.48, 0.64%, 0.38%

LAB 23.83, 42.64, -64.69

 

CMYK 78 / 78 / 0 / 38

HEX #23239D

RGB 35 35 157

HSL 240, 0.64%, 0.38%

LAB 23.65, 42.4, -65

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 14 / 88 / 0 / 32

HEX #9414AD

RGB 148 20 173

HSL 290.2, 0.79%, 0.38%

LAB 37.51, 66.8, -51.44

 

CMYK 16 / 98 / 0 / 26

HEX #9E04BD

RGB 158 4 189

HSL 289.95, 0.96%, 0.38%

LAB 39.63, 73.27, -57.39

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 11 / 64 / 0 / 44

HEX #7F338E

RGB 127 51 142

HSL 290.11, 0.47%, 0.38%

LAB 35.66, 46.44, -35.82

 

CMYK 8 / 47 / 0 / 51

HEX #74437E

RGB 116 67 126

HSL 289.83, 0.31%, 0.38%

LAB 36.43, 31.46, -24.86

 

CMYK 4 / 25 / 0 / 57

HEX #6A526E

RGB 106 82 110

HSL 291.43, 0.15%, 0.38%

LAB 38.24, 15.46, -12.25

 

CMYK 3 / 0 / 3 / 62

HEX #5F625F

RGB 95 98 95

HSL 120, 0.02%, 0.38%

LAB 41.21, -1.8, 1.29

 

CMYK 54 / 78 / 0 / 38

HEX #48239D

RGB 72 35 157

HSL 258.2, 0.64%, 0.38%

LAB 26.77, 46.52, -59.74

 

CMYK 33 / 78 / 0 / 38

HEX #69239D

RGB 105 35 157

HSL 274.43, 0.64%, 0.38%

LAB 30.97, 51.89, -52.7

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 0 / 78 / 8 / 38

HEX #9D2391

RGB 157 35 145

HSL 305.9, 0.64%, 0.38%

LAB 38.58, 60.24, -32.73

 

CMYK 0 / 78 / 28 / 38

HEX #9D2371

RGB 157 35 113

HSL 321.64, 0.64%, 0.38%

LAB 37.05, 55.73, -15.27

 

CMYK 12 / 78 / 0 / 65

HEX #4F145A

RGB 79 20 90

HSL 290.57, 0.64%, 0.22%

LAB 19.64, 37.63, -28.64

 

CMYK 13 / 77 / 0 / 51

HEX #6C1C7C

RGB 108 28 124

HSL 290, 0.63%, 0.3%

LAB 28.04, 48.05, -36.96

 

CMYK 13 / 78 / 0 / 38

HEX #89239D

RGB 137 35 157

HSL 290.16, 0.64%, 0.38%

LAB 35.9, 58.04, -44.5

 

CMYK 13 / 77 / 0 / 25

HEX #A62BBF

RGB 166 43 191

HSL 289.86, 0.63%, 0.46%

LAB 43.65, 67.44, -52.02

 

CMYK 11 / 70 / 0 / 17

HEX #BB40D3

RGB 187 64 211

HSL 290.2, 0.63%, 0.54%

LAB 50.61, 68.12, -52.24

 

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

CMYK 0 / 75 / 78 / 38

HEX #9D2723

RGB 157 39 35

HSL 1.97, 0.64%, 0.38%

LAB 35.48, 47.91, 31.99

 

CMYK 78 / 0 / 44 / 38

HEX #239D58

RGB 35 157 88

HSL 146.07, 0.64%, 0.38%

LAB 57.25, -48.48, 26.99

 

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

CMYK 0 / 13 / 78 / 38

HEX #9D8923

RGB 157 137 35

HSL 50.16, 0.64%, 0.38%

LAB 57.25, -3.47, 53.59

 

CMYK 78 / 0 / 13 / 38

HEX #239D89

RGB 35 157 137

HSL 170.16, 0.64%, 0.38%

LAB 58.3, -37.08, 1.18

 

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

CMYK 0 / 75 / 78 / 38

HEX #9D2723

RGB 157 39 35

HSL 1.97, 0.64%, 0.38%

LAB 35.48, 47.91, 31.99

 

CMYK 64 / 0 / 78 / 38

HEX #389D23

RGB 56 157 35

HSL 109.67, 0.64%, 0.38%

LAB 57.15, -51.3, 51.33

 

CMYK 78 / 3 / 0 / 38

HEX #23999D

RGB 35 153 157

HSL 181.97, 0.64%, 0.38%

LAB 57.63, -29.34, -11.19

 

CMYK 13 / 77 / 0 / 39

HEX #88249C

RGB 136 36 156

HSL 290, 0.63%, 0.38%

LAB 35.78, 57.31, -44.08

 

CMYK 0 / 52 / 78 / 38

HEX #9D4C23

RGB 157 76 35

HSL 20.16, 0.64%, 0.38%

LAB 41.94, 30.84, 38.75

 

CMYK 64 / 0 / 78 / 38

HEX #389D23

RGB 56 157 35

HSL 109.67, 0.64%, 0.38%

LAB 57.15, -51.3, 51.33

 

CMYK 78 / 25 / 0 / 38

HEX #23759D

RGB 35 117 157

HSL 199.67, 0.64%, 0.38%

LAB 46.33, -10.13, -28.49

 

Description

Color code: HEX #88249C | qconv.com Color code: HEX #88249C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 36 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 36 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 77 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 77% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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