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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882770 it is the complementary color #77D88F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882770 shade: #8D276B, #9E397E, #AF4B91, #C05DA4 and #D16FB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882770 shade: #882770, #77155D, #66034A, #550037 and #440024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882770 shade: #86276E, #862755, #86273B and #862727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882770 shade: #86276E, #842786, #6A2786, #502786 and #372786

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882770 shade matches the following richer shades: #86276E, #941875 and #A20A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882770 shade: #86276E, #783567, #6A4360, #5C5159 and #4E5F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882770 shade: #692786, #832786, #862770, #862756 and #86273D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882770 shade: #46143A, #661D54, #86276E, #A63089 and #C53AA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882770 shade: #882770, #865027 and #278676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882770 shade: #882770, #708627 and #277086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882770 shade: #882770, #865027, #27863D and #275D86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882770 shade: #882770, #866C27, #27863D and #274086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

Complementary color

CMYK 45 / 0 / 34 / 15

HEX #77D88F

RGB 119 216 143

HSL 134.85, 0.55%, 0.66%

LAB 79.05, -44.22, 27.34

 

CMYK 0 / 72 / 24 / 45

HEX #8D276B

RGB 141 39 107

HSL 320, 0.57%, 0.35%

LAB 34.35, 49.32, -15.87

 

CMYK 0 / 64 / 20 / 38

HEX #9E397E

RGB 158 57 126

HSL 319.01, 0.47%, 0.42%

LAB 40.74, 49.47, -17.69

 

CMYK 0 / 57 / 17 / 31

HEX #AF4B91

RGB 175 75 145

HSL 318, 0.4%, 0.49%

LAB 47.22, 49.15, -19.05

 

CMYK 0 / 52 / 15 / 25

HEX #C05DA4

RGB 192 93 164

HSL 316.97, 0.44%, 0.56%

LAB 53.72, 48.58, -20.11

 

CMYK 0 / 47 / 12 / 18

HEX #D16FB7

RGB 209 111 183

HSL 315.92, 0.52%, 0.63%

LAB 60.2, 47.89, -20.98

 

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

CMYK 0 / 82 / 22 / 53

HEX #77155D

RGB 119 21 93

HSL 315.92, 0.7%, 0.27%

LAB 27.43, 47.67, -17.84

 

CMYK 0 / 97 / 27 / 60

HEX #66034A

RGB 102 3 74

HSL 316.97, 0.94%, 0.21%

LAB 21.52, 45.31, -14.56

 

CMYK 0 / 100 / 35 / 67

HEX #550037

RGB 85 0 55

HSL 321.18, 1%, 0.17%

LAB 16.54, 39.77, -9.3

 

CMYK 0 / 100 / 47 / 73

HEX #440024

RGB 68 0 36

HSL 328.24, 1%, 0.13%

LAB 11.66, 33.36, -3.14

 

CMYK 0 / 71 / 18 / 47

HEX #86276E

RGB 134 39 110

HSL 315.16, 0.55%, 0.34%

LAB 33.23, 47.84, -19.6

 

CMYK 0 / 71 / 37 / 47

HEX #862755

RGB 134 39 85

HSL 330.95, 0.55%, 0.34%

LAB 32.2, 44.43, -5.09

 

CMYK 0 / 71 / 56 / 47

HEX #86273B

RGB 134 39 59

HSL 347.37, 0.55%, 0.34%

LAB 31.43, 41.76, 10.83

 

CMYK 0 / 71 / 71 / 47

HEX #862727

RGB 134 39 39

HSL 0, 0.55%, 0.34%

LAB 31.03, 40.36, 23.28

 

CMYK 0 / 71 / 18 / 47

HEX #86276E

RGB 134 39 110

HSL 315.16, 0.55%, 0.34%

LAB 33.23, 47.84, -19.6

 

CMYK 1 / 71 / 0 / 47

HEX #842786

RGB 132 39 134

HSL 298.74, 0.55%, 0.34%

LAB 34.14, 51.3, -33.25

 

CMYK 21 / 71 / 0 / 47

HEX #6A2786

RGB 106 39 134

HSL 282.32, 0.55%, 0.34%

LAB 30, 45.18, -40.11

 

CMYK 40 / 71 / 0 / 47

HEX #502786

RGB 80 39 134

HSL 265.89, 0.55%, 0.34%

LAB 26.38, 39.47, -46.13

 

CMYK 59 / 71 / 0 / 47

HEX #372786

RGB 55 39 134

HSL 250.11, 0.55%, 0.34%

LAB 23.62, 34.78, -50.76

 

CMYK 0 / 71 / 18 / 47

HEX #86276E

RGB 134 39 110

HSL 315.16, 0.55%, 0.34%

LAB 33.23, 47.84, -19.6

 

CMYK 0 / 84 / 21 / 42

HEX #941875

RGB 148 24 117

HSL 315, 0.72%, 0.34%

LAB 34.46, 57.11, -21.92

 

CMYK 0 / 94 / 23 / 36

HEX #A20A7C

RGB 162 10 124

HSL 315, 0.88%, 0.34%

LAB 36.66, 63.56, -22.7

 

CMYK 0 / 71 / 18 / 47

HEX #86276E

RGB 134 39 110

HSL 315.16, 0.55%, 0.34%

LAB 33.23, 47.84, -19.6

 

CMYK 0 / 56 / 14 / 53

HEX #783567

RGB 120 53 103

HSL 315.22, 0.39%, 0.34%

LAB 32.96, 36.03, -15.75

 

CMYK 0 / 37 / 9 / 58

HEX #6A4360

RGB 106 67 96

HSL 315.38, 0.23%, 0.34%

LAB 33.82, 21.78, -10.16

 

CMYK 0 / 12 / 3 / 64

HEX #5C5159

RGB 92 81 89

HSL 316.36, 0.06%, 0.34%

LAB 35.76, 6.15, -3.01

 

CMYK 18 / 0 / 14 / 63

HEX #4E5F52

RGB 78 95 82

HSL 134.12, 0.1%, 0.34%

LAB 38.57, -9.41, 5.29

 

CMYK 22 / 71 / 0 / 47

HEX #692786

RGB 105 39 134

HSL 281.68, 0.55%, 0.34%

LAB 29.85, 44.95, -40.36

 

CMYK 2 / 71 / 0 / 47

HEX #832786

RGB 131 39 134

HSL 298.11, 0.55%, 0.34%

LAB 33.98, 51.06, -33.53

 

CMYK 0 / 71 / 16 / 47

HEX #862770

RGB 134 39 112

HSL 313.89, 0.55%, 0.34%

LAB 33.33, 48.14, -20.72

 

CMYK 0 / 71 / 36 / 47

HEX #862756

RGB 134 39 86

HSL 330.32, 0.55%, 0.34%

LAB 32.24, 44.55, -5.68

 

CMYK 0 / 71 / 54 / 47

HEX #86273D

RGB 134 39 61

HSL 346.11, 0.55%, 0.34%

LAB 31.48, 41.93, 9.59

 

CMYK 0 / 71 / 17 / 73

HEX #46143A

RGB 70 20 58

HSL 314.4, 0.56%, 0.18%

LAB 16.04, 28.85, -12.45

 

CMYK 0 / 72 / 18 / 60

HEX #661D54

RGB 102 29 84

HSL 314.79, 0.56%, 0.26%

LAB 24.78, 38.88, -16.26

 

CMYK 0 / 71 / 18 / 47

HEX #86276E

RGB 134 39 110

HSL 315.16, 0.55%, 0.34%

LAB 33.23, 47.84, -19.6

 

CMYK 0 / 71 / 17 / 35

HEX #A63089

RGB 166 48 137

HSL 314.75, 0.55%, 0.42%

LAB 41.26, 56.89, -23.53

 

CMYK 0 / 71 / 17 / 23

HEX #C53AA3

RGB 197 58 163

HSL 314.68, 0.55%, 0.5%

LAB 48.93, 64.84, -26.84

 

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

CMYK 0 / 40 / 71 / 47

HEX #865027

RGB 134 80 39

HSL 25.89, 0.55%, 0.34%

LAB 39.5, 18.83, 33.05

 

CMYK 71 / 0 / 12 / 47

HEX #278676

RGB 39 134 118

HSL 169.89, 0.55%, 0.34%

LAB 50.44, -31.22, 0.67

 

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

CMYK 16 / 0 / 71 / 47

HEX #708627

RGB 112 134 39

HSL 73.89, 0.55%, 0.34%

LAB 52.55, -21.89, 46.18

 

CMYK 71 / 16 / 0 / 47

HEX #277086

RGB 39 112 134

HSL 193.89, 0.55%, 0.34%

LAB 43.86, -14.84, -18.66

 

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

CMYK 0 / 40 / 71 / 47

HEX #865027

RGB 134 80 39

HSL 25.89, 0.55%, 0.34%

LAB 39.5, 18.83, 33.05

 

CMYK 71 / 0 / 54 / 47

HEX #27863D

RGB 39 134 61

HSL 133.89, 0.55%, 0.34%

LAB 49.28, -43.72, 31.23

 

CMYK 71 / 31 / 0 / 47

HEX #275D86

RGB 39 93 134

HSL 205.89, 0.55%, 0.34%

LAB 37.81, -3.58, -28.05

 

CMYK 0 / 71 / 18 / 47

HEX #882770

RGB 136 39 112

HSL 314.85, 0.55%, 0.34%

LAB 33.68, 48.68, -20.14

 

CMYK 0 / 19 / 71 / 47

HEX #866C27

RGB 134 108 39

HSL 43.58, 0.55%, 0.34%

LAB 46.9, 2.42, 40.99

 

CMYK 71 / 0 / 54 / 47

HEX #27863D

RGB 39 134 61

HSL 133.89, 0.55%, 0.34%

LAB 49.28, -43.72, 31.23

 

CMYK 71 / 52 / 0 / 47

HEX #274086

RGB 39 64 134

HSL 224.21, 0.55%, 0.34%

LAB 28.95, 15.56, -42.14

 

Description

Color code: HEX #882770 | qconv.com Color code: HEX #882770 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 39 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 39 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 18 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 18% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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